Other editions of book Washington Irving's Rip Van Winkle

Rip Van Winkle is a short story written by the American author Washington Irving, and originally published in 1819. It is accompanied by the truly impressive illustrations of Arthur Rackham, and tells the story of a kindly and solitary character, Rip Van Winkle, who loves to tell the local children stories. Set in the years just before and after the American Revolutionary War, it is one of Irving’s finest stories. Irving is also known for his work of gothic horror, The Legend of Sleepy Hollow (1820).The book contains a series of dazzling colour and black-and-white illustrations – by a master of the craft; Arthur Rackham (1867-1939). One of the most celebrated painters of the British Golden Age of Illustration (which encompassed the years from 1850 until the start of the First World War), Rackham’s artistry is quite simply, unparalleled. Throughout his career, he developed a unique style, combining haunting humour with dream-like romance. Presented alongside the text, his illustrations further refine and elucidate Washington Irving’s enchanting narrative.

Washington Irving's masterpiece has entranced readers for over 165 years, and though many artists have illustrated this classic, none has so perfectly captured the mysterious adventures of Rip and the boisterous crew of Dutchmen as the great American artist N. C. Wyeth. In ten richly colored paintings and twenty-six vivid line drawings, Wyeth brilliantly recreated the world of eighteent-century life in the Catskill Mountains.Join henpecked farmer Rip Van Winkle as he escapes to the hills for a day of hunting. There he meets a strange dwarf and later a group of men playing ninepins. But when Rip drinks from their keg a few times, he falls into a deep sleep and wakes to find his beard full-grown and white, his wife gone, his daughter grown and married, and the whole country changed by the Revolution.First published in 1921 and long unavailable, here is one of the bestloved American stories as illustrated by one of the most distinguished artists of our time.

One autumn day, Rip Van Winkle wandered into the hills, and his life was never the same again. After encountering a group of mysterious men, he took a nap so long that upon waking, he found his gun rusty and his beard grown a foot long! ?Washington Irving's classic tale of the man who slept for twenty years, first published in 1819, was masterfully interpreted in 1905 by Arthur Rackham. The art for this book established Rackham as the leading illustrator of his time. This deluxe edition beautifully reproduces 31 of Rackham's exquisite watercolors, making the perfect gift for all ages.?

This is the story of Rip Van Winkle--that curious fellow, who with his dog, Wolf, ran away from a hard day's work to the Catskill Mountains only to discover in a forgotten valley a strange band of revelers who gave him a drink so powerful he slept for twenty years! His tale still haunts the Hudson River Valley. Indeed, the revelers' bowling pins can be heard in the thunder of the place to this very day.Here is an unforgettable retelling by Will Moses, an artist of the upper Hudson River, who knows the valley, knows the man Van Winkle, and brings Washington Irving's classic tale stunningly to life with breathtaking landscapes and his unmistakable folk style.

These magnificent illustrations, created for a 1905 edition of Washington Irving's enchanting fairy tale, established Arthur Rackham as a leading illustrator of his time. The illustrations featured traits that soon were to characterize much of Rackham's art: flowing pen lines and muted watercolors, forests of looming trees, lovely fairy maidens, and quizzical troll-like figures. Today these images are recognized as among Rackham's very best works.This edition features all 51 full-page color plates, as well as the full text of Irving's classic tale. And enduring foundation of Catskill lore, the captivating narrative recounts the fanciful adventures of an amiable ne'er-do-well colonial farmer who wanders into the highlands, falls asleep after drinking with a band of strange little mountain men, and wakes twenty years later in a world that has passed him by.Effusing a gentle humor, Rackham's art is a constant reminder of a more innocent era. This edition — sure to enchant art lovers — will also delight Rackham devotees and fantasy fans alike.

