Books with title SEYMOUR THE PRINCE

Can one girl save the world?From USA Today bestselling author Jillian Dodd comes the first book in a sizzling new series filled with action and adventure. Fans of The Selection and The Hunger Games will discover a heart-pounding thrill ride of espionage and suspense set in glittering high society.An eighteen-year-old covert agent is pulled out of training before graduation by Black X, a espionage group so secret even the President of the United States doesn't know it exists.For her first mission, she must go undercover as the long-lost daughter of a recently deceased billionaire, infiltrate high society, and protect the Prince of Montrovia from assassination. But Prince Lorenzo is known as the Playboy Prince for a reason and his sensuality and charisma add a whole other level of complication to her mission. She knows that her every move is being watched, but what she doesn’t know is that the Prince is just a chess piece in a bigger game that will have world-wide ramifications. And that Blackwood Academy, the place she has called home for the past six years has secrets of its own.With a kickass heroine and intrigue, this page turner will have you spellbound and drooling over your new book boyfriend. - H.M Ward, NYT Bestselling author

The Prince is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings".

That Machiavelli’s name has become synonymous with cold-eyed political calculation only heightens the intrinsic fascination of The Prince–the world’s preeminent how-to manual on the art of getting and keeping power, and one of the literary landmarks of the Italian Renaissance. Written in a vigorous, straightforward style that reflects its author’s realism, this treatise on states, statecraft, and the ideal ruler is essential reading for anyone seeking to understand how human society actually works.

Unabridged version of THE PRINCE, by Niccolo Machiavelli and translated by N. H. Thomson, offered here for chump change.From 1513, THE PRINCE is divided into chapters covering ruling power, be it in the office or across continents. Topics include power forms (mixed, heredity), power acquisition (with help, through criminal acts), and power aspects (bearing, flatters, secretaries).Read it. Learn from it. Use it. Contents DEDICATION 3CHAPTER I: OF THE VARIOUS KINDS OF PRINCEDOM, AND OF THE WAYS IN WHICH THEY ARE ACQUIRED 3CHAPTER II: OF HEREDITARY PRINCEDOMS 3CHAPTER III: OF MIXED PRINCEDOMS 4CHAPTER IV: WHY THE KINGDOM OF DARIUS, CONQUERED BY ALEXANDER, DID NOT, ON ALEXANDER’S DEATH, REBEL AGAINST HIS SUCCESSORS 7CHAPTER V: HOW CITIES OR PROVINCES WHICH BEFORE THEIR ACQUISITION HAVE LIVED UNDER THEIR OWN LAWS ARE TO BE GOVERNED 8CHAPTER VI: OF NEW PRINCEDOMS WHICH A PRINCE ACQUIRES WITH HIS OWN ARMS AND BY MERIT 9CHAPTER VII: OF NEW PRINCEDOMS ACQUIRED BY THE AID OF OTHERS AND BY GOOD FORTUNE 11CHAPTER VIII: OF THOSE WHO BY THEIR CRIMES COME TO BE PRINCES 14CHAPTER IX: OF THE CIVIL PRINCEDOM 16CHAPTER X: HOW THE STRENGTH OF ALL PRINCEDOMS SHOULD BE MEASURED 17CHAPTER XI: OF ECCLESIASTICAL PRINCEDOMS 18CHAPTER XII: HOW MANY DIFFERENT KINDS OF SOLDIERS THERE ARE, AND OF MERCENARIES 19CHAPTER XIII: OF AUXILIARY, MIXED, AND NATIONAL ARMS 21CHAPTER XIV: OF THE DUTY OF A PRINCE IN RESPECT OF MILITARY AFFAIRS 23CHAPTER XV: OF THE QUALITIES IN RESPECT OF WHICH MEN, AND MOST OF ALL PRINCES, ARE PRAISED OR BLAMED 24CHAPTER XVI: OF LIBERALITY AND MISERLINESS 25CHAPTER XVII: OF CRUELTY AND CLEMENCY, AND WHETHER IT IS BETTER TO BE LOVED OR FEARED 26CHAPTER XVIII: HOW PRINCES SHOULD KEEP FAITH 27CHAPTER XIX: THAT A PRINCE SHOULD SEEK TO ESCAPE CONTEMPT AND HATRED 28CHAPTER XX: WHETHER FORTRESSES, AND CERTAIN OTHER EXPEDIENTS TO WHICH PRINCES OFTEN HAVE RECOURSE, ARE PROFITABLE OR HURTFUL 33CHAPTER XXI: HOW A PRINCE SHOULD BEAR HIMSELF SO AS TO ACQUIRE REPUTATION 35CHAPTER XXII: OF THE SECRETARIES OF PRINCES 36CHAPTER XXIII: THAT FLATTERERS SHOULD BE SHUNNED 37CHAPTER XXIV: WHY THE PRINCES OF ITALY HAVE LOST THEIR STATES 38CHAPTER XXV: WHAT FORTUNE CAN EFFECT IN HUMAN AFFAIRS, AND HOW SHE MAY BE WITHSTOOD 38CHAPTER XXVI: AN EXHORTATION TO LIBERATE ITALY FROM THE BARBARIANS 40

The Prince (Italian: Il Principe) is a 16th-century political treatise, by the Italian diplomat and political theorist, Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings". Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature. The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the effective truth is taken to be more important than any abstract ideal. It was also in direct conflict with the dominant Catholic and scholastic doctrines of the time concerning politics and ethics. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It even contributed to the modern negative connotations of the words "politics" and "politician" in western countries.[7] In terms of subject matter it overlaps with the much longer Discourses on Livy, which was written a few years later. In its use of near-contemporary Italians as examples of people who perpetrated criminal deeds for politics, another lesser-known work by Machiavelli which The Prince has been compared to is the Life of Castruccio Castracani. (Source: WikiPedia)

Witty, informative, and devilishly shrewd, The Prince is Machiavelli's classic analysis of statesmanship and power.“It is best to be both feared and loved, however, if one cannot be both, it is better to be feared than loved.”—MachiavelliFor over four hundred years, The Prince has been the basic handbook of politics, statesmanship, and power. Written by a Florentine nobleman whose name has become a synonym for crafty plotting, it is a fascinating political and social document, as pertinent today as when it first appeared. After a lifetime of winning and losing at the game of politics, Machiavelli set down for all time its ageless rules and moves, in this highly readable formula for the man who seeks power. At a time before modern democracy, Machiavelli was less concerned with right and wrong than with currying favor with the ruling Medicis, and his work came to be thought of as a blueprint for dictators.The Prince has long been required reading for those interested in politics and power, and it has long since become one of the world's most significant books.With an Afterword by Regina Barreca

The Prince is a political treatise by the Italian diplomat, historian and political theorist Niccolò Machiavelli. The Prince is sometimes claimed to be one of the first works of modern philosophy. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing "Machiavellian" into wide usage as a pejorative term. Although philosophers such as Diderot, Jean-Jacques Rousseau and contemporary experts think it was a satire, Napoleon and Mussolini were just a couple of examples of others who read the book considering seriously its teachings.

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