Other editions of book The Yellow Wallpaper

First published in 1892, "The Yellow Wallpaper" is written as the secret journal of a woman who, failing to relish the joys of marriage and motherhood, is sentenced to a country rest cure. Though she longs to write, her husband and doctor forbid it, prescribing instead complete passivity. In the involuntary confinement of her bedroom, the hero creates a reality of her own beyond the hypnotic pattern of the faded yellow wallpaper--a pattern that has come to symbolize her own imprisonment. Narrated with superb psychological and dramatic precision, "The Yellow Wallpaper" stands out not only for the imaginative authenticity with which it depicts one woman’s descent into insanity, but also for the power of its testimony to the importance of freedom and self-empowerment for women.

Why buy our paperbacks? Standard Font size of 10 for all books High Quality Paper Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated About The Yellow Wallpaper by Charlotte Perkins Gilman "The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Foregoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment she is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. Because it's a nursery the room's windows are barred, to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here.Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "Turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; "The Yellow Wallpaper"; and three other outstanding stories.These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women — and how they might be improved.

The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.The story depicts the effect of understimulation on the narrator's mental health and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper. "It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw – not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper – the smell! ... The only thing I can think of that it is like is the color of the paper! A yellow smell."In the end, she imagines there are women creeping around behind the patterns of the wallpaper and comes to believe she is one of them. She locks herself in the room, now the only place she feels safe, refusing to leave when the summer rental is up. "For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way."

First published in 1892, "The Yellow Wallpaper" is written as the secret journal of a woman who, failing to relish the joys of marriage and motherhood, is sentenced to a country rest cure. Though she longs to write, her husband and doctor forbid it, prescribing instead complete passivity. In the involuntary confinement of her bedroom, the hero creates a reality of her own beyond the hypnotic pattern of the faded yellow wallpaper--a pattern that has come to symbolize her own imprisonment. Narrated with superb psychological and dramatic precision, "The Yellow Wallpaper" stands out not only for the imaginative authenticity with which it depicts one woman’s descent into insanity, but also for the power of its testimony to the importance of freedom and self-empowerment for women.

Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here.Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "Turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; "The Yellow Wallpaper"; and three other outstanding stories.These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women — and how they might be improved.

Part of the Gibbs Smith Women's Voices series: A collection of literary voices written by, and for, extraordinary women—to encourage, challenge, and inspire.Charlotte Perkins Gilman (1860–1935) championed women’s rights in her prolific fiction, nonfiction, and poetry.Discover three influential works by one of America’s first feminists in their unabridged form: the short story The Yellow Wallpaper, a haunting interpretation of postpartum depression; the feminist utopian novel Herland; and Women and Economics, which when published in 1898 established Gilman as a sociologist, philosopher, ethicist, and social critic, and is considered by many to be her greatest work.Continue your journey in the Women’s Voices series with Jane Eyre, by Charlotte Bronte (ISBN: 978-1-4236-5099-7), The Feminist Papers, by Mary Wollstonecraft (ISBN: 978-1-4236-5097-3), Hope Is the Thing with Feathers, the complete poems of Emily Dickinson (ISBN: 978-1-4236-5098-0), and Little Women, by Louisa May Alcott (ISBN: 978-1-4236-5211-3).

First published in 1892, "The Yellow Wallpaper" is written as the secret journal of a woman who, failing to relish the joys of marriage and motherhood, is sentenced to a country rest cure. Though she longs to write, her husband and doctor forbid it, prescribing instead complete passivity. In the involuntary confinement of her bedroom, the hero creates a reality of her own beyond the hypnotic pattern of the faded yellow wallpaper--a pattern that has come to symbolize her own imprisonment. Narrated with superb psychological and dramatic precision, "The Yellow Wallpaper" stands out not only for the imaginative authenticity with which it depicts one woman’s descent into insanity, but also for the power of its testimony to the importance of freedom and self-empowerment for women.

Why buy our paperbacks? Standard Font size of 10 for all books High Quality Paper Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated About The Yellow Wallpaper by Charlotte Perkins Gilman "The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Foregoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment she is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. Because it's a nursery the room's windows are barred, to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

This collection brings together twelve of the finest short stories of prominent American feminist author Charlotte Perkins Gilman. "The Yellow Wallpaper," Gilman's best-known work, was first published in 1892 and represents an important examination of nineteenth-century attitudes toward women's physical and mental health. Written as a collection of journal entries by a woman whose physician husband has confined her to her bedroom, the story depicts the narrator's descent into psychosis as her confinement gradually erodes her sanity. This collection also includes the stories "The Giant Wistaria," "According to Solomon," "The Boys and the Butter," "Her Housekeeper," "Martha's Mother," "A Middle-Sized Artist," "An Offender," "When I Was a Witch," "The Cottagette," "Making a Living," and "Mr. Robert Grey Sr."