Browse all books

Other editions of book The Cinema Murder: A Novel

  • The Cinema Murder

    E. Phillips (Edward Phillips) Oppenheim

    Paperback (Hard Press, Nov. 3, 2006)
    This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
  • The Cinema Murder: A Novel

    Edward Phillips Oppenheim

    Hardcover (Palala Press, Sept. 3, 2015)
    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  • The Cinema Murder: Made into the First Blockbuster Movie

    E. Phillips Oppenheim, Timeless Classic Books

    Paperback (CreateSpace Independent Publishing Platform, Dec. 15, 2010)
    The Cinema Murder is a mystery novel written in 1917 by E. Phillips Oppenheim. Two years later, the book was made into a blockbuster movie by Paramount Studios. Critics of the time, especially those of Variety Magazine, 14 Jan 1920, mentioned that this particular movie, which opened at the Rialto, was so packed that at 10:00 PM the movie house owner had to turn people away after an entire day when people had been lined up around the block just to try to get in. They really felt that the director, George D. Baker, had done a wonderful job with the adaptation. The book remains a classic that is still enjoyed by readers around the world.
  • Cinema Murder

    E. Phillips Oppenheim

    eBook (, Aug. 13, 2020)
    Phillip Romilly is a poor art teacher in London. He finds out that his wealthy cousin Douglas has been seeing his girl friend Beatrice behind his back. He strangles Douglas, throws him in the canal, and assumes his identity. Douglas had booked passage to America for the next day, so after a pleasant sea voyage Phillip arrives at the Waldorf Hotel in New York as Douglas Romilly. An hour after checking in he disappears again, and assumes yet another identity, one that his cousin had set up for himself. Douglas was facing massive financial problems, and he, too, had planned to avoid his problems by getting lost in the crowd in New York. Now, in chapter two….
  • The Cinema Murder

    E. Phillips Oppenheim, H. Weston Taylor

    Paperback (Wildside Press, Nov. 30, 2012)
    Edward Phillips Oppenheim (1866-1946) was the earliest writer of spy fiction as understood today, inventing the "rogue male" school of adventure thrillers and writing over 150 novels of all sorts. The Cinema Murder (1917) -- also know as The Other Romilly -- was adapted into a now-lost silent movie of 1919 starring Marion Davies.
  • The Cinema Murder

    Edward Phillips Oppenheim

    Paperback (BiblioBazaar, Dec. 28, 2006)
    With a somewhat prolonged grinding of the brakes and an unnecessary amount of fuss in the way of letting off steam, the afternoon train from London came to a standstill in the station at Detton Magna.
  • The Cinema Murder

    E. Phillips Oppenheim

    Paperback (CreateSpace Independent Publishing Platform, Oct. 14, 2015)
    Philip Romilly is a young art student, half starved, both mentally and physically and without prospect. His cousin, Douglas, has everything and even buys beatrice, Philip's fiancée. The two cousins meet under an English railroad bridge and Philip emerges alone. A day or two later he sails for America, under the name Douglas Romilly and wearing his cousin's clothes. Philip's career in New York is filled with incident.
  • THE CINEMA MURDER, A NOVEL

    E. Phillips Oppenheim, H. Weston Illustrated by Taylor

    (Little Brown & Co, Jan. 1, 1917)
    None
  • The Cinema Murder: Large Print

    E. Phillips Oppenheim

    Paperback (Independently published, April 8, 2020)
    With a somewhat prolonged grinding of the brakes and an unnecessary amount of fuss in the way of letting off steam, the afternoon train from London came to a standstill in the station at Detton Magna. An elderly porter, putting on his coat as he came, issued, with the dogged aid of one bound by custom to perform a hopeless mission, from the small, redbrick lamp room. The station master, occupying a position of vantage in front of the shed which enclosed the booking office, looked up and down the lifeless row of closed and streaming windows, with an expectancy dulled by daily disappointment, for the passengers who seldom alighted. On this occasion no records were broken. A solitary young man stepped out on to the wet and flinty platform, handed over the half of a third-class return ticket from London, passed through the two open doors and commenced to climb the long ascent which led into the town. He wore no overcoat, and for protection against the inclement weather he was able only to turn up the collar of his well-worn blue serge coat. The damp of a ceaselessly wet day seemed to have laid its cheerless pall upon the whole exceedingly ugly landscape. The hedges, blackened with smuts from the colliery on the other side of the slope, were dripping also with raindrops. The road, flinty and light grey in colour, was greasy with repellent-looking mud—there were puddles even in the asphalt-covered pathway which he trod. On either side of him stretched the shrunken, unpastoral-looking fields of an industrial neighbourhood. The town-village which stretched up the hillside before him presented scarcely a single redeeming feature. The small, grey stone houses, hard and unadorned, were interrupted at intervals by rows of brand-new, red-brick cottages. In the background were the tall chimneys of several factories; on the left, a colliery shaft raised its smoke-blackened finger to the lowering clouds.
  • The Cinema Murder

    E. Phillips Oppenheim

    Paperback (Independently published, April 8, 2020)
    With a somewhat prolonged grinding of the brakes and an unnecessary amount of fuss in the way of letting off steam, the afternoon train from London came to a standstill in the station at Detton Magna. An elderly porter, putting on his coat as he came, issued, with the dogged aid of one bound by custom to perform a hopeless mission, from the small, redbrick lamp room. The station master, occupying a position of vantage in front of the shed which enclosed the booking office, looked up and down the lifeless row of closed and streaming windows, with an expectancy dulled by daily disappointment, for the passengers who seldom alighted. On this occasion no records were broken. A solitary young man stepped out on to the wet and flinty platform, handed over the half of a third-class return ticket from London, passed through the two open doors and commenced to climb the long ascent which led into the town. He wore no overcoat, and for protection against the inclement weather he was able only to turn up the collar of his well-worn blue serge coat. The damp of a ceaselessly wet day seemed to have laid its cheerless pall upon the whole exceedingly ugly landscape. The hedges, blackened with smuts from the colliery on the other side of the slope, were dripping also with raindrops. The road, flinty and light grey in colour, was greasy with repellent-looking mud—there were puddles even in the asphalt-covered pathway which he trod. On either side of him stretched the shrunken, unpastoral-looking fields of an industrial neighbourhood. The town-village which stretched up the hillside before him presented scarcely a single redeeming feature. The small, grey stone houses, hard and unadorned, were interrupted at intervals by rows of brand-new, red-brick cottages. In the background were the tall chimneys of several factories; on the left, a colliery shaft raised its smoke-blackened finger to the lowering clouds.
  • The Cinema Murder

    E. Phillips Oppenheim

    Edward Phillips Oppenheim (22 October 1866 – 3 February 1946) was an English novelist, in his lifetime a major and successful writer of genre fiction including thrillers.Oppenheim produced over 100 novels from 1887 to 1943. -Wikipedia
  • The Cinema Murder

    E. Phillips Oppenheim

    With a somewhat prolonged grinding of the brakes and anunnecessary amount of fuss in the way of letting offsteam, the afternoon train from London came to astandstill in the station at Detton Magna. An elderly porter,putting on his coat as he came, issued, with the doggedaid of one bound by custom to perform a hopelessmission, from the small, redbrick lamp room. The stationmaster, occupying a position of vantage in front of theshed which enclosed the booking office, looked up anddown the lifeless row of closed and streaming windows,with an expectancy dulled by daily disappointment, for thepassengers who seldom alighted. On this occasion norecords were broken. A solitary young man stepped out onto the wet and flinty platform, handed over the half of athird-class return ticket from London, passed through thetwo open doors and commenced to climb the long ascentwhich led into the town.