Other editions of book Jessie Trim. A novel.

As my earliest remembrances are associated with my grandmother's wedding, it takes natural precedence here of all other matter. I was not there, of course, but I seem to see it through a mist, and I have a distinct impression of certain actors in the scene. These are: a smoke-dried monkey of a man in stone, my grandmother, my grandfather (whom I never saw in the flesh), and a man with a knob on the top of his head, making a meal off his finger-nails. Naturally, this man's head is bald. Naturally, this man's nails are eaten down to the quick. I am unable to state how I come to the knowledge of these details, but I know them, and am prepared to stand by them. Sitting, as I see myself, in a very low armchair--in which I am such an exact fit that when I rise it rises with me, much to my discomfort--I hear my grandmother say: 'He had a knob on the top of his head, and he was always eating his nails.' Then a solemn pause ensues, broken by my grandmother adding, in a dismal tone: 'And the last time I set eyes on him was on my wedding-day.' The words are addressed not so much to me as to the smoke-dried monkey of a man in stone, which had occupied the place of honour on the mantelpiece in my grandmother's house, and which she had brought with her as a precious relic--(Jane Painter, I remember, always called it a relict)--when she came to live with us. The head of this stone figure is loose, and wags upon the slightest provocation. When something falls in the room, when the door is slammed, when a person walks sharply towards it, when it is merely looked at I sometimes fancy. I am not prepossessed in its favour, and I regard it with uneasy feelings, as probably possessing a power for evil, like a malevolently-inclined idol. But my grandmother, for some mysterious reason, values it as a very precious possession, and sits staring dumbly at it for hours. I watch her and it until, in my imagination, its monkey-face begins to twitch and its monkey-lips to move. At a certain point of my watch, I fancy that its eyes roll and glare at me, and I cover mine with my hands to shut out the disturbing sight.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Jessie Trim: A Novel ...; Volume 1 Of Jessie Trim: A Novel; Benjamin Leopold Farjeon<author> Benjamin Leopold Farjeon<publisher> Tinsley, 1874

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mark Twain once famously said "there was but one solitary thing about the past worth remembering, and that was the fact that it is past and can't be restored." Well, over recent years, The British Library, working with Microsoft has embarked on an ambitious programme to digitise its collection of 19th century books.There are now 65,000 titles available (that's an incredible 25 million pages) of material ranging from works by famous names such as Dickens, Trollope and Hardy as well as many forgotten literary gems , all of which can now be printed on demand and purchased right here on Amazon.Further information on The British Library and its digitisation programme can be found on The British Library website.

Mark Twain once famously said "there was but one solitary thing about the past worth remembering, and that was the fact that it is past and can't be restored." Well, over recent years, The British Library, working with Microsoft has embarked on an ambitious programme to digitise its collection of 19th century books.There are now 65,000 titles available (that's an incredible 25 million pages) of material ranging from works by famous names such as Dickens, Trollope and Hardy as well as many forgotten literary gems , all of which can now be printed on demand and purchased right here on Amazon.Further information on The British Library and its digitisation programme can be found on The British Library website.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Jessie Trim: A Novel ...; Volume 2 Of Jessie Trim: A Novel; Benjamin Leopold Farjeon<author> Benjamin Leopold Farjeon<publisher> Tinsley, 1874

Jessie Trim - A novel. Vol. 2 is an unchanged, high-quality reprint of the original edition of 1874. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.