Other editions of book Fathers And Sons: A Norton Critical Edition

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

When Fathers and Sons was first published in Russia, in 1862, it was met with a blaze of controversy about where Turgenev stood in relation to his account of generational misunderstanding. Was he criticizing the worldview of the conservative aesthete, Pavel Kirsanov, and the older generation, or that of the radical, cerebral medical student, Evgenii Bazarov, representing the younger one? The critic Dmitrii Pisarev wrote at the time that the novel "stirs the mind . . . because everything is permeated with the most complete and most touching sincerity." N. N. Strakhov, a close friend of Tolstoy and Dostoevsky, praised its "profound vitality." It is this profound vitality in Turgenev's characters that carry his novel of ideas to its rightful place as a work of art and as one of the classics of Russian Literature.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

When Fathers and Sons was first published in Russia, in 1862, it was met with a blaze of controversy about where Turgenev stood in relation to his account of generational misunderstanding. Was he criticizing the worldview of the conservative aesthete, Pavel Kirsanov, and the older generation, or that of the radical, cerebral medical student, Evgenii Bazarov, representing the younger one? The critic Dmitrii Pisarev wrote at the time that the novel "stirs the mind . . . because everything is permeated with the most complete and most touching sincerity." N. N. Strakhov, a close friend of Tolstoy and Dostoevsky, praised its "profound vitality." It is this profound vitality in Turgenev's characters that carry his novel of ideas to its rightful place as a work of art and as one of the classics of Russian Literature.

Ivan Sergyevitch Turgenev came of an old stock of the Russian nobility. He was born in Orel, in the province of Orel, which lies more than a hundred miles south of Moscow, on October 28, 1818. His education was begun by tutors at home in the great family mansion in the town of Spask, and he studied later at the universities of Moscow, St. Petersburg, and Berlin. The influence of the last, and of the compatriots with whom he associated there, was very great; and when he returned to Moscow in 1841, he was ambitious to teach Hegel to the students there. Before this could be arranged, however, he entered the Ministry of the Interior at St. Petersburg. While there his interests turned more and more toward literature. He wrote verses and comedies, read George Sand, and made the acquaintance of Dostoevsky and the critic Bielinski. His mother, a tyrannical woman with an ungovernable temper, was eager that he should make a brilliant official career; so, when he resigned from the Ministry in 1845, she showed her disapproval by cutting down his allowance and thus forcing him to support himself by the profession he had chosen. Turgenev was an enthusiastic hunter; and it was his experiences in the woods of his native province that supplied the material for "A Sportsman's Sketches," the book that first brought him reputation. The first of these papers appeared in 1847, and in the same year he left Russia in the train of Pauline Viardot, a singer and actress, to whom he had been devoted for three or four years and with whom he maintained relations for the rest of his life. The work by Turgenev contained in the present volume is characteristic in their concern with social and political questions, and in the prominence in both of them of heroes who fail in action. Turgenev preaches no doctrine in his novels, has no remedy for the universe; but he sees clearly certain weaknesses of the Russian character and exposes these with absolute candor yet without unkindness. Much as he lived abroad, his books are intensely Russian; yet of the great Russian novelists he alone rivals the masters of western Europe in the matter of form. In economy of means, condensation, felicity of language, and excellence of structure he surpasses all his countrymen; and "Fathers and Sons" represent his great and delicate art at its best.

Bazarov—a gifted, impatient, and caustic young man—has journeyed from school to the home of his friend Arkady Kirsanov. But soon Bazarov’s outspoken rejection of authority and social conventions touches off quarrels, misunderstandings, and romantic entanglements that will utterly transform the Kirsanov household and reflect the changes taking place all across nineteenth-century Russia. Fathers and Sons enraged the old and the young, reactionaries, romantics, and radicals alike when it was first published. At the same time, Turgenev won the acclaim of Flaubert, Maupassant, and Henry James for his craftsmanship as a writer and his psychological insight. Fathers and Sons is now considered one of the world’s greatest novels. A timeless depiction of generational conflict during social upheaval, it vividly portrays the clash between the older Russian aristocracy and the youthful radicalism that foreshadowed the revolution to come—and offers modern-day readers much to reflect upon as they look around at their own tumultuous, changing world. Introduction by Jane Costlow

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

NOTE: This edition has a linked "Table of Contents" and has been beautifully formatted (searchable and interlinked) to work on your Amazon e-book reader or iPod e-book reader.This novel by acclaimed Russian author, Ivan Turgenev, concentrates on the conflict between generations, with the nihilist Bazarov representing the revolt of the young free-thinking intellectuals who strive for reality rather than negativity, and he embodies the spirit of revolution...A wonderful, well-written thrilling and vigorous novel. A must-have for classic literature fans!

Ivan Turgenev’s Fathers and Sons explores generational differences and their tragic consequences. The story centers around Arkady and Bazarov, two young men who return home from college to a world that has remained static. They have changed but must now redefine old relationships, both their friendship with one another and their relationships with their fathers. The main conflict of the novel is between the nihilistic Bazarov, who espouses a strictly materialistic attitude toward life, and Pavel Petrovich Kirsanov, an uncle of Arkady’s, who upholds the aristocratic tradition in the face of Bazarov’s ridicule. Fathers and Sons originally aroused controversy in Russia, with both radicals and conservatives disturbed by the portrait of Bazarov - an energetic, cynical, and self-assured nihilist who repudiates the romanticism of his elders. This new digital edition of Fathers and Sons from Enhanced Media includes an image gallery.

Arkady Kirsanov has just graduated from the University of Petersburg and returns with a friend, Bazarov, to his father's modest estate in an outlying province of Russia. His father, Nikolai, gladly receives the two young men at his estate, called Marino, but Nikolai's brother, Pavel, soon becomes upset by the strange new philosophy called nihilism which the young men advocate.