Books with title Uncle Remus His Songs and His Sayings

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UNCLE REMUS, said the little boy one evening, when he had found the old man with little or nothing to do, "did the fox kill and eat the rabbit when he caught him with the Tar-Baby?" "Law, honey, ain't I tell you 'bout dat?" replied the old darkey, chuckling slyly. "I 'clar ter grashus I ought er tole you dat, but old man Nod wuz ridin' on my eyeleds 'twel a leetle mo'n I'd a dis'member'd my own name, en den on to dat here come yo mammy hollerin' atter you. "W'at I tell you w'en I fus' begin? I tole you Brer Rabbit wuz a monstus soon creetur; leas'ways dat’s w'at I laid out fer ter tell you. Well, den, honey, don't you go en make no udder calkalashuns, kaze in dem days Brer Rabbit en his fambly wuz at de head er de gang w'en enny racket wuz on han', en dar dey stayed. 'Fo' you begins fer ter wipe yo' eyes 'bout Brer Rabbit, you wait en see whar'bouts Brer Rabbit gwineter fetch up at. But dat’s needer yer ner dar. "W'en Brer Fox fine Brer Rabbit mixt up wid de Tar-Baby, he feel mighty good, en he roll on de groun' en laff. Bimeby he up'n say, seize: "'Well, I speck I got you dis time, Brer Rabbit, sezee; 'maybe I ain't, but I speck I is. You been runnin' roun' here sassin' atter me a mighty long time, but I speck you done come ter de een' er de row. You bin cuttin' up yo' capers en bouncin''roun' in dis neighberhood ontwel you come ter b'leeve yo’se'f de boss er de whole gang. En den you er allers somers whar you got no bizness,' sez Brer Fox, sezee. 'Who ax you fer ter come en strike up a 'quaintance wid dish yer Tar-Baby? En who stuck you up dar whar you iz? Nobody in de roun' worl'. You des tuck en jam yo’se'f on dat Tar-Baby widout waitin' fer enny invite,' sez Brer Fox, sezee, en dar you is, en dar you'll stay twel I fixes up a bresh-pile and fires her up, kaze I'm gwineter bobby-cue you dis day, sho,' sez Brer Fox, sezee.

THE DIALECT, LORE, AND FLAVOR OF BLACK LIFE IN THE SOUTH DURING THE NINETEENTH CENTURY IS PORTRAYED AS IT APPEARED TO GEORGIA-BORN JOEL CHANDLER HARRIS IN UNCLE REMUS'S LEGENDS OF THE OLD PLANTATION. THIS COMPLETE EDITION CONTAINS THIRTY-FOUR TALES, TEN SONGS, TWENTY-ONE CHARACTER SKETCHES AND FOUR PAGES OF PROVERBS AND USES THE FIRST (1880) EDITION TEXT.

Working at a plantation in his youth, Joel Chandler Harris found that much of his shyness disappeared in the slave QTLYters, and his background as the illegitimate son of an Irish immigrant helped fuse a close bond with the slaves. The language of his new friends and the African-American animal tales they shared later became the inspiration for Joel’s beloved Uncle Remus stories. When Harris recorded the many Brer Rabbit stories from the African-American oral tradition, little did he know that it would revolutionize children’s literature. As an adult, Harris committed to healing post-Civil War America, stressing regional and racial reconciliation during and after the Reconstruction era.

Uncle Remus is the fictional title character and narrator of a collection of black American folktales compiled and adapted by Joel Chandler Harris and published in book form in 1881. Harris was a journalist in post-Reconstruction Atlanta, and he produced seven Uncle Remus books. He wrote these stories to represent the struggle in the Southern United States, and more specifically in the plantations. He did so by introducing tales that he had heard and framing them in the plantation context. He wrote his stories in a dialect which was his interpretation of Deep South Negro language of the time. For these framing and stylistic choices, his collection has encountered controversy.

Uncle Remus: His Songs and His Sayings, 1921- To Arthur Burdette Frost : MY DEAR FROST: I am expected to supply a preface for this new edition of my first book-to advance from behind the curtain, as it were, and make a fresh bow to the public that has dealt with Uncle Remus in so gentle and generous a fashion. For this event the lights are to be rekindled, and I am expected to respond in some formal way to an encore that marks the fifteenth anniversary of the book. There have been other editions-how many I do not remember but this is to be an entirely new one, except as to the matter : new type, new pictures, and new binding. But, as frequently happens on such occasions, I am at a loss for a word. I seem to see before me the smiling faces of thousands of children-some young and fresh, and some wearing the friendly marks of age, but all children at heart-and not an unfriendly face among them.