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Romola (1862–63) is a historical novel by George Eliot set in the fifteenth century, and is "a deep study of life in the city of Florence from an intellectual, artistic, religious, and social point of view".[citation needed] The story takes place amidst actual historical events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history.The novel first appeared in fourteen parts published in Cornhill Magazine from July 1862 (vol. 6, no. 31) to August 1863 (vol. 8, no. 44), and was first published as a book, in three volumes, by Smith, Elder & Co. in 1863.

Romola (1862–63) is a historical novel by George Eliot set in the fifteenth century, and is "a deep study of life in the city of Florence from an intellectual, artistic, religious, and social point of view".The story takes place amidst actual historical events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history.The novel first appeared in fourteen parts published in Cornhill Magazine from July 1862 (vol. 6, no. 31) to August 1863 (vol. 8, no. 44), and was first published as a book, in three volumes, by Smith, Elder & Co. in 1863.

Romola (1862–63) is a historical novel by George Eliot set in the fifteenth century, and is "a deep study of life in the city of Florence from an intellectual, artistic, religious, and social point of view". The story takes place amidst actual historical events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history.The novel first appeared in fourteen parts published in Cornhill Magazine from July 1862 (vol. 6, no. 31) to August 1863 (vol. 8, no. 44), and was first published as a book, in three volumes, by Smith, Elder & Co. in 1863.Florence, 1492: Christopher Columbus has sailed towards the New World, and Florence has just mourned the death of its legendary leader, Lorenzo de' Medici. In this setting, a Florentine trader meets a shipwrecked stranger, who introduces himself as Tito Melema, a young Italianate-Greek scholar. Tito becomes acquainted with several other Florentines, including Nello the barber and a young girl named Tessa. He is also introduced to a blind scholar named Bardo de' Bardi, and his daughter Romola. As Tito becomes settled in Florence, assisting Bardo with classical studies, he falls in love with Romola. However, Tessa falls in love with Tito, and the two are "married" in a mock ceremony.Tito learns from Fra Luca, a Dominican friar, that his adoptive father has been forced into slavery and is asking for assistance. Tito introspects, comparing filial duty to his new ambitions in Florence, and decides that it would be futile to attempt to rescue his adoptive father. This paves the way for Romola and Tito to marry. Fra Luca shortly thereafter falls ill and before his death he speaks to his estranged sister, Romola. Ignorant of Romola's plans, Fra Luca warns her of a vision foretelling a marriage between her and a mysterious stranger who will bring pain to her and her father. After Fra Luca's death, Tito dismisses the warning and advises Romola to trust him. Tito and Romola become betrothed at the end of Carnival, to be married at Easter after Tito returns from a visit to Rome.The novel then skips ahead to November 1494, more than eighteen months after the marriage. In that time, the French-Italian Wars have seen Florence enter uneasy times. Girolamo Savonarola preaches to Florentines about ridding the Church and the city of scourge and corruption, and drums up support for the new republican government. Piero de' Medici, Lorenzo de' Medici's son and successor to the lordship of Florence, has been driven from the city for his ignominious surrender to the invading French king, Charles VIII. The Medici palace is looted and the Medici family formally exiled from the city. In this setting, Tito, now a valued member of Florentine society, participates in the reception for the French invaders. Tito encounters an escaped prisoner, who turns out to be his adopted father, Baldassarre. Panicked and somewhat ashamed of his earlier inaction, Tito denies knowing the escaped prisoner and calls him a madman. Baldassarre escapes into the Duomo, where he swears revenge on his unfilial adoptive son. Growing ever more fearful, Tito plans to leave Florence. To do this, he betrays his late father-in-law, Bardo, who died some months earlier, by selling the late scholar's library. This reveals to Romola the true nature of her husband's character. She secretly leaves Tito and Florence, but is persuaded by Savonarola to return to fulfil her obligations to her marriage and her fellow Florentines. Nevertheless, the love between Romola and Tito has gone.

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors.Romola (1862–63) is a historical novel by George Eliot set in the fifteenth century, and is "a deep study of life in the city of Florence from an intellectual, artistic, religious, and social point of view". It first appeared in fourteen parts published in Cornhill Magazine from July 1862 (vol. 6, no. 31) to August 1863 (vol. 8, no. 44). The story takes place amidst actual historical events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history.

[Read by Wanda McCaddon]''There is no book of mine about which I more thoroughly feel that I swear by every sentence as having been written with my best blood.'' Thus wrote George Eliot about Romola, the book which is central in her career as a novelist and amongst her most colorful, fluent, and persuasive works. Set in Florence in 1492, a time of great political and religious turmoil, Eliot's novel blends vivid fictional characters with historical figures such as Savonarola, Machiavelli, and the Medicis. When Romola, the virtuous daughter of a blind scholar, marries Tito Melema, a charismatic young Greek, she is bound to a man whose escalating betrayals threaten to destroy all that she holds dear. Profoundly inspired by Savonarola's teachings, then crushed by the religious leader's ultimate failure, Romola finds her salvation in noble self-sacrifice.

Romola (1862–63) is a historical novel by George Eliot set in the fifteenth century, and is "a deep study of life in the city of Florence from an intellectual, artistic, religious, and social point of view". The story takes place amidst actual historical events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history.

Romola (1862–63) is a historical novel by George Eliot set in the fifteenth century, and is "a deep study of life in the city of Florence from an intellectual, artistic, religious, and social point of view". The story takes place amidst actual historical events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history.

Romola (1862–63) is a historical novel by George Eliot set in the fifteenth century, and is "a deep study of life in the city of Florence from an intellectual, artistic, religious, and social point of view". The story takes place amidst actual historical events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history.

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Romola, George Eliot's only historical novel, always occupied a special place in her own affections. Looking back at the end of her career, she remarked "I could swear by every sentence as having been written with my best blood." Henry James called it "on the whole the finest thing she wrote." Yet since its first appearance the novel has perplexed many of Eliot's admirers by the range and density of its historical references. The Clarendon Edition, based on the original Cornhill serialization with emendations from later authoritative editions, traces and explains the allusions and provides a comprehensive account of the composition and publishing history of the novel: it confirms Romola as one of Eliot's greatest artistic achievements.