Books with title Tanglewood

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

One of 19th-century America's greatest authors recounts timeless tales from Greek mythology in this grand hardcover facsimile. Hawthorne's evocative interpretations of stories about Theseus and the Minotaur, Circe the enchantress, Proserpine's abduction into the underworld, Jason's quest for the Golden Fleece, and other ancient legends are graced by 24 delicate color and black-and-white illustrations by Virginia Frances Sterrett.

Creating Tanglewood was Jen's idea but she never could have done it without her twin brother Ben.It came to Jen in a fevered dream. "We can make it!" she tells Ben.Jen, great at making things up, and Ben, great at making things — together they create a life-sized creature from bamboo: the older sibling they need to get a bully off their backs before he turns their summer into a disaster.Tanglewood launches the kids on an adventure through a summer camp ruled by chaos, the strangeness of the woods, and into a confrontation with a crazy cook who believes plants are mankind's mortal enemy.Tanglewood is an adventure with supernatural and spiritual twists that weaves memorable characters, dramatic action, visual humor and the rhythms of Taiko drumming into a coming-to-life journey. The story makes the connection between all living things; where spirits of nature reveal their presence, purpose and power.Many voices. One sound.Tanglewood.Tanglewood has been selected as a BRAG Medallion Honoree!

In Tanglewood Tales (written as a follow-up to A Wonder Book for Girls & Boys), Nathaniel Hawthorne presents six more stories adapted from Greek mythology: The Minotaur (Theseus and the Minotaur), The Pygmies (Hercules and Antaeus the giant), The Dragon’s Teeth (Cadmus and the founding of Thebes), Circe’s Palace (Odysseus and Circe), The Pomegranate Seeds (Pluto’s abduction of Proserpina) and The Golden Fleece (Jason and the Argonauts).

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.