Books with title The idiot

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him.

“My intention is to portray a truly beautiful soul.” —DostoevskyDespite the harsh circumstances besetting his own life—abject poverty, incessant gambling, the death of his youngest child—Dostoevsky produced a second masterpiece, The Idiot, after completing Crime and Punishment. In it, a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than with the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections.Extortion, scandal, and murder follow, testing Myshkin’s moral feelings, as Dostoevsky searches through the wreckage left by human misery to find “man in man.” The Idiot is a quintessentially Russian novel, one that penetrates the complex psyche of the Russian people. “They call me a psychologist,” wrote Dostoevsky. “That is not true. I’m only a realist in the higher sense; that is, I portray all the depths of the human soul.”

&&LDIV&&R&&LDIV&&R&&LI&&RThe Idiot&&L/I&&R, by &&LB&&RFyodor Dostoevsky&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R&&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&RNew introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences―biographical, historical, and literary―to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&RJust two years after completing &&LI&&RCrime and Punishment,&&L/I&&R which explored the mind of a murderer, &&LB&&RDostoevsky&&L/B&&R produced another masterpiece, &&LI&&RThe Idiot.&&L/I&&R This time the author portrays a truly beautiful soul―a character he found difficult to bring to life because, as he wrote, “beauty is the ideal, and neither my country, nor civilized Europe, know what that ideal of beauty is.” The result was one of Dostoevsky’s greatest characters―Prince Myshkin, a saintly, Christ-like, yet deeply human figure.&&LBR&&R&&LBR&&RThe story begins when Myshkin arrives on Russian soil after a stay in a Swiss sanatorium. Scorned by St. Petersburg society as an idiot for his generosity and innocence, the prince finds himself at the center of a struggle between a rich, kept woman and a beautiful, virtuous girl, who both hope to win his affection. Unfortunately, Myshkin’s very goodness seems to bring disaster to everyone he meets. The shocking denouement tragically reveals how, in a world obsessed with money, power, and sexual conquest, a sanatorium is the only place for a saint.&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&RJoseph Frank&&L/B&&R &&L/B&&Ris Professor Emeritus of Comparative Literature at Princeton University and Professor Emeritus of Comparative Literature and Slavic Languages and Literature at Stanford University. He is the author of a five-volume study of Dostoevsky’s life and work. The first four volumes received the National Book Critics Circle Award for Biography, two Christian Gauss Awards, two James Russell Lowell Awards of the Modern Language Association, a Los Angeles Times Book Prize, and other honors. Frank is also the author of &&LI&&RThrough the Russian Prism: Essays on Literature and Culture, The Widening Gyre,&&L/I&&R and &&LI&&RThe Idea of Spatial Form.&&L/I&&R He also wrote the introduction to the Barnes & Noble Classics edition of Dostoevsky’s &&LI&&RThe House of the Dead and Poor Folk.&&L/I&&R&&L/P&&R&&L/DIV&&R

The 26-year-old Prince Lev Nikolayevich Myshkin returns to Russia after spending several years at a Swiss sanatorium. Scorned by the society of Saint Petersburg for his trusting nature and naiveté, he finds himself at the center of a struggle between a beautiful kept woman and a virtuous and pretty young girl, both of whom win his affection. Unfortunately, Myshkin's very goodness precipitates disaster, leaving the impression that, in a world obsessed with money, power, and sexual conquest, a sanatorium may be the only place for a saint.

“The Idiot” is a novel by the 19th-century Russian author Fyodor Dostoyevsky. It was first published serially in the journal The Russian Messenger in 1868–9. The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the worldlier characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man". The novel examines the consequences of placing such a unique individual at the center of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."

In the character of Prince Myshkin, Dostoevsky, master of the philosphical novel, set himself the task of depicting "the positively good and beautiful man." The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result is, according to A.C. Grayling, "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original.

"The Idiot" is Fyodor Dostoyevsky's 1868 novel which tells the story of Prince Lyov Nikolayevich Myshkin who, after a long absence, returns to Russia from Switzerland where he sought treatment for his epilepsy. The story is primarily a tragic tale of the struggle for the love of a woman, Nastasya Filippovna, between Myshkin and Rogozhin, a dark and impassioned man that the Prince meets on the train to St. Petersburg. "The Idiot" is a classic tale of the conflict between good and evil. On the one hand Prince Myshkin represents Dostoyevksy's attempt to portray a Christ-like "positively good man" which is sharply contrasted with not only the dark and roguish character of Rogozhin but also with the nature of Russian upper-class society depicted in the novel.

The Idiot is a novel by the 19th-century Russian author Fyodor Dostoevsky. It was first published serially in the journal The Russian Messenger in 1868-69.The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man." The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved.

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women - the notorious kept woman Nastasya and the pure Aglaia - both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin's honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him.