Other editions of book Through the Looking Glass

This 1872 sequel to Lewis Carroll's beloved Alice's Adventures in Wonderland finds the inquisitive heroine in a fantastic land where everything is reversed. Looking-glass land, a topsy-turvy world lurking just behind the mirror over Alice's mantel, is a fantastic realm of live chessmen, madcap kings and queens, strange mythological creatures, talking flowers and puddings, and rude insects. Brooks and hedges divide the lush greenery of looking-glass land into a chessboard, where Alice becomes a pawn in a bizarre game of chess involving Humpty Dumpty, Tweedledum and Tweedledee, the Lion and the Unicorn, the White Knight, and other nursery-rhyme figures. Promised a crown when she reaches the eighth square, Alice perseveres through a surreal landscape of amusing characters that pelt her with riddles and humorous semantic quibbles and regale her with memorable poetry, including the oft-quoted "Jabberwocky." This handsome, inexpensive edition, featuring the original John Tenniel illustrations, makes available to today's readers a classic of juvenile literature long cherished for its humor, whimsy, and incomparable fantasy.

Alice is bored at home, but not for long—suddenly, she finds she can step through her mirror into a fantastical world where everything is backwards. From insulting flowers to giant insects to the nonsensical Tweedledee and Tweedledum, Alice's confusing journey through the world of Looking-Glass House is anything but easy. Is it all really just a dream, or could it be something more than that? Featuring the infamous poem "Jabberwocky," this is the unabridged version of Lewis Carroll's sequel to Alice's Adventures in Wonderland. It was first published in the UK in 1871.

Through the Looking-Glass, and What Alice Found There (1871) is a work of children's literature by Lewis Carroll (Charles Lutwidge Dodgson), generally categorized as literary nonsense. It is the sequel to Alice's Adventures in Wonderland (1865). Although it makes no reference to the events in the earlier book, the themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May, on Alice's birthday (May 4), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on November 4 (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on.

Through the Looking-Glass, and What Alice Found There (1871) is a work of children's literature by Lewis Carroll (Charles Lutwidge Dodgson), generally categorized as literary nonsense. It is the sequel to Alice's Adventures in Wonderland (1865). Although it makes no reference to the events in the earlier book, the themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May, on Alice's birthday (May 4), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on November 4 (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on

"Alice's Adventures in Wonderland" is a summer tale published by Lewis Carroll (Charles Lutwidge Dodgson) for the first time in July 1865. Many of the characters and adventures in that book have to with a pack of cards. "Through the Looking-Glass and What Alice Found There" is a winter tale, which Carroll first published in December 1871. In this second tale, the characters and adventures are based on the game of chess. This book contains the famous illustrations of Sir John Tenniel, which first appeared in the original English edition. The Deseret alphabet was developed in the mid-19th century by the board of regents of the University of Deseret (later the University of Utah) under the direction of Brigham Young, second president of the Church of Jesus Christ of Latter-day Saints. It was intended to help make learning to write English easier. This wasn't very successful, though the alphabet does have interesting phonemic features, as well as being a fascinating part of Mormon history. This edition of "Through the Looking-Glass" is written entirely in that same alphabet, with fonts specially designed by John H. Jenkins and Michael Everson.

Through the Looking-Glass, and What Alice Found There (1871) is a work of literature by Lewis Carroll (Charles Lutwidge Dodgson). It is the sequel to Alice's Adventures in Wonderland (1865). The themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May (4 May), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on 4 November (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on.Whereas the first book has the deck of cards as a theme, this book is based on a game of chess, played on a giant chessboard with fields for squares. Most main characters in the story are represented by a chess piece or animals, with Alice herself being a pawn.The looking-glass world is divided into sections by brooks or streams, with the crossing of each brook usually signifying a notable change in the scene and action of the story: the brooks represent the divisions between squares on the chessboard, and Alice's crossing of them signifies advancing of her piece one square. Furthermore, since the brook-crossings do not always correspond to the beginning and ends of chapters, most editions of the book visually represent the crossings by breaking the text with several lines of asterisks ( * * * ). The sequence of moves (white and red) is not always followed. The most extensive treatment of the chess motif in Carroll's novel is provided in Glen Downey's The Truth About Pawn Promotion: The Development of the Chess Motif in Victorian Fiction.The characters of Hatta and Haigha (pronounced as the English would have said "hatter" and "hare") make an appearance, and are pictured (by Sir John Tenniel, not by Carroll) to resemble their Wonderland counterparts, the Hatter and the March Hare. However, Alice does not recognise them as such.Dinah, Alice's cat, also makes a return – this time with her two kittens; Kitty (the black one) and Snowdrop (the white one). At the end of the book they are associated with the Red Queen and the White Queen respectively in the looking-glass world.Though she does not appear, Alice's sister is mentioned. In both Alice's Adventures in Wonderland and Through the Looking-Glass, there are puns and quips about two non-existing characters, Nobody and Somebody. Paradoxically, the gnat calls Alice an old friend, though it was never introduced in Alice's Adventures in Wonderland.Charles Lutwidge Dodgson ( 27 January 1832 – 14 January 1898), better known by the pseudonym Lewis Carroll, was an English author, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, as well as the poems "The Hunting of the Snark" and "Jabberwocky", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy, and there are societies in many parts of the world (including the United Kingdom, Japan, the United States, and New Zealand) dedicated to the enjoyment and promotion of his works and the investigation of his life.

