Books with title Othello: The Moor of Venice: The Oxford Shakespeare Othello: The Moor of Venice

Description:Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in 1603. It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. The story revolves around its two central characters: Othello, a Moorish general in the Venetian army and his unfaithful ensign, Iago. Given its varied and enduring themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theatre alike, and has been the source for numerous operatic, film, and literary Characters:Othello- General in the Venetian militaryDesdemona – Othello's wife; daughter of BrabantioIago – Othello's trusted, but jealous and traitorous ensignCassio – Othello's loyal and most beloved captainBianca – Cassio's loverEmilia – Iago's wife and Desdemona's maidservantBrabantio – Venetian senator and Desdemona's father (can also be called Brabanzio)Roderigo – dissolute Venetian, in love with DesdemonaDoge of VeniceGratiano – Brabantio's brotherLodovico – Brabantio's kinsman and Desdemona's cousinMontano – Othello's Venetian predecessor in the government of CyprusClown – servantSenatorsSailorOfficers, Gentlemen, Messenger, Herald, Attendants, Musicians, etc.ABOUT SHAKESPEARE:William Shakespeare (26 April 1564 – 23 April 1616) was an English poet, playwright and actor, widely regarded as both the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of approximately 39 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna and twins Hamnetand Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs, and whether the works attributed to him were, in fact, written by others. Said theories are often criticised for failing to adequately note the fact that few records survive of most commoners of the period.Shakespeare produced most of his known works between 1589 and 1613.[11][12][d] His early plays were primarily comedies and histories and are regarded as some of the best work ever produced in these genres. Then, until about 1608, he wrote mainly tragedies, among them Hamlet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies and collaborated with other playwrights.Many of his plays were published in editions of varying quality and accuracy in his lifetime. However, in 1623, two fellow actors and friends of Shakespeare's, John Heminges and Henry Condell, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that included all but two of the plays now recognised as his. The volume was prefaced with a poem by Ben Jonson, in which the poet presciently hails the playwright in a now-famous quote as "not of an age, but for all time".Throughout the 20th and 21st centuries, Shakespeare's works have been continually adapted and rediscovered by new movements in scholarship and performance.

Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in 1603. It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. This tightly constructed work revolves around four central characters: Othello, a Moorish general in the Venetian army; his beloved wife, Desdemona; his loyal lieutenant, Cassio; and his trusted but ultimately unfaithful ensign, Iago. Given its varied and enduring themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theatre alike, and has been the source for numerous operatic, film, and literary adaptations.

This Oxfordian Shakespeare Series presents for the first time fully annotated editions informed by the view that the Shakespeare plays were written by Edward de Vere, the 17th earl of Oxford—a view that reveals their true meaning and significance not only for his contemporaries but also for today’s readers and playgoers. Taking advantage of almost a century of Oxfordian scholarship as well as traditional scholarship, the editors show how Oxford, like all great writers, drew on his own life experience and his times. The editions reward the reader with a new and profound appreciation of the plays as the works of a controversial nobleman in Queen Elizabeth’s court whose works appeared under the pen name William Shakespeare. Lovers of Shakespeare will want to see how this Oxfordian perspective informs and illuminates the plays. The plays in the Oxfordian Shakespeare Series and their editors include: Macbeth, Richard F. Whalen, co-general editor of the series Othello, Ren Draya, Blackburn College; and Richard F. Whalen Hamlet, Jack Shuttleworth, chair, English Department, USAF Academy (ret.) Antony and Cleopatra, Michael Delahoyde, Washington State University The Tempest, Roger Stritmatter, Coppin State University, with Lynne Kositsky King John, Daniel L. Wright, Concordia University, Portland, Oregon Henry the Fifth, Kathy R. Binns-Dray, Lee University Love’s Labor’s Lost, Felicia Londre, University of Missouri-Kansas City Much Ado About Nothing, Anne Pluto, Lesley University

The Tragedy of Othello, The Moor of Venice is a play by William Shakespeare, written around the year 1603. The work revolves around four central characters: Othello, his wife Desdemona, his lieutenant Cassio, and his trusted advisor Iago. Because of its varied themes - racism, love, jealousy and betrayal - the play remains relevant to the present day, and is still very popular. (Quote from wikipedia.org)About the AuthorWilliam Shakespeare (1564 - 1616)William Shakespeare (baptised 26 April 1564 - 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others.Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak o

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

About Sweet Cherry Easy Classics: From Shakespeare to Austen, Sweet Cherry Easy Classics adapts classic literature into stories for children, introducing these timeless tales to a new generation. All titles in the series are leveled for classroom use, including GRLs. The books target early readers ages 6-8, including early school-age children looking for exciting stories, as well as reluctant readers. Popular books in the series include Pride and Prejudice, A Christmas Carol and Othello. Othello is one of the most powerful tragedies of William Shakespeare. Othello is a Moorish general who falls in love with Desdemona, the daughter of a powerful senator of Venice. The play is about their love and Othello s mistrust and jealousy, which ultimately leads to a murder.

Full text.A powerful drama of a marriage that begins with fascination (between the exotic Moor Othello and the Venetian lady Desdemona), with elopement, and with intense mutual devotion and that ends precipitately with jealous rage and violent deaths. William Shakespeare sets this story in the romantic world of the Mediterranean, moving the action from Venice to the island of Cyprus and giving it an even more exotic coloring with stories of Othello's African past. Shakespeare builds so many differences into his hero and heroine—differences of race, of age, of cultural background—that one should not, perhaps, be surprised that the marriage ends disastrously. But most people who see or read the play feel that the love that the play presents between Othello and Desdemona is so strong that it would have overcome all these differences were it not for the words and actions of Othello's standard-bearer, Iago, who hates Othello and sets out to destroy him by destroying his love for Desdemona. As Othello succumbs to Iago's insinuations that Desdemona is unfaithful, fascination—which dominates the early acts of the play—turns to horror, especially for the audience. We are confronted by spectacles of a generous and trusting Othello in the grip of Iago's schemes; of an innocent Desdemona, who has given herself up entirely to her love for Othello only to be subjected to his horrifying verbal and physical assaults, the outcome of Othello's mistaken convictions about her faithlessness.

One of 38 volumes forming The Pelican Shakespeare. The lines are not numbered in arbitrary units. Instead all lines are numbered which contain a word, phrase, or allusion explained in the glossarial notes. In the occasional instances where there is a long stretch of unannotated text, certain lines are numbered in italics to serve the conventional reference purpose.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In Othello, Shakespeare creates a powerful drama of a marriage that begins with fascination (between the exotic Moor Othello and the Venetian lady Desdemona), with elopement, and with intense mutual devotion and that ends precipitately with jealous rage and violent deaths. He sets this story in the romantic world of the Mediterranean, moving the action from Venice to the island of Cyprus and giving it an even more exotic coloring with stories of Othello's African past. Shakespeare builds so many differences into his hero and heroine—differences of race, of age, of cultural background—that one should not, perhaps, be surprised that the marriage ends disastrously. But most people who see or read the play feel that the love that the play presents between Othello and Desdemona is so strong that it would have overcome all these differences were it not for the words and actions of Othello's standard-bearer, Iago, who hates Othello and sets out to destroy him by destroying his love for Desdemona. As Othello succumbs to Iago's insinuations that Desdemona is unfaithful, fascination—which dominates the early acts of the play—turns to horror, especially for the audience. We are confronted by spectacles of a generous and trusting Othello in the grip of Iago's schemes; of an innocent Desdemona, who has given herself up entirely to her love for Othello only to be subjected to his horrifying verbal and physical assaults, the outcome of Othello's mistaken convictions about her faithlessness.