Books with title The Chase of the Golden Plate

Jacques Heath Futrelle (April 9, 1875 – April 15, 1912) was an American journalist and mystery writer. He is best known for writing short detective stories featuring Professor Augustus S. F. X. Van Dusen, also known as "The Thinking Machine" for his application of logic to any and all situations. Futrelle died in the sinking of the RMS Titanic. The Chase of the Golden Plate was Jacques Futrelle's first published book-length story featuring the arrogant, cocaine-taking, large-headed Professor Augustus S.F.X. Van Dusen, nicknamed 'The Thinking Machine'. A high-society fancy-dress party falls victim to a robbery - confusions of identity, long-held grudges, romance and honour all appear in the excitement that follows.

Jacques Heath Futrelle (1875-1912) was an American journalist and mystery writer. He is best known for writing short detective stories featuring the "Thinking Machine", Professor Augustus S. F. X. Van Dusen. He worked for the Atlanta Journal, where he began their sports section; the New York Herald; the Boston Post; and the Boston American. In 1905, his Thinking Machine character first appeared in a serialized version of The Problem of Cell 13. In 1895, he married fellow writer Lily May Peel, with whom he had two children. While returning from Europe aboard the RMS Titanic, Futrelle, a first-cabin passenger, refused to board a lifeboat insisting his wife board instead. He perished in the Atlantic. His works include: The Chase of the Golden Plate (1906), The Simple Case of Susan (1908), The Thinking Machine on the Case (1908), The Diamond Master (1909), Elusive Isabel (1909), The High Hand (1911), My Lady's Garter (1912), Blind Man's Bluff (1914).

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Excerpt: ...of my identity?" "Yes," replied Dollie weakly. "She said you were a detective." "Ah!" exclaimed the reporter meaningly, "then we understand each other. Now, Miss Meredith, will you tell me, please, just where you have been?" "No." The answer was so prompt and so emphatic that Hatch was a little disconcerted. He cleared his throat and started over again. "Will you inform me, then, in the interest of justice, where you were on the evening of the Randolph ball?" An ominous threat lay behind the words, Hatch hoped she believed. "I will not." "Why did you disappear?" "I will not tell you." "There was a suggestion of defiance as well as determination on her pretty mouth" Hatch paused to readjust himself. He was going at things backward. When next he spoke his tone had lost the official tang

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Chase of the Golden Plate by Jacques Futrelle with Illustrations by Will Grefé and Decorations by E. A. Poucher CONTENTSIllustration: “‘You really do not love him, anyway,’ he ventured”DedicationPart 1. The Burglar and the GirlChapter 1.Illustration: “A figure which immediately arrested attention”Chapter 2.Illustration: “An envious mask hid cheeks and brow”Chapter 3.Chapter 4.Chapter 5.Chapter 6.Chapter 7.Illustration: “‘The stains were new’”Chapter 8.Part 2. The Girl and the PlateChapter 1.Chapter 2.Illustration: “‘It must be several thousands, on dead weight’”Chapter 3.Chapter 4.Illustration: “A dollar bill lay on top”Chapter 5.Illustration: “There was a suggestion of defiance as well as determination on her pretty mouth”Chapter 6.Illustration: “Mr. Meredith ... was reading a card on which appeared the name ‘Mr. Richard Hamilton Herbert’”Chapter 7.Illustration: “‘Silly boy,’ she said”Chapter 8.Illustration: “She opened the note eagerly and sat down upon the floor to read it”Part 3. The Thinking MachineChapter 1.Chapter 2.Chapter 3.Chapter 4.Illustration: “Suddenly he stopped and turned upon The Thinking Machine”Chapter 5.Chapter 6.Chapter 7.Chapter 8.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.