Other editions of book Dreams

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is the second book by Schreiner, South African author and feminist, who is best remembered for her novel, The Story of an African Farm. It contains eleven short stories based on Schreiner's dreams and life on a farm in South Africa......... Olive Schreiner (24 March 1855 – 11 December 1920) was a South African author, anti-war campaigner and intellectual. She is best remembered today for her novel The Story of an African Farm which has been highly acclaimed since its first publication in 1883 for the bold manner in which it deals with some of the burning issues of the day, including agnosticism, existential independence, individualism, the professional aspirations of women, and the elemental nature of life on the colonial frontier. In more recent studies she has also been identified as an advocate for those sidelined by the forces of British Imperialism, such as the Afrikaners, and later other South African groups like Blacks, Jews and Indians – to name but a few. Although she showed interest in socialism, pacifism, vegetarianism and feminism amongst other things, her true views escape restrictive categorisations. Her published works and other surviving writings promote implicit values like moderation, friendship and understanding amongst all peoples and avoid the pitfalls of political radicalism which she consciously eschewed. Although she may be called a lifelong freethinker, she continued to adhere to the spirit of the Christian Bible and developed a secular version of the worldview of her missionary parents, with mystical elements. Karel Schoeman, the South African historian and leading authority on Schreiner's life in South Africa, has written that she was an outstanding figure in a South African context, albeit perhaps not quite the same abroad. Schoeman acknowledges that while The Story of an African Farm is by no means perfect, it is still unique and gripping even to the modern reader. He also outlines the basic pattern of her life which may serve as a useful guide to both this article and the pursuit of further interest in the subject: From a chronological viewpoint, Olive Schreiner's life shows an interesting pattern. After she spent the first twenty-five thereof in South Africa ... she was in England for more than seven years, and also lived during this time in Europe. After this she lived in South Africa for twenty-four years, the time of her friendship with Rhodes, the Anglo-Boer war and her growing involvement in issues like racism and the lot of women, after which another exile followed in England for seven years; it was only shortly before her death in 1920 that she returned to South Africa. (Olive Schreiner: A Life in South Africa 1855–1881, Human & Rousseau, Cape Town, 1989) Schreiner should also be remembered for the novel of her mature years, FROM MAN TO MAN OR PERHAPS ONLY, which she did not complete revising before her death. It was published posthumously in 1926, in an edition produced by her husband, Samuel Cronwright-Schreiner, and has recently been re-edited and published by University of Cape Town Press (edited and introduced by Dorothy Driver). This edition corrects the editorial and proofreading errors that marred previous editions. It also provides another ending to the novel, in Schreiner's own words, besides the one her husband summarised. FROM MAN TO MAN OR PERHAPS ONLY was Schreiner's favourite among her novels. From exploring white women's confinement to domesticity in late 19th century South Africa and England, the novel expands its gaze to include black women and girls whose presence gradually informs the central character's struggle to re-create herself and educate her children against the racism and sexism of the time.

All day the soft wind played with her hair, and the young, young face looked out across the water. She was waiting—she was waiting; but she could not tell for what. All day the waves ran up and up on the sand, and ran back again, and the pink shells rolled. Life sat waiting; all day, with the sunlight in her eyes, she sat there, till, grown weary, she laid her head upon her knee and fell asleep, waiting still.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Born in South Africa on 24 March 1855, Olive Emilie Albertina Schreiner is best known for her semi-autobiographical novel, The Story of an African Farm (1883). One of twelve children born to a German father and an English mother, Gotlob and Rebecca Schreiner, both missionaries, Olive Schreiner left home at the age of thirteen, to work as a governess. Schreiner's family background was one of upheaval and trauma, largely as a result of her father's constant attempts at 'striking it rich'. Her separation from her parents marked a definite break with her past and her parents' very conservative views. She began writing from an early age and during her time as a governess read voraciously across a number of areas. When she left South Africa for England in 1881, Schreiner took with her the finished manuscript to The Story of An African Farm. Although initially unable to secure its publication, Olive Schreiner would, in 1883, rise to prominence within English literary circles with the appearance of what has become one of the most accomplished works of settler writing from Africa. For the rest of her stay in England, and until her return to South Africa in 1889, Schreiner remained active in literary and political spheres, soon developing a reputation as an outspoken and passionate advocate of the less privileged in society. Upon her return to Africa, Schreiner married Samuel Cronwright. She immersed herself in the South African and imperial politics of the day, writing and campaigning actively against colonialism, the oppression of women (she is often seen as one of the earliest feminist writers, in the manner of a Virginia Wolf) and in the earlier part of this century, manifesting her opposition to the First World War. Possessed of a sharp intelligence and an indefatigable determination, Schreiner was a prolific essay writer, constantly engaging in heated polemics on behalf of the many causes she adopted. She died in 1920. The similarities between her life and that of a later Southern African writer, Doris Lessing, are at times astonishing. Both left Africa for England in search of a publisher for their first works; both soon received the acclaim of the English literary establishment. Like Schreiner, Lessing too has come to be known as a committed and relentless campaigner for the 'underdog'. Unlike Doris Lessing, however, Olive Schreiner returned to South Africa after her initial successes in England.

Olive Schreiner (24 March 1855 – 11 December 1920) was a South African author, anti-war campaigner and intellectual. She is best remembered today for her novel The Story of an African Farm which has been highly acclaimed since its first publication in 1883 for the bold manner in which it deals with some of the burning issues of the day, including agnosticism, existential independence, individualism, the professional aspirations of women, and the elemental nature of life on the colonial frontier. In more recent studies she has also been identified as an advocate for those sidelined by the forces of British Imperialism, such as the Afrikaners, and later other South African groups like Blacks, Jews and Indians – to name but a few. Although she showed interest in socialism, pacifism, vegetarianism and feminism amongst other things, her true views escape restrictive categorisations. Her published works and other surviving writings promote implicit values like moderation, friendship and understanding amongst all peoples and avoid the pitfalls of political radicalism which she consciously eschewed. Although she may be called a lifelong freethinker, she continued to adhere to the spirit of the Christian Bible and developed a secular version of the worldview of her missionary parents, with mystical elements.

Dreams by Olive Schreiner This is the second book by Schreiner, South African author and feminist, who is best remembered for her novel, The Story of an African Farm. It contains eleven short stories based on Schreiner's dreams and life on a farm in South Africa. See other titles by this author available from Kessinger Publishing. Olive Schreiner (24 March 1855 – 11 December 1920) was a South African author, anti-war campaigner and intellectual. She is best remembered today for her novel The Story of an African Farm which has been highly acclaimed since its first publication in 1883 for the bold manner in which it deals with some of the burning issues of the day, including agnosticism, existential independence, individualism, the professional aspirations of women, and the elemental nature of life on the colonial frontier. In more recent studies she has also been identified as an advocate for those sidelined by the forces of British Imperialism, such as the Afrikaners, and later other South African groups like Blacks, Jews and Indians – to name but a few. Although she showed interest in socialism, pacifism, vegetarianism and feminism amongst other things, her true views escape restrictive categorisations. Her published works and other surviving writings promote implicit values like moderation, friendship and understanding amongst all peoples and avoid the pitfalls of political radicalism which she consciously eschewed. Although she may be called a lifelong freethinker, she continued to adhere to the spirit of the Christian Bible and developed a secular version of the worldview of her missionary parents, with mystical elements.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.