A Narrative of a Nine Months Residence in New Zealand in 1827: Together With a Journal of a Residence in Tristan D'acunha, an Island Situated Between ... and the Cape of Good Hope
Augustus Earle
Paperback
(Forgotten Books, Feb. 3, 2018)
Excerpt from A Narrative of a Nine Months Residence in New Zealand in 1827: Together With a Journal of a Residence in Tristan D'acunha, an Island Situated Between South America and the Cape of Good HopeThese reflections have been called forth by a careful perusal of the New Zealand Journal, and they here terminate - the purpose of this Introduction being to supply the reader with a brief and suc cinct narrative of the events which led our traveller to Tristan d'acunha and New Zealand.It appears (from documents furnished by himself), that, although educated as an artist, a love of roving and' adven ture tempted him, at an early age, to sea. Accordingly, in 1815, through some interest he possessed at the Admiralty, he procured a passage on board a storeship bound to Sicily and Malta, where he had a brother stationed who was a captain in the navy. In one of the small craft attached to the British flotilla, he visited many parts of the Mediterranean, accompanying Lord Exmouth's fleet in his brother's gun-boat, on his Lordship's first expedition against the Barbary states. A peace being concluded with the Bey, he Visited the ruins of Carthage, and likewise the remains of the ancient city of Ptolomea or Lepida, situated in ancient Libya; the Bey providing our traveller and his companions with a tent, camels, and a strong guard of J anissaries to protect them against the Arabs. After this he returned to Malta, passed through Sicily, and ascended Mount zetna. He next proceeded to Gibraltar, taking a minute survey of that mighty rock, its batteries, caves, and Moorish ruins.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.