Other editions of book The Crux

But Miss Rebecca, being concerned about her dignity, would not allow herself to be hustled, and the three proceeded in irregular order under the high-arched elms and fence-topping syringas of the small New England town toward the austere home of Mr. Samuel Lane. It was a large, uncompromising, square, white house, planted starkly in the close-cut grass. It had no porch for summer lounging, no front gate for evening dalliance, no path-bordering beds of flowers from which to pluck a hasty offering or more redundant tribute. The fragrance which surrounded it came from the back yard, or over the fences of neighbors; the trees which waved greenly about it were the trees of other people. Mr. Lane had but two trees, one on each side of the straight and narrow path, evenly placed between house and sidewalk—evergreens. Mrs. Lane received them amiably; the minister's new wife, Mrs. Williams, was proving a little difficult to entertain. She was from Cambridge, Mass., and emanated a restrained consciousness of that fact. Mr. Lane rose stiffly and greeted them. He did not like the Foote girls, not having the usual American's share of the sense of humor.

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This story is, first, for young women to read; second, for young men to read; after that, for anybody who wants to. Anyone who doubts its facts and figures is referred to "Social Diseases and Marriage," by Dr. Prince Morrow, or to "Hygiene and Morality," by Miss Lavinia Dock, a trained nurse of long experience. Some will hold that the painful facts disclosed are unfit for young girls to know. Young girls are precisely the ones who must know them, in order that they may protect themselves and their children to come. The time to know of danger is before it is too late to avoid it. If some say "Innocence is the greatest charm of young girls," the answer is, "What good does it do them?"

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The Crux portrays a multigenerational group of woman who flee the repressive traditions of their New England village on the advice of a woman physician. Migrating to the free and progressive West, they find personal growth and self-fulfillment in a Colorado town. An argument against the nineteeth-century ideal of female "innocence" that left women vulnerable to sexually transmitted disease, the novel invokes classic frontier ideology along with a feminist critique of the male-dominated medical establishment in order to argue for women's sexual self-determination.Charlotte Perkins Gilman (1860-1935) was a pioneering figure in twentieth-century feminism, an intrepid social theorist, writer, and activist. Originally serialized in Gilman's magazine The Forerunner in 1911, The Crux envisions many of her best-known reformist ideas for gender relations and social organization. In their Massachusetts hometown, her female protagonists languish out of duty to Victorian values that circumscribe women's personal and intellectual development. In Colorado, however they help to establish a thriving new world founded on many of Gilman's principles for progressive social change, including socialized housekeeping, professionalized child care, and economic independence for white, middle-class women.

Long out of print, Charlotte Perkins Gilman's novel The Crux is an important early feminist work that brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman's words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.

Long out of print, Charlotte Perkins Gilman’s novel The Crux is an important early feminist work that brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.Dana Seitler’s introduction provides historical context, revealing The Crux as an allegory for social and political anxieties—including the rampant insecurities over contagion and disease—in the United States at the beginning of the twentieth century. Seitler highlights the importance of The Crux to understandings of Gilman’s body of work specifically and early feminism more generally. She shows how the novel complicates critical history by illustrating the biological argument undergirding Gilman’s feminism. Indeed, The Crux demonstrates how popular conceptions of eugenic science were attractive to feminist authors and intellectuals because they suggested that ideologies of national progress and U.S. expansionism depended as much on women and motherhood as on masculine contes

Long out of print, Charlotte Perkins Gilman’s novel The Crux is an important early feminist work that brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal. About The Author(s) Charlotte Perkins Gilman (1860–1935) was the author of novels, short stories, poems, and works of nonfiction. She is best known for “The Yellow Wallpaper” (1892), Women and Economics (1898), and the novel Herland (1915). Dana Seitler is Assistant Professor of Literary Theory and Cultural Studies at Wayne State University.

Long out of print, Charlotte Perkins Gilman’s novel The Crux is an important early feminist work that brings to the fore complicated issues of gender, citizenship, eugenics, and frontier nationalism. First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.Dana Seitler’s introduction provides historical context, revealing The Crux as an allegory for social and political anxieties—including the rampant insecurities over contagion and disease—in the United States at the beginning of the twentieth century. Seitler highlights the importance of The Crux to understandings of Gilman’s body of work specifically and early feminism more generally. She shows how the novel complicates critical history by illustrating the biological argument undergirding Gilman’s feminism. Indeed, The Crux demonstrates how popular conceptions of eugenic science were attractive to feminist authors and intellectuals because they suggested that ideologies of national progress and U.S. expansionism depended as much on women and motherhood as on masculine contest.