Other editions of book The American

This ebook includes a biographical introduction, a short, critical analysis of James' career and a brief introduction to this work.Originally serialised in the Atlantic Monthly between 1876 and 1877 then published in book form within a year, The American was James' second novel after Roderick Hudson. The plot, which eventually runs amok, concerns the efforts of Christopher Newman, a wealthy American businessman, to marry the beautiful French widow Claire de Cintre. Newman's progress, which at times runs counter to the wishes of Cintre's family and at other times to their tune, is further complicated by hidden secrets and social mores. Unfortunately, while the first half of the book keeps matters under restraint, it seems James literally lost the plot during the second half, allowing all the available threads to find their own limits rather than tying them onto the central thread of Newman's pursuit. This fraying of the threads creates a sense of mayhem that is unusual in a James novel in which, typically, the plot is underdone.

The American is a novel by Henry James, originally published as a serial in The Atlantic Monthly in 1876–77 and then as a book in 1877. The novel is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th-century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family. (wikipedia.org)

The American was popular as one of the first international novels contrasting the rising and forceful New World and the cultured but sinful Old World. The American is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family.

On a brilliant day in May, in the year 1868, a gentleman was reclining at his ease on the great circular divan which at that period occupied the centre of the Salon Carré, in the Museum of the Louvre. This commodious ottoman has since been removed, to the extreme regret of all weak-kneed lovers of the fine arts, but the gentleman in question had taken serene possession of its softest spot, and, with his head thrown back and his legs outstretched, was staring at Murillo’s beautiful moon-borne Madonna in profound enjoyment of his posture. He had removed his hat, and flung down beside him a little red guide-book and an opera-glass. The day was warm; he was heated with walking, and he repeatedly passed his handkerchief over his forehead, with a somewhat wearied gesture. And yet he was evidently not a man to whom fatigue was familiar; long, lean, and muscular, he suggested the sort of vigor that is commonly known as “toughness.” But his exertions on this particular day had been of an unwonted sort, and he had performed great physical feats which left him less jaded than his tranquil stroll through the Louvre. He had looked out all the pictures to which an asterisk was affixed in those formidable pages of fine print in his Bädeker; his attention had been strained and his eyes dazzled, and he had sat down with an æsthetic headache. He had looked, moreover, not only at all the pictures, but at all the copies that were going forward around them, in the hands of those innumerable young women in irreproachable toilets who devote themselves, in France, to the propagation of masterpieces, and if the truth must be told, he had often admired the copy much more than the original. His physiognomy would have sufficiently indicated that he was a shrewd and capable fellow, and in truth he had often sat up all night over a bristling bundle of accounts, and heard the cock crow without a yawn. But Raphael and Titian and Rubens were a new kind of arithmetic, and they inspired our friend, for the first time in his life, with a vague self-mistrust.An observer with anything of an eye for national types would have had no difficulty in determining the local origin of this undeveloped connoisseur, and indeed such an observer might have felt a certain humorous relish of the almost ideal completeness with which he filled out the national mould. The gentleman on the divan was a powerful specimen of an American. But he was not only a fine American; he was in the first place, physically, a fine man. He appeared to possess that kind of health and strength which, when found in perfection, are the most impressive—the physical capital which the owner does nothing to “keep up.”- Taken from "The American" written by Henry James

The novel is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th-century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family.

"Monsieur has bought my picture," said Mademoiselle Noemie. "When it's finished you'll carry it to him in a cab." "In a cab!" cried M. Nioche; and he stared, in a bewildered way, as if he had seen the sun rising at midnight. "Are you the young lady's father?" said Newman. "I think she said you speak English." "Speak English -- yes," said the old man slowly rubbing his hands. "I will bring it in a cab." "Say something, then," cried his daughter. "Thank him a little -- not too much." "A little, my daughter, a little?" said M. Nioche perplexed. "How much?" "Two thousand!" said Mademoiselle Noemie. "Don't make a fuss or he'll take back his word." "Two thousand!" cried the old man, and he began to fumble for his snuff-box. He looked at Newman from head to foot; he looked at his daughter and then at the picture. "Take care you don't spoil it!" he cried almost sublimely.

[This is the Audiobook Cassette Library Edition in vinyl case.] During a trip to Europe, wealthy American businessman Christopher Newman proposes marriage to the scintillating and beautiful aristocrat Claire de Cintré. To his dismay, he comes up against the machinations of her impoverished but proud family, who find Newman to be a vulgar example of the American privileged class. Brilliantly combining elements of comedy, tragedy, romance, and melodrama, this tale of thwarted desire vividly contrasts nineteenth-century American and European manners. Literary critic Leon Edel, considered the foremost authority on the works of Henry James, wrote of this novel: ''Behind its melodrama and its simple romance is the history of man's dream of better worlds, travel to strange lands, and marriage to high and noble ladies. At the same time, the book reveals a deep affection for American innocence and a deep awareness that such innocence carries with it a fund of ignorance.''

The American is a novel by Henry James, originally published as a serial in The Atlantic Monthly in 1876–77 and then as a book in 1877. The novel is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th-century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family.

On a brilliant day in May, in the year 1868, a gentleman was reclining at his ease on the great circular divan which at that period occupied the centre of the Salon Carre, in the Museum of the Louvre. This commodious ottoman has since been removed, to the extreme regret of all weak-kneed lovers of the fine arts, but the gentleman in question had taken serene possession of its softest spot, and, with his head thrown back and his legs outstretched, was staring at Murillo's beautiful moon-borne Madonna in profound enjoyment of his posture. He had removed his hat, and flung down beside him a little red guide-book and an opera-glass. The day was warm; he was heated with walking, and he repeatedly passed his handkerchief over his forehead, with a somewhat wearied gesture. And yet he was evidently not a man to whom fatigue was familiar; long, lean, and muscular, he suggested the sort of vigor that is commonly known as "toughness." But his exertions on this particular day had been of an unwonted sort, and he had performed great physical feats which left him less jaded than his tranquil stroll through the Louvre. He had looked out all the pictures to which an asterisk was affixed in those formidable pages of fine print in his Badeker; his attention had been strained and his eyes dazzled, and he had sat down with an aesthetic headache.

[This is the Audiobook CD Library Edition in vinyl case.] During a trip to Europe, wealthy American businessman Christopher Newman proposes marriage to the scintillating and beautiful aristocrat Claire de Cintré. To his dismay, he comes up against the machinations of her impoverished but proud family, who find Newman to be a vulgar example of the American privileged class. Brilliantly combining elements of comedy, tragedy, romance, and melodrama, this tale of thwarted desire vividly contrasts nineteenth-century American and European manners. Literary critic Leon Edel, considered the foremost authority on the works of Henry James, wrote of this novel: ''Behind its melodrama and its simple romance is the history of man's dream of better worlds, travel to strange lands, and marriage to high and noble ladies. At the same time, the book reveals a deep affection for American innocence and a deep awareness that such innocence carries with it a fund of ignorance.''