Other editions of book A Bend in the River

'Brilliant and terrifying' - "Observer". I had to be the man who was doing well and more than well, the man whose drab shop concealed some bigger operation that made millions. I had to be the man who had planned it all, who had come to the destroyed town at the bend in the river because he had foreseen the rich future. 'Salim, the narrator, is a young man from an Indian family of traders long resident on the coast of Central Africa. Salim has left the coast to make his way in the interior, there to take on a small trading shop of this and that, sundries, sold to the natives. The place is 'a bend in the river'; it is Africa. The time is post-colonial, the time of Independence. The Europeans have withdrawn or been forced to withdraw and the scene is one of chaos, violent change, warring tribes, ignorance, isolation, poverty and a lack of preparation for the modern world they have entered, or partially assumed as a sort of decoration. It is a story of historical upheaval and social breakdown. Naipaul has fashioned a work of intense imaginative force. It is a haunting creation, rich with incident and human bafflement, played out in an immense detail of landscape rendered with a poignant brilliance' - Elizabeth Hardwick. 'Always a master of fictional landscape, Naipaul here shows, in his variety of human examples and in his search for underlying social causes, a Tolstoyan spirit' - John Updike.

This incandescent novel chronicles both an internal journey and a physical trek into the heart of Africa, a place caught between the dangerously alluring modern world and its own tenacious past and traditions. Exploring political and individual corruption, it expresses skepticism about the ability of newly decolonized nations to forge independent identities. Salim, a Muslim Indian merchant, opens a store in a sleepy small town at a bend in the river, whose inhabitants include a Belgian priest, a witch, and a white intellectual named Raymond. The president of the new country is a demagogue called the Big Man who hires Raymond as his speechwriter. Salim loses control of his store to the commercially inexperienced Citizen Theotime, who hires Salim to manage it. Gradually, the town's veneer of civilization begins to crumble.

This incandescent novel chronicles both an internal journey and a physical trek into the heart of Africa, a place caught between the dangerously alluring modern world and its own tenacious past and traditions. Exploring political and individual corruption, it expresses skepticism about the ability of newly decolonized nations to forge independent identities. Salim, a Muslim Indian merchant, opens a store in a sleepy small town at a bend in the river, whose inhabitants include a Belgian priest, a witch, and a white intellectual named Raymond. The president of the new country is a demagogue called the Big Man who hires Raymond as his speechwriter. Salim loses control of his store to the commercially inexperienced Citizen Theotime, who hires Salim to manage it. Gradually, the town's veneer of civilization begins to crumble.

First published in 1979, a Bend in the River is a novel of the politics and society of postcolonial Africa. Salim, a young Indian man, moves to a town on a bend in the river of a recently independent nation. As Salim strives to establish his business, he comes to be closely involved with the fluid and dangerous politics of the newly created state, the remnants of the old regime clashing inevitably with the new.

First published in 1979, a Bend in the River is a novel of the politics and society of postcolonial Africa. Salim, a young Indian man, moves to a town on a bend in the river of a recently independent nation. As Salim strives to establish his business, he comes to be closely involved with the fluid and dangerous politics of the newly created state, the remnants of the old regime clashing inevitably with the new.

This incandescent novel chronicles both an internal journey and a physical trek into the heart of Africa, a place caught between the dangerously alluring modern world and its own tenacious past and traditions. Exploring political and individual corruption, it expresses skepticism about the ability of newly decolonized nations to forge independent identities. Salim, a Muslim Indian merchant, opens a store in a sleepy small town at a bend in the river, whose inhabitants include a Belgian priest, a witch, and a white intellectual named Raymond. The president of the new country is a demagogue called the Big Man who hires Raymond as his speechwriter. Salim loses control of his store to the commercially inexperienced Citizen Theotime, who hires Salim to manage it. Gradually, the town's veneer of civilization begins to crumble.