Other editions of book The Private Memoirs and Confessions of a Justified Sinner Illustrated

On the surface, this novel is a simple tale of a young man who encounters a shape-shifting devil, an early manifestation of a doppelganger, and the various misadventures that follow. This novel was perhaps the first post modern novel; it employs clustered narratives, self-reflexive point-of-view, unreliable narrators, and an unsympathetic-protagonist. This is indeed a landmark novel.

Considered in turn a Gothic novel, a psychological case study of an unreliable narrator, and an examination of totalitarian thought, the ultimately unclassifiable novel is set in a pseudo-Christian world of angels, devils, and demonic possession. It has been the subject of increasing critical attention in recent years, and has received wide acclaim for its probing quest into the nature of religious fanaticism and Calvinist predestination. It is written in English, with Scots appearing mainly in dialogue.

"The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor is a novel by the Scottish author James Hogg, published anonymously in 1824.Considered by turns part-gothic novel, part-psychological mystery, part-metafiction, part-satire, part-case study of totalitarian thought, it can also be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously implies a pseudo-Christian world of angels, devils, and demonic possession. The narrative is set against the antinomian societal structure flourishing in the borders of Scotland in Hogg's day."

This carefully crafted ebook: “The Private Memoirs and Confessions of a Justified Sinner (Gothic Classic)” is formatted for your eReader with a functional and detailed table of contents.The novel traces Robert Wringhim's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by what appears to be the Devil himself, who is increasing domination over his life. Finally, Robert loses control over his own identity and start's committing murders. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously implies a pseudo-Christian world of angels, devils, and demonic possession. Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself. Considered by turns part-gothic novel, part-psychological mystery, it can be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. James Hogg (1770-1835) was a Scottish poet, novelist and essayist who wrote in both Scots and English. As a young man he worked as a shepherd and farmhand, and was largely self-educated through reading. He was a friend of many of the great writers of his day, including Sir Walter Scott, of whom he later wrote an unauthorized biography.

The Private Memoirs and Confessions of a Justified Sinner, (Full title, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor) is a novel by the Scottish author James Hogg, published anonymously in 1824.Gripping tale of murder, madness, and demonic possession traces a young man's crime spree in 18th-century Scotland and the influence of his sinister companion, who may not actually exist

Published in 1824, this was a hundred years ahead of its time, and it's just now coming to be appreciated. Is it a gothic novel? A meta-novel? A precursor of magic realism? A warning against religious fanaticism? The book hinges on the extreme Calivinist concept of antinomianism: if you're predestined to be saved, you'll end up in heaven no matter what outrageous sins and crimes you commit. This obviously raises interesting moral dilemmas. Hogg was a contemporary and friend of Sir Walter Scott, but while Scott's prose sometimes puts modern readers to sleep, Hogg is more likely to keep you awake at night!

The story traces Robert Wringhim's gradual decline into despair and madness, as his doubts about the righteousness of his cause are counteracted by what appears to be the Devil himself, who is increasing domination over his life. Finally, Robert loses control over his own identity and start's committing murders. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously implies a pseudo-Christian world of angels, devils, and demonic possession. Many of the events of the novel are narrated twice; first by the 'editor', who gives his account of the facts as he understands them to be, and then in the words of the 'sinner' himself. Considered by turns part-gothic novel, part-psychological mystery, it can be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. James Hogg (1770-1835) was a Scottish poet, novelist and essayist who wrote in both Scots and English. As a young man he worked as a shepherd and farmhand, and was largely self-educated through reading. He was a friend of many of the great writers of his day, including Sir Walter Scott, of whom he later wrote an unauthorized biography.

Considered in turn a Gothic novel, a psychological case study of an unreliable narrator, and an examination of totalitarian thought, the ultimately unclassifiable novel is set in a pseudo-Christian world of angels, devils, and demonic possession. It has been the subject of increasing critical attention in recent years, and has received wide acclaim for its probing quest into the nature of religious fanaticism and Calvinist predestination.It is written in English, with Scots appearing mainly in dialogue.

"The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor is a novel by the Scottish author James Hogg, published anonymously in 1824.Considered by turns part-gothic novel, part-psychological mystery, part-metafiction, part-satire, part-case study of totalitarian thought, it can also be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously implies a pseudo-Christian world of angels, devils, and demonic possession. The narrative is set against the antinomian societal structure flourishing in the borders of Scotland in Hogg's day."

[THIS KINDLE BOOK QUALITY IS GUARANTEED: It has been carefully edited with a fully interactive content.]The Private Memoirs and Confessions of a Justified Sinner, (Full title, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself: With a detail of curious traditionary facts and other evidence by the editor) is a novel by the Scottish author James Hogg, published anonymously in 1824.Considered by turns part-gothic novel, part-psychological mystery, part-metafiction, part-satire, part-case study of totalitarian thought, it can also be thought of as an early example of modern crime fiction in which the story is told, for the most part, from the point of view of its criminal anti-hero. The action of the novel is located in a historically definable Scotland with accurately observed settings, and simultaneously implies a pseudo-Christian world of angels, devils, and demonic possession.The first edition sold very poorly and the novel suffered from a period of critical neglect, especially in the nineteenth century. However, since the latter part of the twentieth century it has won greater critical interest and attention. It was praised by André Gide in an introduction to the 1947 reissue and described by the critic Walter Allen as 'the most convincing representation of the power of evil in our literature'. It has also been seen as a study of religious fanaticism through its deeply critical portrait of the Calvinist concept of predestination. It is written in English, with some sections of Scots that appear in dialogue.BONUS :• Biography of James Hogg.ABOUT THE PUBLISHER: Rutilus classics publishes great works of literature at an affordable price.Our books have been carefully edited with a fully interactive content.