Other editions of book Song of Hiawatha

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout The Song of Hiawatha by Henry Wadsworth Longfellow The Song of Hiawatha is an 1855 epic poem in trochaic tetrameter by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during his visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Common; Algic Researches (1839) and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's Narratives. In sentiment, scope, overall conception, and many particulars, Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends." Longfellow had originally planned on following Schoolcraft in calling his hero Manabozho, the name in use at the time among the Ojibwe/Anishinaabe of the south shore of Lake Superior for a figure of their folklore, a trickster-transformer. But in his journal entry for June 28, 1854, he wrote, "Work at 'Manabozho;' or, as I think I shall call it, 'Hiawatha'—that being another name for the same personage." Longfellow, following Schoolcraft, was mistaken in thinking the names were synonyms. In Ojibwe lore the figure of Manabozho is legendary but the name Hiawatha is unknown. The name Hiawatha derives from the name of a historical figure associated with the League of the Iroquois, the Five Nations, then located in present-day

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout The Song of Hiawatha by Henry Wadsworth LongfellowThe Song of Hiawatha is an 1855 epic poem in trochaic tetrameter by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during his visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Common; Algic Researches (1839) and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's Narratives. In sentiment, scope, overall conception, and many particulars, Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends." Longfellow had originally planned on following Schoolcraft in calling his hero Manabozho, the name in use at the time among the Ojibwe/Anishinaabe of the south shore of Lake Superior for a figure of their folklore, a trickster-transformer. But in his journal entry for June 28, 1854, he wrote, "Work at 'Manabozho;' or, as I think I shall call it, 'Hiawatha'—that being another name for the same personage." Longfellow, following Schoolcraft, was mistaken in thinking the names were synonyms. In Ojibwe lore the figure of Manabozho is legendary but the name Hiawatha is unknown. The name Hiawatha derives from the name of a historical figure associated with the League of the Iroquois, the Five Nations, then located in present-day New York and Pennsylvania. The popularity of Longfellow's poem nevertheless led to the name "Hiawatha" becoming attached to a number of locales and enterprises in areas more historically associated with the Ojibwe than the Iroquois.

Henry Wadsworth Longfellow's classic epic poem The Song of Hiawatha is revered for its environmental message and its moving plea for peace. It recalls life in close touch with the natural world, and it is, as well, an affecting love story. The Song of Hiawatha has never lost its freshness, revealing greater depths with the passing of time. Margaret Early's expressive paintings illuminate the formative moments of Hiawatha's life with grace and beauty. At the same time, these stunning paintings transport the young reader into the world of Native American legend in which man and nature lived in a balance that, however idealized, sets a standard for the planet. Exquisitely designed, gloriously illustrated, and presented in sensitively selected passages with bridging text that links Longfellow's words into a seamlessly satisfying story, this volume is one to be treasured.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The epic story of Hiawatha and his fantastic magical powersAngered by the sight of warring nations, Gitche Manito, Mohican Masters of Life, sends for the prophets Hiawatha to bring peace. Brought up by his grandmother on the shores of Lake superior, Hiawatha learns to use his remarkable powers for good of humanity: wearing his magic moccasins he covers a mile with every step; grinds boulders to dust with his special mittens: speaks with all kinds of animals and birds in their own language. Overcoming evil forces, Hiwatha offers the gift of civilization to the world. His marriage to Minnehaha leads to golden age of happiness and peace–unitl the reappearance of mischievous spirits leads Hiawatha into further adventures.The song of Hiawathareflects the traditional Native American way of story–telling.Highly controversial when first published, Longfellow's epic poem has nonetheless created a legend still loved by millions.The most comprehensive paperback edition available, including introduction and chronology of Longfellow's life and times

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Song of Hiawatha by Henry Wadsworth Longfellow The Song of Hiawatha is an 1855 epic poem in trochaic tetrameter by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during his visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Common; Algic Researches (1839) and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's Narratives. In sentiment, scope, overall conception, and many particulars, Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends." Longfellow had originally planned on following Schoolcraft in calling his hero Manabozho, the name in use at the time among the Ojibwe/Anishinaabe of the south shore of Lake Superior for a figure of their folklore, a trickster-transformer. But in his journal entry for June 28, 1854, he wrote, "Work at 'Manabozho;' or, as I think I shall call it, 'Hiawatha'—that being another name for the same personage." Longfellow, following Schoolcraft, was mistaken in thinking the names were synonyms. In Ojibwe lore the figure of Manabozho is legendary but the name Hiawatha is unknown. The name Hiawatha derives from the name of a historical figure associated with the League of the Iroquois, the Five Nations, then located in present-day New York and Pennsylvania. The popularity of Longfellow's poem nevertheless led to the name "Hiawatha" becoming attached to a number of locales and enterprises in areas more historically associated with the Ojibwe than the Iroquois.

Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends."Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during his visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Common and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent.