Other editions of book Death Comes for the Archbishop

Willa Sibert Cather (December 7, 1873 – April 24, 1947) was an American writer who achieved recognition for her novels of frontier life on the Great Plains, including O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918). In 1923 she was awarded the Pulitzer Prize for One of Ours (1922), a novel set during World War I. Cather grew up in Virginia and Nebraska, and graduated from the University of Nebraska–Lincoln. She lived and worked in Pittsburgh for ten years, supporting herself as a magazine editor and high school English teacher. At the age of 33 she moved to New York City, her primary home for the rest of her life, though she also traveled widely and spent considerable time at her summer residence on Grand Manan Island, New Brunswick.

Death Comes for the Archbishop is Willa Cather's best-known novel, a narrative whose spare beauty achieves epic – and even mythic – qualities as it recounts a life lived simply in the silence of the southwestern desert.This concise supplement to Willa Silbert Cather's Death Comes for the Archbishop helps students understand the overall structure of the work, actions and motivations of the characters, and the social and cultural perspectives of the author.

(Book Jacket Status: Jacketed)Introduction by A. S. ByattWilla Cather’s story of the missionary priest Father Jean Marie Latour and his work of faith in the wilderness of the Southwest is told with a spare but sensuous directness and profound artistry. When Latour arrives in 1851 in the territory of New Mexico, newly acquired by the United States, what he finds is a vast desert region of red hills and tortured arroyos that is American by law but Mexican and Indian in custom and belief. Over the next four decades, Latour works gently and tirelessly to spread his faith and to build a soaring cathedral out of the local golden rock—while contending with unforgiving terrain, derelict and sometimes rebellious priests, and his own loneliness.DEATH COMES FOR THE ARCHBISHOP shares a limitless, craggy beauty with the New Mexico landscape of desert, mountain, and canyon in which its central action takes place, and its evocations of that landscape and those who are drawn to it suggest why Cather is acknowledged without question as the most poetically exact chronicler of the American frontier.

Death Comes for the Archbishop is the story, not of death, but of life, for Miss Cather's Archbishop Latour died of having lived. She is concerned, not with any climactic moment in a career, but with the whole broad view of the career. There is no climax, short of the gentle end. One summer evening in the year 1848, three Cardinals and a missionary Bishop from America were dining together in the gardens of a villa in the Sabine hills, overlooking Rome. The villa was famous for the fine view from its terrace. The hidden garden in which the four men sat at table lay some twenty feet below the south end of this terrace, and was a mere shelf of rock, overhanging a steep declivity planted with vineyards. A flight of stone steps connected it with the promenade above. The table stood in a sanded square, among potted orange and oleander trees, shaded by spreading ilex oaks that grew out of the rocks overhead. Beyond the balustrade was the drop into the air, and far below the landscape stretched soft and undulating; there was nothing to arrest the eye until it reached Rome itself. It was early when the Spanish Cardinal and his guests sat down to dinner. The sun was still good for an hour of supreme splendour, and across the shining folds of country the low profile of the city barely fretted the skyline--indistinct except for the dome of St. Peter's, bluish grey like the flattened top of a great balloon, just a flash of copper light on its soft metallic surface. The Cardinal had an eccentric preference for beginning his dinner at this time in the late afternoon, when the vehemence of the sun suggested motion. The light was full of action and had a peculiar quality of climax--of splendid finish. It was both intense and soft, with a ruddiness as of much-multiplied candlelight, an aura of red in its flames. It bored into the ilex trees, illuminating their mahogany trunks and blurring their dark foliage; it warmed the bright green of the orange trees and the rose of the oleander blooms to gold; sent congested spiral patterns quivering over the damask and plate and crystal. The churchmen kept their rectangular clerical caps on their heads to protect them from the sun. The three Cardinals wore black cassocks with crimson pipings and crimson buttons, the Bishop a long black coat over his violet vest.

A French bishop who works in the New World, solicits three cardinals at Rome to pick his candidate for the newly created diocese of New Mexico. One of the cardinals, a Spaniard named Allende, alludes to a painting by El Greco taken from his family by a missionary to the New World and lost, and asks for the new Bishop to search for it. The novel ends with the demise of Archbishop Latour in Santa Fe.

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