Other editions of book Ayesha: By H. Rider Haggard - Illustrated

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How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Ayesha by H. Rider Haggard Ayesha, the Return of She is a gothic-fantasy novel by the popular Victorian author H. Rider Haggard, published in 1905, as a sequel to his far more popular and well known novel, She. It was serialised in the Windsor Magazine in 1904-5. Synopsis: In the book's prologue, the book's anonymous "Editor" receives a parcel. Opening it, he finds a letter from Horace Holly, with an enclosed manuscript containing a second memoir about She. There is also a second letter, from Holly's doctor, to whom Holly has entrusted his letter and manuscript, along with a wooden box, which contains an ancient sistrum. The doctor recounts how, when attending Holly in his last hours, he arrived at the house to find that Holly had risen from his deathbed and made his way to a local ring of ancient standing stones. Following him, the doctor glimpsed a manifestation that appears to Holly, but as the vision vanished, Holly had let out a happy cry and died. When the narrative of Holly's manuscript begins, nearly twenty years have passed since their first adventure in Africa, but he and his ward Leo Vincey are convinced that Ayesha did not die. Following their dreams, they wander for years through Asia, eventually coming to "Thibet" (as it is spelled in the book). Taking refuge over winter in a remote lamasery, they meet the old Abbot Kou-En, who claims to recall a past-life encounter tales with a witch queen from the time of Alexander the Great. The Abbott tries to dissuade them from going on and warns them that, however beautiful, nothing is immortal, even if the Queen was born centuries ago in Ancient Egypt or remembers it from a past life. He believes the Queen is holding on to the distractions of life, which will lead them away from Enlightenment and peace, whether she is a demon, a fallen angel, or only a dream. Despite the Abbot's warning, Leo is compelled to press on and Holly will not abandon his adopted son. When spring breaks, they travel out into the uncharted region beyond the monastery; after a perilous journey and many narrow escapes, they arrive in the city of Kaloon, which is rule

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Ayesha, the Return of She is a gothic-fantasy novel by the popular Victorian author H. Rider Haggard, published in 1905, as a sequel to his far more popular and well known novel, She. It was serialised in the Windsor Magazine in 1904-5. Its significance was recognised by its republication by the Newcastle Publishing Company as the fourteenth volume of the celebrated Newcastle Forgotten Fantasy Library series in October 1977. In this sequel to She, Horace Holly & his ward Leo Vincey once again embark on a quest to find the mysterious woman known as Ayesha. Knowing that She is no longer in Africa, they go east, eventually reaching a lamasery in the mountains of Tibet. The abbot warns them against continuing, but they press on & discover an ancient city named Kaloon, which is ruled by the evil Khan Rassen & his imperious wife, the Khania Atene. Near the city is a huge volcano, wherein lives the Hesea, the Priestess of Hes, & her servants. Leo becomes the center of a conflict between Atene & the Hesea, both of whom desire him. Harrison Fisher (July 27, 1875 or 1877 – January 19, 1934) was an American illustrator.

This book, second in the trilogy that begins with She, takes place in central Asia (China, Tibet, or Russia -- Haggard never tells us where, exactly, but it's clearly someplace in that vicinity), rather than Africa, but loses nothing for its location. The book's full of adventure -- a great avalanche, a chase by the death hounds, Ayesha's reincarnation, and of course the ultimate battle with Kalloon . . . there's even Ayesha's meeting with her "servants" -- that is shadows and ghosts from beyond and the past. Not to be missed by Haggard fans.

Here ends this history so far as it concerns science and the outside world. What its end will be as regards Leo and myself is more than I can guess. But we feel that it is not reached. . . , Often I sit alone at night, staring with the eyes of my mind into the blackness of unborn time, and wondering in what shape and form the great drama will be finally developed, and where the scene of its next act will be laid. And when, ultimately, that final development occurs, as I have no doubt it must and will occur, in obedience to a fate that never swerves and a purpose which cannot be altered, what will be the part played therein by that beautiful Egyptian Amenartas, the Princess of the royal house of the Pharaohs, for the love of whom the priest Kallikrates broke his vows to Isis, and, pursued by the vengeance of the outraged goddess, fled down the coast of Lybia to meet his doom at Kor?"-She, Silver Library Edition, p. 277.