The circular staircase
Mary Roberts Rinehart
language
(, April 13, 2018)
This is the story of how a middle-aged spinster lost her mind, deserted her domestic gods in the city, took a furnished house for the summer out of town, and found herself involved in one of those mysterious crimes that keep our newspapers and detective agencies happy and prosperous. For twenty years I had been perfectly comfortable; for twenty years I had had the window-boxes filled in the spring, the carpets lifted, the awnings put up and the furniture covered with brown linen; for as many summers I had said good-by to my friends, and, after watching their perspiring hegira, had settled down to a delicious quiet in town, where the mail comes three times a day, and the water supply does not depend on a tank on the roof.And then—the madness seized me. When I look back over the months I spent at Sunnyside, I wonder that I survived at all. As it is, I show the wear and tear of my harrowing experiences. I have turned very gray—Liddy reminded me of it, only yesterday, by saying that a little bluing in the rinse-water would make my hair silvery, instead of a yellowish white. I hate to be reminded of unpleasant things and I snapped her off.The Circular Staircase is a 1907 mystery novel by American writer Mary Roberts Rinehart. The story follows dowager Rachel Innes as she thwarts a series of strange crimes at a summer home she has rented with her niece and nephew. The novel was Rinehart's first bestseller and established her one of the era's most popular writers.The Circular Staircase pioneered what became known as the "had I but known" school of mystery writing, which often feature female protagonists and narrators who foreshadow impending danger and plot developments by reflecting on what they might have done differently. Rinehart employed this formula in many of her later works, and it inspired dozens of subsequent stories.[1][2][3] The novel was adapted for the screen twice: as a silent film in 1915, and for the television series Climax! in 1956.[4] However, its best known adaptation was as the play The Bat, which became a major Broadway hit and inspired a number of later works, including several adaptations of its own.Rachel is a spinster who has had custody of her orphaned niece and nephew since they were children. Halsey and Gertrude are now 20 and 24, respectively, and they talk Rachel into renting a house in the country for the summer.The first night Rachel is there, there is a mysterious trespasser and something falls down the stairs in the middle of the night. The second night, after Halsey and Gertrude have arrived, there is a murder, and Halsey and the friend he has brought to stay disappear.Halsey returns a few days later, without his friend and without an explanation, but by then many other developments have occurred, to the chagrin of the residents.Liddy's knees seemed to give away under her. Without a sound she sank down, leaving me staring at the window in petrified amazement. Liddy began to moan under her breath, and in my excitement I reached down and shook her."Stop it," I whispered. "It's only a woman—maybe a maid of the Armstrongs'. Get up and help me find the door." She groaned again. "Very well," I said, "then I'll have to leave you here. I'm going."She moved at that, and, holding to my sleeve, we felt our way, with numerous collisions, to the billiard-room, and from there to the drawing-room. The lights came on then, and, with the long French windows unshuttered, I had a creepy feeling that each one sheltered a peering face. In fact, in the light of what happened afterward, I am pretty certain we were under surveillance during the entire ghostly evening. We hurried over the rest of the locking-up and got upstairs as quickly as we could. I left the lights all on, and our footsteps echoed cavernously. Liddy had a stiff neck the next morning, from looking back over her shoulder, and she refused to go to bed.