Other editions of book No Name

The story begins in 1846, at Combe-Raven in West Somersetshire, the country residence of the happy Vanstone family. The first scene is a wonderfully dramatic legal thriller. The reader is introduced to Mr Andrew Vanstone, Mrs. Vanstone and their two daughters Norah, age 26, happy and quiet, and the irrepressible Magdalen, just 18, beautiful but with a steely jaw. They live in peace and contentment, looked after by their governess, Miss Garth. Magdalen likes nothing better than to read at her window while her personal maid combs through and through her long hair. “Private theatricals!” is the cry as she signs up for a performance of Sheridan’s “The Rivals”. She finds herself a talented actress and falls in love with Frank Clare, the good for nothing but handsome son of a neighbor, whom she entices into the play. They are to be married, their fathers agree, and then the bottom drops out of their world. Mr. Vanstone is killed in a local train crash, and Mrs Vanstone dies in childbirth. The girls discover from the lawyer Mr. Pendril that their parents have only been married a few months and the wedding invalidated their will (which left everything to the daughters). The daughters have no name, no rights, no property and the entire family fortune is inherited by an older brother Michael Vanstone who has been estranged from the family for many years. With the help only of their loyal governess Miss Garth, the two girls set out to make their own way in the world. From the second scene onwards, the character of the novel completely changes. It becomes comic as the confidence tricksters try to outdo each other. This scene is in York, where Magdalen enlists the help of Captain Wragge, a distant relative of her mother’s and a professional swindler. He helps get Magdalen started on the stage in return for a share of the proceeds. His wife Matilda, a huge clown of a lady, has to be kept in check. Her head is full of recipes and dressmaking. Scene three is in Vauxhall Walk, Lambeth. Magdalen, having earned some money, forsakes the stage and plots to get her inheritance back. Michael Vanstone has died and his only son, Noel Vanstone is sickly and looked after by his housekeeper, Virginie Lecount, a shrewd woman who hopes to inherit his money. Magdalen goes to Lambeth disguised as Miss Garth to see how the land lies, but Mrs Lecount sees through her disguise and cuts a bit of cloth from the hem of her brown alpaca dress as a keepsake. Scene four is in Aldborough, Suffolk, where Magdalen tries to carry out her plot to regain her inheritance by marrying Noel Vanstone under an assumed name, with Captain and Mrs Wragge posing as her uncle and aunt. Wragge and Lecount plot and plot in their attempts to outdo each other. In the end, Lecount is sent on a false errand to Zurich, and Magdalen and Noel are married. Captain Wragge arranges the marriage on condition that he will never have to see Magdalen again once it has happened. Scene five is in Balliol Cottage, Dumfries. Noel is alone, as his wife has left to visit her sister Norah in London. Mrs Lecount is back from Zurich and explains who his wife really is, with the help of the cut bit of cloth from the brown placa dress. Noel at her direction rewrites his will, cutting off his wife and leaving a legacy to Lecount and everything else to Admiral Bartram his cousin. He encloses a secret letter, asking Admiral Bartram that the money be passed to young George Bartram, but only on the condition that he marry someone not a widow within six months, thus ensuring that Magdalen cannot marry George for the money. The strain of this scheming is all too much and he dies from a weak heart.

William Wilkie Collins (1824-1889) is best known as the innovator of the English detective novel, whose sensational novels, plays, and short stories were hugely popular in the Victorian Era. Today, readers enjoy Collins' intricate and suspenseful plots, and his penetrating social commentary on the plight of women and domestic issues of the time. "No Name", one of Collins' best-known works, takes place at Combe-Raven in West Somersetshire in 1846. Sisters Norah and Magdalen Vanstone lose their father and mother abruptly, and it is quickly revealed that the two were born out of wedlock. This illegitimacy in the eyes of the English court deprives them of their inheritance, a turn of events which Norah resigns to gracefully, but headstrong Magdelen is unable to accept. The social commentary novel shifts dramatically to revenge thriller as Magdelen seeks retribution for the injustice she has suffered.

No Name is a classic mystery novel written by Wilkie Collins with the theme of illegitimacy. The story is told in eight scenes and it centers around a headstrong woman named Magdalen Vanstone who hopes to regain her family's inheritance. Wilkie Collins was a prominent English writer in the 19th century. Collins was a close friend of Charles Dickens and his books were often featured in Dickens' journals All the Year Round and Household Words. Collins' books still enjoy wide popularity, especially mystery and detective novels such as The Woman in White, The Moonstone, and Armadale.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Shall I tell you what a lady is? A lady is a woman who wears a silk gown, and has a sense of her own importance." Wilkie Collins's investigation of illegitimacy and 'the woman question' in No Name (1862) compels with a wholly different order of suspense from that of The Woman in White or The Moonstone. For its family secret - the Vanstone daughters' illegitimacy, their consequent disinheritance and fall from social grace - is revealed early on, and as Magdalen Vanstone struggles to reclaim her identity, the plot uncovers many a moral, social and legal skeleton in the cupboards of Victorian society. Mercurial and unscrupulous, Magdalen is Wilkie Collins's most exhilarating heroine, one of the rare subversives in Victorian fiction and a woman dazzlingly versatile in her powers of self-transformation. Through her, with great comic vigour, No Name exposes how social identity is constructed, and how it can be dismantled, buried, borrowed or invented.

Condemned by Victorian critics as immoral, but regarded today as a novel of outstanding social insight, No Name shows William Wilkie Collins at the height of his literary powers. It is the story of two sisters, Magdalen and Norah, who discover after the deaths of their dearly beloved parents that their parents were not married at the time of their births. Disinherited and ousted from their estate, they must fend for themselves and either resign themselves to their fate or determine to recover their wealth by whatever means.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.