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Aesop was an Ancient Greek story-teller and slave, famed and cherished for his short fables that often involve personified animals. In the renowned collection of works that is Aesop's Fables, he weaves moral education and entertainment together into tales that have been enjoyed by many, many generations. A lot of the stories in Aesop's Fables, such as The Fox and the Grapes (giving us the term "sour grapes"), The Tortoise and the Hare, The North Wind and the Sun and The Boy Who Cried Wolf, are well-known across the world.

Aesop, an ancient Greek poet who was sold into slavery in the early sixth century BC, relied on animal stories to convey his key points to his masters in court. Aesop's Fables are classic, memorable morality plays in which amusing animal characters drive home thought-provoking morals to generations of listeners and modern-day audiences. They illustrate what was fundamental to Greek culture, yet their appeal lies in logic we still understand. Translated into countless languages and familiar to people around the world, Aesop's fables never tarnish despite being told again and again.

Aesop's Fables is a collection credited to a slave that lived in ancient Greece around 600 BCE. A great influence on the proceeding generations as the fables were retold over and over again. Many of the fables we repeat today can be found to trace back to Aesop like "The Hare and the Tortoise," "The Lion and the Mouse" and "The Boy Who Called Wolf." Aesop on the other hand had in the first place the wisdom never to identify himself with those who put such stories into verse, but took a line of his own; and in the second, like those who dine well off the plainest dishes, he made use of humble incidents to teach great truths, and after serving up a story he adds to it the advice to do a thing or not to do it. Then, too, he was really more attached to truth than the poets are; for the latter do violence to their own stories in order to make them probable; but he by announcing a story which everyone knows not to be true, told the truth by the very fact that he did not claim to be relating real events. —Philostratus, Life of Apollonius of Tyana, Book V:14

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The Wolf And The Lamb WOLF, meeting with a Lamb astray from the fold, resolved not to lay violent hands on him, but to find some plea to justify to the Lamb the Wolf's right to eat him. He thus addressed him: "Sirrah, last year you grossly insulted me." "Indeed," bleated the Lamb in a mournful tone of voice, "I was not then born." Then said the Wolf, "You feed in my pasture." "No, good sir," replied the Lamb, "I have not yet tasted grass." Again said the Wolf, "You drink of my well." "No," exclaimed the Lamb, "I never yet drank water, for as yet my mother's milk is both food and drink to me." Upon which the Wolf seized him and ate him up, saying, "Well! I won't remain supperless, even though you refute every one of my imputations." The tyrant will always find a pretext for his tyranny.

“No act of kindness, no matter how small, is ever wasted.” --- Aesop Aesop's Fables are a collection of fables credited to Aesop (620 - 560 BC), a slave and story-teller that lived in Ancient Greece. Aesop's Fables become a blanket term for collections of brief fables, usually involving personified animals. The fables remain a popular choice for moral education of children today.--- Fictions that point to the truth Fable as a genre Apollonius of Tyana, a 1st-century CE philosopher, is recorded as having said about Aesop: ... like those who dine well off the plainest dishes, he made use of humble incidents to teach great truths, and after serving up a story he adds to it the advice to do a thing or not to do it. Then, too, he was really more attached to truth than the poets are; for the latter do violence to their own stories in order to make them probable; but he by announcing a story which everyone knows not to be true, told the truth by the very fact that he did not claim to be relating real events. ---Philostratus, Life of Apollonius of Tyana, Book V:14 The Greek historian Herodotus mentioned in passing that "Aesop the fable writer" was a slave who lived in Ancient Greece during the 5th century BCE. Among references in other writers, Aristophanes, in his comedy The Wasps, represented the protagonist Philocleon as having learnt the "absurdities" of Aesop from conversation at banquets; Plato wrote in Phaedo that Socrates whiled away his jail time turning some of Aesop's fables "which he knew" into verses. Nonetheless, for two main reasons – because numerous morals within Aesop's attributed fables contradict each other, and because ancient accounts of Aesop's life contradict each other – the modern view is that Aesop did not solely compose all those fables attributed to him, if he even existed at all. Instead, any fable tended to be ascribed to the name of Aesop if there was no known alternative literary source. In Classical times there were various theorists who tried to differentiate these fables from other kinds of narration. They had to be short and unaffected; in addition, they are fictitious, useful to life and true to nature. In them could be found talking animals and plants, although humans interacting only with humans figure in a few. Typically they might begin with a contextual introduction, followed by the story, often with the moral underlined at the end. Setting the context was often necessary as a guide to the story's interpretation, as in the case of the political meaning of The Frogs Who Desired a King and The Frogs and the Sun. Sometimes the titles given later to the fables have become proverbial, as in the case of 'killing the Goose that Laid the Golden Eggs or the Town Mouse and the Country Mouse. In fact some fables, such as The Young Man and the Swallow, appear to have been invented as illustrations of already existing proverbs. One theorist, indeed, went so far as to define fables as extended proverbs. In this they have an aetiological function, the explaining of origins such as, in another context, why the ant is a mean, thieving creature. Other fables, also verging on this function, are outright jokes, as in the case of The Old Woman and the Doctor, aimed at greedy practitioners of medicine.