Other editions of book Uncle Remus: His Songs and His Sayings

"Uncle Remus, His Songs and His Sayings" by Joel Chandler Harris. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The author's dialect and stereotyped characters are now seen as racist and patronizing toward African-Americans. When they were written and first published, they were not seen as racist by many. The author maintained they were an accurate account of the stories he heard from slaves when he worked on a plantation and the dialogue represented a Deep South Gullah dialect Many of these stories have direct equivalents in the African oral tradition.

Webster's edition of this classic is organized to expose the reader to a maximum number of synonyms and antonyms for difficult and often ambiguous English words that are encountered in other works of literature, conversation, or academic examinations. Extremely rare or idiosyncratic words and expressions are given lower priority in the notes compared to words which are ¿difficult, and often encountered¿ in examinations. Rather than supply a single synonym, many are provided for a variety of meanings, allowing readers to better grasp the ambiguity of the English language, and avoid using the notes as a pure crutch. Having the reader decipher a word's meaning within context serves to improve vocabulary retention and understanding. Each page covers words not already highlighted on previous pages. If a difficult word is not noted on a page, chances are that it has been highlighted on a previous page. A more complete thesaurus is supplied at the end of the book; synonyms and antonyms are extracted from Webster's Online Dictionary. PSAT¿ is a registered trademark of the College Entrance Examination Board and the National Merit Scholarship Corporation neither of which sponsors or endorses this book; SAT¿ is a registered trademark of the College Board which neither sponsors nor endorses this book; GRE¿, AP¿ and Advanced Placement¿ are registered trademarks of the Educational Testing Service which neither sponsors nor endorses this book, GMAT¿ is a registered trademark of the Graduate Management Admissions Council which is neither affiliated with this book nor endorses this book, LSAT¿ is a registered trademark of the Law School Admissions Council which neither sponsors nor endorses this product. All rights reserved.

UNCLE REMUS, said the little boy one evening, when he had found the old man with little or nothing to do, "did the fox kill and eat the rabbit when he caught him with the Tar-Baby?" "Law, honey, ain't I tell you 'bout dat?" replied the old darkey, chuckling slyly. "I 'clar ter grashus I ought er tole you dat, but old man Nod wuz ridin' on my eyeleds 'twel a leetle mo'n I'd a dis'member'd my own name, en den on to dat here come yo mammy hollerin' atter you. "W'at I tell you w'en I fus' begin? I tole you Brer Rabbit wuz a monstus soon creetur; leas'ways dat’s w'at I laid out fer ter tell you. Well, den, honey, don't you go en make no udder calkalashuns, kaze in dem days Brer Rabbit en his fambly wuz at de head er de gang w'en enny racket wuz on han', en dar dey stayed. 'Fo' you begins fer ter wipe yo' eyes 'bout Brer Rabbit, you wait en see whar'bouts Brer Rabbit gwineter fetch up at. But dat’s needer yer ner dar. "W'en Brer Fox fine Brer Rabbit mixt up wid de Tar-Baby, he feel mighty good, en he roll on de groun' en laff. Bimeby he up'n say, seize: "'Well, I speck I got you dis time, Brer Rabbit, sezee; 'maybe I ain't, but I speck I is. You been runnin' roun' here sassin' atter me a mighty long time, but I speck you done come ter de een' er de row. You bin cuttin' up yo' capers en bouncin''roun' in dis neighberhood ontwel you come ter b'leeve yo’se'f de boss er de whole gang. En den you er allers somers whar you got no bizness,' sez Brer Fox, sezee. 'Who ax you fer ter come en strike up a 'quaintance wid dish yer Tar-Baby? En who stuck you up dar whar you iz? Nobody in de roun' worl'. You des tuck en jam yo’se'f on dat Tar-Baby widout waitin' fer enny invite,' sez Brer Fox, sezee, en dar you is, en dar you'll stay twel I fixes up a bresh-pile and fires her up, kaze I'm gwineter bobby-cue you dis day, sho,' sez Brer Fox, sezee.

THE DIALECT, LORE, AND FLAVOR OF BLACK LIFE IN THE SOUTH DURING THE NINETEENTH CENTURY IS PORTRAYED AS IT APPEARED TO GEORGIA-BORN JOEL CHANDLER HARRIS IN UNCLE REMUS'S LEGENDS OF THE OLD PLANTATION. THIS COMPLETE EDITION CONTAINS THIRTY-FOUR TALES, TEN SONGS, TWENTY-ONE CHARACTER SKETCHES AND FOUR PAGES OF PROVERBS AND USES THE FIRST (1880) EDITION TEXT.

Uncle Remus is the fictional title character and narrator of a collection of black American folktales compiled and adapted by Joel Chandler Harris and published in book form in 1881. Harris was a journalist in post-Reconstruction Atlanta, and he produced seven Uncle Remus books. He wrote these stories to represent the struggle in the Southern United States, and more specifically in the plantations. He did so by introducing tales that he had heard and framing them in the plantation context. He wrote his stories in a dialect which was his interpretation of Deep South Negro language of the time. For these framing and stylistic choices, his collection has encountered controversy.

Uncle Remus: His Songs and His Sayings, 1921- To Arthur Burdette Frost : MY DEAR FROST: I am expected to supply a preface for this new edition of my first book-to advance from behind the curtain, as it were, and make a fresh bow to the public that has dealt with Uncle Remus in so gentle and generous a fashion. For this event the lights are to be rekindled, and I am expected to respond in some formal way to an encore that marks the fifteenth anniversary of the book. There have been other editions-how many I do not remember but this is to be an entirely new one, except as to the matter : new type, new pictures, and new binding. But, as frequently happens on such occasions, I am at a loss for a word. I seem to see before me the smiling faces of thousands of children-some young and fresh, and some wearing the friendly marks of age, but all children at heart-and not an unfriendly face among them.

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