Other editions of book The Pool in the Desert

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Sara Jeannette Duncan (who sometimes wrote as Mrs. Everard Cotes) was a Canadian author and journalist. Beginning her career on the Washington Post, she made history as the first woman to be hired as a professional journalist in Canada, taking a regular position at the Toronto Globe, and later moving to the Montreal Star, where she was the paper's Parliamentary correspondent. She married Everard Cotes, a journalist and museum curator based in Calcutta. During her long residence with her husband in India she made a considerable reputation as a novelist of Anglo-Indian life. Duncan's style can be compared to contemporary satirists such as Stephen Leacock and Thomas Carlyle."A Mother in India" recounts the trials of an officer's wife, who must send her child back to relatives in England. The title story covers a period of years in a wife's life, and the changes wrought by the arrival of a new officer and his second wife, as they become acclimated to India and accepted by the community.

The Pool in the Desert, originally published in 1903, is a collection of four stories that illustrates the blend of sympathy and ironic detachment with which Sara Jeannette Duncan portrayed the British presence in India. Explores the impact of isolation on the small British communities of Victorian India.ContentsA mother in India -- An impossible ideal -- The hesitation of Miss Anderson -- The pool in the desert.

Excerpt from The Pool in the DesertI knew Anna Chichele and Judy Harbottle so well, and they figured so vividly at one time against the rather empty landscape Of life in a frontier station, that my affection for one of them used to seem little more, or less, than a variant upon my affection for the other. That recollection, however, bears examination badly; Judy was much the better sort, and it is Judy's part in it that draws me into telling the story. Conveying Judy is what I trem ble at: her part was simple. Looking back - and not so very far - her part has the relief of high comedy with the proximity of tears; but looking close, I find that it is mostly Judy, and that what she did is entirely second, in my' untarnished pic ture, to what she was. Still I do not think I can dissuade myself from putting it down.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

There were times when we had to go without puddings to pay John¿s uniform bills and always I did the facings myself with a cloth-ball to save getting new ones. I would have polished his sword too if I had been allowed; I adored his sword. And once I remember we painted and varnished our own dog-cart and very smart it looked to save fifty rupees. (Excerpt)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.