Other editions of book Fanny Herself

Heralded by one reviewer as "the most serious, extended and dignified of [Edna] Ferber's books," Fanny Herself is the intensely personal chronicle of a young girl growing up Jewish in a small midwestern town. Packed with the warmth and the wry, sidelong wit that made Ferber one of the best-loved writers of her time, the novel charts Fanny's emotional growth through her relationship with her mother, the shrewd, sympathetic Molly Brandeis. "You could not have lived a week in Winnebago without being aware of Mrs. Brandeis," Ferber begins, and likewise the story of Fanny Brandeis is inextricable from that of her vigorous, enterprising mother. Molly Brandeis is the owner and operator of Brandeis' Bazaar, a modest general store left to her by her idealistic, commercially inept late husband. As Fanny strives to carve out her own sense of herself, Molly becomes the standard by which she measures her intellectual and spiritual progress. Fanny's ambivalent feelings about being Jewish, her self-deprecating attitude toward her gift for sketching and drawing, and her inspired success as a businesswoman all contribute to the flesh-and-blood complexity of Ferber's youthful, eminently believable protagonist. She is accompanied on her journey by impeccably drawn characters such as Father Fitzpatrick, the Catholic priest in Winnebago; Ella Monahan, buyer for the glove department of the Haynes-Cooper mail order house; Fanny's brother, Theodore, a gifted violinist for whose musical education Molly sacrifices Fanny's future; and Clarence Heyl, the scrappy columnist who never forgot how Fanny rescued him from the school bullies. Ferber's only work of fiction with a strong autobiographical element, Fanny Herself showcases the author's enduring interest in the capacity of strong women to transcend the limitations of their environment and control their own circumstances. Through Fanny's honest struggle with conflicting values–financial security and corporate success versus altruism and artistic integrity–Ferber grapples with some of the most deeply embedded contradictions of the American spirit.

Fanny Herself tells the story of Fanny Brandeis, a young Jewish woman living in the early 20th century. As a girl, Fanny watches her mother run a local business in her small Wisconsin hometown. As a woman, Fanny moves to Chicago and becomes a businesswoman. And not just any business woman - she is the business world’s version of Superwoman! Everything she does at work is perfect, glorious, and brings big bucks. This is the first point of the story that gets on my nerves. Does Fanny ever make a mistake? Feel unsure? No. She does no wrong at work. I understand the story was supposed be inspirational for women who wanted to enter the work force at the time the novel was written but it paints a false portrait for readers; everything about Fanny’s work life runs too swimmingly to be true! She is always amazing, gifted, and assured, with impeccable clothes, pay raises, and lake view apartments. The story would have been far more engaging and believable to me had I seen Fanny facing some trials at work such as, I don’t know, maybe having to ask for a raise? Or something. Anything! Even talented people have slip ups sometimes. Fanny's effortless success makes the book (and Fanny) seem predictable and unrealistic.

Edna Ferber was an early 20th century American author and playwright. Ferber worked for several newspapers. She covered the 1920 Republican and Democratic national conventions for the United Press Association. Her novels often featured a strong female protagonist and often had a secondary character who faced some form of discrimination. In 1925 her novel So Big won a Pulitzer Prize. This is the story of Fanny Brandeis, a Jewish girl of energy and spirit, who is caught by the glamour of big business and works out her destiny along original lines. This intensely personal chronicle of a young girl growing up Jewish in a small midwestern town is the most autobiographical of Ferber's novels.

It has become the fashion among novelists to introduce their hero in knee pants, their heroine in pinafore and pigtails. Time was when we were rushed up to a stalwart young man of twenty-four, who was presented as the pivot about whom the plot would revolve. Now we are led, protesting, up to a grubby urchin of five and are invited to watch him through twenty years of intimate minutiae. In extreme cases we have been obliged to witness his evolution from swaddling clothes to dresses, from dresses to shorts (he is so often English), from shorts to Etons.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Fanny HerselfIt has become the fashion among novelists to intro duce their hero in knee pants, their heroine in pina fore and pigtails. Time was when we were rushed up to a stalwart young man of twenty-four, who was presented as the pivot about whom the plot would re volve. Now we are led, protesting, up to a grubby urchin of five and are invited to watch him through twenty years of intimate minutiae. In extreme cases we have been obliged to witness his evolution from swaddling clothes to dresses, from dresses to shorts (he is so often English), from shorts to Etons.The thrill we get for our pains is when, at twenty five, he jumps over the traces and marries the young lady we met in her cradle on page two. The process is known as a psychological study. A publisher's note on page five hundred and seventy-three assures us that the author is now at work on Volume Two, dealing with the hero's adult life. A third volume will present his pleasing senility. The whole is known as a trilogy. If the chief character is of the other sex we are dragged through her dreamy girlhood, or hoydenish. We see her in her graduation white, in her bridal finery. By the time she is twenty we know her better than her mother ever will, and are infinitely more bored by her.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.