Other editions of book Philosopher Jack

If the entire circuit of a friend’s conversation were comprised in the words “Don’t” and “Do,”—it might perhaps be taken for granted that his advice was not of much value; nevertheless, it is a fact that Philosopher Jack’s most intimate and valuable—if not valued—friend never said anything to him beyond these two words. Nor did he ever condescend to reason. He listened, however, with unwearied patience to reasoning, but when Jack had finished reasoning and had stated his proposed course of action, he merely said to him, “Don’t,” or “Do.”

Jack, whose other name was Edwin, and his age nineteen, was a student. Being of an argumentative turn of mind, his college companions had dubbed him Philosopher. Tall, strong, active, kindly, hilarious, earnest, reckless, and impulsive, he was a strange compound, with a handsome face, a brown fluff on either cheek, and a moustache like a lady’s eyebrow. Moreover, he was a general favourite, yet this favoured youth, sitting at his table in his own room, sternly repeated the question—in varied form and with increased bitterness—“Why was I born at all?”

The Scottish juvenile fiction writer R. M. Ballantyne was born into a famous family of publishers. Leaving home at age 16 he went to work for the Hudson's Bay Company; after returning home to Scotland R. M. Ballantyne published his first book "Hudson's Bay" detailing his experiences in Canada. Later Ballantyne would write about more of his experiences with Native Americans and the Fur trappers he met in the most remote regions of Canada. With his success as a writer he withdrew from the business world to become a full time writer for the rest of his life. With over a hundred different books he has become one of the most cherished juvenile fiction writers today. Along with his other exploits throughout his life he also was tremendously successful with his artwork as his water color paintings were displayed at the Royal Scottish Academy.

If the entire circuit of a friend’s conversation were comprised in the words “Don’t” and “Do,”—it might perhaps be taken for granted that his advice was not of much value; nevertheless, it is a fact that Philosopher Jack’s most intimate and valuable—if not valued—friend never said anything to him beyond these two words. Nor did he ever condescend to reason. He listened, however, with unwearied patience to reasoning, but when Jack had finished reasoning and had stated his proposed course of action, he merely said to him, “Don’t,” or “Do.” “For what end was I created?” said the philosopher, gloomily. Wise and momentous question when seriously put, but foolish remark, if not worse, when flung out in bitterness of soul! Jack, whose other name was Edwin, and his age nineteen, was a student. Being of an argumentative turn of mind, his college companions had dubbed him Philosopher. Tall, strong, active, kindly, hilarious, earnest, reckless, and impulsive, he was a strange compound, with a handsome face, a brown fluff on either cheek, and a moustache like a lady’s eyebrow. Moreover, he was a general favourite, yet this favoured youth, sitting at his table in his own room, sternly repeated the question—in varied form and with increased bitterness—“Why was I born at all?”

(Excerpt): “In a humble abode near the said docks a bulky sea-captain lay stretched in his hammock, growling. The prevailing odours of the neighbourhood were tar, oil, fish, and marine-stores. The sea-captain’s room partook largely of the same odours, and was crowded with more than an average share of the stores. It was a particularly small room, with charts, telescopes, speaking-trumpets, log-lines, sextants, portraits of ships, sou’-westers, oil-cloth coats and leggings on the walls; model ships suspended from the beams overhead; sea-boots, coils of rope, kegs, and handspikes on the floor; and great shells, earthenware ornaments, pagodas, and Chinese idols on the mantel-piece. In one corner stood a child’s crib. The hammock swung across the room like a heavy cloud about to descend and overwhelm the whole. This simile was further borne out by the dense volumes of tobacco smoke in which the captain enveloped himself, and through which his red visage loomed over the edge of the hammock like a lurid setting sun.”

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.