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors. Through the Looking-Glass, and What Alice Found There (1871) is a novel by Lewis Carroll (Charles Lutwidge Dodgson), the sequel to Alice's Adventures in Wonderland (1865). Set some six months later than the earlier book, Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. Through the Looking-Glass includes such celebrated verses as "Jabberwocky" and "The Walrus and the Carpenter", and the episode involving Tweedledum and Tweedledee.

Alice is playing with a white kitten (whom she calls "Snowdrop") and a black kitten (whom she calls "Kitty")—the offspring of Dinah, Alice's cat in Alice's Adventures in Wonderland—when she ponders what the world is like on the other side of a mirror's reflection. Climbing up on the fireplace mantel, she pokes at the wall-hung mirror behind the fireplace and discovers, to her surprise, that she is able to step through it to an alternative world. In this reflected version of her own house, she finds a book with looking-glass poetry, "Jabberwocky", whose reversed printing she can read only by holding it up to the mirror. She also observes that the chess pieces have come to life, though they remain small enough for her to pick up.Upon leaving the house (where it had been a cold, snowy night), she enters a sunny spring garden where the flowers have the power of human speech; they perceive Alice as being a "flower that can move about." Elsewhere in the garden, Alice meets the Red Queen (now human-sized), who impresses Alice with her ability to run at breathtaking speeds—a reference to the chess rule that queens are able to move up to seven spaces at once, and in any direction, making them the most "agile" of the pieces. The Red Queen reveals to Alice that the entire countryside is laid out in squares like a gigantic chessboard, and offers to make Alice a queen if she can move all the way to the eighth rank/row in a chess match. Alice is placed in the second rank as one of the White Queen's pawns, and begins her journey across the chessboard by boarding a train that literally jumps over the third row and directly into the fourth rank, acting on the rule that pawns can advance two spaces on their first move.Red King snoring, by John TennielShe then meets the fat twin brothers Tweedledum and Tweedledee, whom she knows from the famous nursery rhyme. After reciting the long poem "The Walrus and the Carpenter", the Tweedles draw Alice's attention to the Red King—loudly snoring away under a nearby tree—and maliciously provoke her with idle philosophical banter that she exists only as an imaginary figure in the Red King's dreams (thereby implying that she will cease to exist the instant he wakes up). Finally, the brothers begin acting out their nursery-rhyme by suiting up for battle, only to be frightened away by an enormous crow, as the nursery rhyme about them predicts.Alice next meets the White Queen, who is very absent-minded but boasts of (and demonstrates) her ability to remember future events before they have happened. Alice and the White Queen advance into the chessboard's fifth rank by crossing over a brook together, but at the very moment of the crossing, the Queen transforms into a talking Sheep in a small shop. Alice soon finds herself struggling to handle the oars of a small rowboat, where the Sheep annoys her with (seemingly) nonsensical shouting about "crabs" and "feathers". (Unknown to Alice, these are standard terms in the jargon of rowing—and thus the Queen/Sheep, for a change, is speaking in a perfectly logical and meaningful way!)After crossing yet another brook into the sixth rank, Alice immediately encounters Humpty Dumpty, who, besides celebrating his unbirthday, provides his own translation of the strange terms in "Jabberwocky" (in the process, introducing Alice and the reader to the concept of portmanteau words) before his inevitable fall. "All the king's horses and all the king's men" come to Humpty Dumpty's assistance, naturally, and are accompanied by the White King along with the Lion and the Unicorn, who again proceed to act out a nursery rhyme by fighting each other. In this chapter, the March Hare and Hatter of the first book make a brief re-appearance in the guise of "Anglo-Saxon messengers" called "Haigha" and "Hatta" (i.e. "Hare" and "Hatter"—these names are the only hint given as to their identities other than John Tenniel's illustrations...