Other editions of book What is art?

WHAT thoughtful man has not been perplexed by problems relating to art? An estimable and charming Russian lady I knew, felt the charm of the music and ritual of the services of the Russo-Greek Church so strongly that she wished the peasants, in whom she was interested, to retain their blind faith, though she herself disbelieved the church doctrines. "Their lives are so poor and bare-they have so little art, so little poetry and colour in their lives- Let them at least enjoy what they have; it would be cruel to undeceive them," said she. A false and antiquated view of life is supported by means of art, and is inseparably linked to some Manifestations of art which we enjoy and prize. If the false view of life be destroyed this art will cease to appear valuable. Is it best to screen the error for the sake of preserving the art? Or should the art be sacrificed for the sake of truthfulness? Again and again in history a dominant church has utilised art to maintain its sway over men. Reformers (early Christians, Mohammedans, Puritans, and others) have perceived that art bound people to the old faith, and they were angry with art. These works, in chronological order,are " My Confession ". A Criticism of Dogmatic Theology,which has never been translated. The Four Gospels Harmonised and Translated, of which only two parts, out of three, have as yet appeared in English. What I Believe, sometimes called My Religion. The Gospelin Brief. What are we to do then? sometimes called in English What to do? On Life, which is not an easy work in the original, and has not been satisfactorily translated. The Kingdom of God is within you; and The Christian Teaching, which appeared after What is Art? though it was written before it. To these scientific works I am inclined to add The Kteutzer Sonata, with the Sequel or Postscript explaining its purpose; for though The Kreutzer Sonata is a story, the understanding of sexual problems, dealt with explicitly in the Sequel, is an integral part of that comprehension of life which causes Tolstoy to admire Christ, Buddha, or Francis of Assisi.

[This is the MP3CD audiobook format in vinyl case.] [Read by Geoffrey Blaisdell] What Is Art? is the result of fifteen years' reflection on the nature and purpose of art. Tolstoy claims that all good art is related to the authentic life of the broader community and that the aesthetic value of a work of art is not independent of its moral content. The book is noteworthy not only for its famous iconoclasm and compelling attacks on the aestheticist notion of ''art for art's sake'' but even more for its wit, its lucid and beautiful prose, and its sincere expression of the deepest social conscience. Tolstoy is an author critics typically rank alongside Shakespeare and Homer. A sustained consideration of the cultural import of art by someone who was himself an artist of the highest stature will always remain relevant and fascinating to anyone interested in the place of art and literature in society.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

During his decades of world fame as a novelist, Tolstoy also wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These works culminated in What is Art?, published in 1898. Impassioned and iconoclastic, this powerfully influential work both criticizes the elitist nature of art in nineteenth-century Western society, and rejects the idea that its sole purpose should be the creation of beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire and Wagner are all vigorously condemned, as Tolstoy explores what he believes to be the spiritual role of the artist - arguing that true art must work with religion and science as a force for the advancement of mankind.

This book of mine, "What is Art?" appears now for the first time in its true form. More than one edition has already been issued in Russia, but in each case it has been so mutilated by the "Censor," that I request all who are interested in my views on art only to judge of them by the work in its present shape. The causes which led to the publication of the book-with my name attached to it-in a mutilated form were the following: In accordance with a decision I arrived at long ago,-not to submit my writings to the "Censorship" (which I consider to be an immoral and irrational institution), but to print them only in the shape in which they were written,-I intended not to attempt to print this work in Russia. However, my good acquaintance, Professor Grote, editor of a Moscow psychological magazine, having heard of the contents of my work, asked me to print it in his magazine, and promised me that he would get the book through the "Censor's" office unmutilated if I would but agree to a few very unimportant alterations, merely toning down certain expressions. I was weak enough to agree to this, and it has resulted in a book appearing under my name, from which not only have some essential thoughts been excluded, but into which the thoughts of other men-even thoughts utterly opposed to my own convictions-have been introduced.

What Is Art? is the result of fifteen years' reflection on the nature and purpose of art. Tolstoy claims that all good art is related to the authentic life of the broader community and that the aesthetic value of a work of art is not independent of its moral content. The book is noteworthy not only for its famous iconoclasm and compelling attacks on the aestheticist notion of "art for art's sake" but even more for its wit, its lucid and beautiful prose, and its sincere expression of the deepest social conscience. Tolstoy is an author critics typically rank alongside Shakespeare and Homer. A sustained consideration of the cultural import of art by someone who was himself an artist of the highest stature will always remain relevant and fascinating to anyone interested in the place of art and literature in society.

[This is the Audiobook CD Library Edition in vinyl case.] [Read by Geoffrey Blaisdell] What Is Art? is the result of fifteen years' reflection on the nature and purpose of art. Tolstoy claims that all good art is related to the authentic life of the broader community and that the aesthetic value of a work of art is not independent of its moral content. The book is noteworthy not only for its famous iconoclasm and compelling attacks on the aestheticist notion of ''art for art's sake'' but even more for its wit, its lucid and beautiful prose, and its sincere expression of the deepest social conscience. Tolstoy is an author critics typically rank alongside Shakespeare and Homer. A sustained consideration of the cultural import of art by someone who was himself an artist of the highest stature will always remain relevant and fascinating to anyone interested in the place of art and literature in society.