'I'm not myself - I'm somebody else - that's me yonder - no - that's somebody else got into my shoes...I can't tell what's my name, or who I am!'Touching and comic short stories from the 19th century American master of the genre.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

The story of Rip Van Winkle is set in the years before and after the American Revolutionary War. In a pleasant village, at the foot of New York's Catskill Mountains, lives kindly Rip Van Winkle, a colonial British-American villager of Dutch ancestry. Van Winkle enjoys solitary activities in the wilderness, but he is also loved by all in town—especially the children to whom he tells stories and gives toys. However, he tends to shirk hard work, to his nagging wife's dismay, which has caused his home and farm to fall into disarray.One autumn day, to escape his wife's nagging, Van Winkle wanders up the mountains with his dog, Wolf. Hearing his name called out, Rip sees a man wearing antiquated Dutch clothing; he is carrying a keg up the mountain and requires help. Together, they proceed to a hollow in which Rip discovers the source of thunderous noises: a group of ornately dressed, silent, bearded men who are playing nine-pins. Rip does not ask who they are or how they know his name. Instead, he begins to drink some of their moonshine and soon falls asleep.He awakes to discover shocking changes. His musket is rotting and rusty, his beard is a foot long, and his dog is nowhere to be found. Van Winkle returns to his village where he recognizes no one. He discovers that his wife has died and that his close friends have fallen in a war or moved away. He gets into trouble when he proclaims himself a loyal subject of King George III, not aware that the American Revolution has taken place. King George's portrait in the inn has been replaced with one of George Washington. Rip Van Winkle is also disturbed to find another man called Rip Van Winkle. It is his son, now grown up.Dutch people playing nine pins (kegelen). Painted 1650-1660 by Jan Steen.Rip Van Winkle learns that the men he met in the mountains are rumored to be the ghosts of Hendrick (Henry) Hudson's crew, which had vanished long ago. Rip learns he has been away from the village for at least twenty years. However, an old resident recognizes him and Rip's grown daughter takes him in. He resumes his usual idleness, and his strange tale is solemnly taken to heart by the Dutch settlers. Other henpecked men wish they could have shared in Rip's good luck and had the luxury of sleeping through the hardships of the American Revolution.

Rip Van Winkle is a short story by the American author Washington Irving first published in 1819. Set in the years before and after the American Revolutionary War in a village at the foot of New York's Catskill Mountains, it follows a Dutch-American villager named Rip Van Winkle who falls asleep in the Catskill Mountains and wakes up 20 years later, having missed the American Revolution. Irving wrote it while living in Birmingham, England as part of the collection The Sketch Book of Geoffrey Crayon, Gent., alongside his other famous tale The Legend of Sleepy Hollow. Irving later admitted, When I wrote the story, I had never been on the Catskills. Since its publication, the story has become part of American popular culture and has been adapted many times for stage, film, radio, and television.

"Rip Van Winkle" is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their liquor and falls asleep in the Catskill Mountains. He awakes 20 years later to a very changed world, having missed the American Revolution.

"Rip Van Winkle" is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who falls asleep in the Catskill Mountains and wakes up 20 years later, having missed the American Revolution. Irving wrote it while living in Birmingham, England, as part of the collection The Sketch Book of Geoffrey Crayon, Gent. The story is set in New York's Catskill Mountains, but Irving later admitted, "When I wrote the story, I had never been on the Catskills."

The following tale was found among the papers of the late Diedrich Knickerbocker, an old gentleman of New York, who was very curious in the Dutch history of the province, and the manners of the descendants from its primitive settlers. His historical researches, however, did not lie so much among books as among men; for the former are lamentably scanty on his favourite topics; whereas he found the old burghers, and still more their wives, rich in that legendary lore so invaluable to true history. Whenever, therefore, he happened upon a genuine Dutch family, snugly shut up in its low-roofed farmhouse, under a spreading sycamore, he looked upon it as a little clasped volume of black-letter, and studied it with the zeal of a book-worm.The result of all these researches was a history of the province during the reign of the Dutch governors, which he published some years since. There have been various opinions as to the literary character of his work, and, to tell the truth, it is not a whit better than it should be. Its chief merit is its scrupulous accuracy, which indeed was a little questioned on its first appearance, but has since been completely established; and it is now admitted into all historical collections as a book of unquestionable authority.