Books with title Writings of Thomas Paine — Volume 1

THOMAS PAINE, in his Will, speaks of this work as The American Crisis, remembering perhaps that a number of political pamphlets had appeared in London, 1775-1776, under general title of "The Crisis." By the blunder of an early English publisher of Paine's writings, one essay in the London "Crisis" was attributed to Paine, and the error has continued to cause confusion. This publisher was D. I. Eaton, who printed as the first number of Paine's "Crisis" an essay taken from the London publication. But his prefatory note says: "Since the printing of this book, the publisher is informed that No. 1, or first Crisis in this publication, is not one of the thirteen which Paine wrote, but a letter previous to them." Unfortunately this correction is sufficiently equivocal to leave on some minds the notion that Paine did write the letter in question, albeit not as a number of his "Crisis "; especially as Eaton's editor unwarrantably appended the signature "C. S.," suggesting "Common Sense." There are, however, no such letters in the London essay, which is signed "Casca." It was published August, 1775, in the form of a letter to General Gage, in answer to his Proclamation concerning the affair at Lexington. It was certainly not written by Paine. It apologizes for the Americans for having, on April 19, at Lexington, made "an attack upon the King's troops from behind walls and lurking holes." The writer asks: "Have not the Americans been driven to this frenzy? Is it not common for an enemy to take every advantage?" Paine, who was in America when the affair occurred at Lexington, would have promptly denounced Gage's story as a falsehood, but the facts known to every one in America were as yet not before the London writer. The English "Crisis" bears evidence throughout of having been written in London. It derived nothing from Paine, and he derived nothing from it, unless its title, and this is too obvious for its origin to require discussion. I have no doubt, however, that the title was suggested by the English publication, because Paine has followed its scheme in introducing a "Crisis Extraordinary." His work consists of thirteen numbers, and, in addition to these, a "Crisis Extraordinary" and a "Supernumerary Crisis." In some modern collections all of these have been serially numbered, and a brief newspaper article added, making sixteen numbers. But Paine, in his Will, speaks of the number as thirteen, wishing perhaps, in his characteristic way, to adhere to the number of the American Colonies, as he did in the thirteen ribs of his iron bridge. His enumeration is therefore followed in the present volume, and the numbers printed successively, although other writings intervened.The first "Crisis" was printed in the Pennsylvania Journal, December 19, 1776, and opens with the famous sentence, "These are the times that try men's souls"; the last "Crisis" appeared April 19,1783, (eighth anniversary of the first gun of the war, at Lexington,) and opens with the words, "The times that tried men's souls are over." The great effect produced by Paine's successive publications has been attested by Washington and Franklin, by every leader of the American Revolution, by resolutions of Congress, and by every contemporary historian of the events amid which they were written. The first "Crisis" is of especial historical interest. It was written during the retreat of Washington across the Delaware, and by order of the Commander was read to groups of his dispirited and suffering soldiers. Its opening sentence was adopted as the watchword of the movement on Trenton, a few days after its publication, and is believed to have inspired much of the courage which won that victory, which, though not imposing in extent, was of great moral effect on Washington's little army.

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Excerpt from the Editor’s Preface: The first "Crisis" was printed in the Pennsylvania Journal, December 19, 1776, and opens with the famous sentence, "These are the times that try men's souls"; the last "Crisis" appeared April 19,1783, (eighth anniversary of the first gun of the war, at Lexington,) and opens with the words, "The times that tried men's souls are over." The great effect produced by Paine's successive publications has been attested by Washington and Franklin, by every leader of the American Revolution, by resolutions of Congress, and by every contemporary historian of the events amid which they were written. The first "Crisis" is of especial historical interest. It was written during the retreat of Washington across the Delaware, and by order of the Commander was read to groups of his dispirited and suffering soldiers.

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Thomas Paine is one of the most influential writers in history because he was the main propagandist for the American Revolution. His pamphlet Common Sense was read by the leaders of the Independence Movement, and also by their foes. His ideas became the foundation of American Democracy. In this series, we have collected his essays, pamphlets are letters. We publish the world's books. We have the largest collection of classics, and we believe that they are the highest quality, too. Don't take our word for it, peek inside and you'll see why we brag.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.