Books with title Michael Strogoff: Or the Courier of the Czar

Michael Strogoff: The Courier of the Czar (French: Michel Strogoff) is a novel written by Jules Verne in 1876. Critics, including Leonard S. Davidow, consider it one of Verne's best books. Davidow wrote, "Jules Verne has written no better book than this, in fact it is deservedly ranked as one of the most thrilling tales ever written." Unlike some of Verne's other novels, it is not science fiction, but a scientific phenomenon (Leidenfrost effect) is a plot device. The book was later adapted to a play, by Verne himself and Adolphe d'Ennery. Incidental music to the play was written by Alexandre Artus in 1880. The book has been adapted several times for films, television and cartoon series.

Michael Strogoff: The Courier of the Czar (French: Michel Strogoff) is a novel written by Jules Verne in 1876. Critics, including Leonard S. Davidow,consider it one of Verne's best books. Davidow wrote, "Jules Verne has written no better book than this, in fact it is deservedly ranked as one of the most thrilling tales ever written." Unlike some of Verne's other novels, it is not science fiction, but a scientific phenomenon (Leidenfrost effect) is a plot device. The book was later adapted to a play, by Verne himself and Adolphe d'Ennery. Incidental music to the play was written by Alexandre Artus in 1880. The book has been adapted several times for films, television and cartoon series.

A classic tale of adventure and intrigue in the Russian Empire. Someone must warn the Governor-General of Siberia that the fierce Feofar-Khan is pouring his men into Siberia and fomenting rebellion. Only one of the Czar Alexander II couriers, Michael Strogoff, is capable of handling this mission. Jules Verne presents a narrative about the determination and courage of the protagonist who is sent out to deliver the secret message. He will find almost insurmountable obstacles as he carries it from Moscow to Irkutsk and fate threatens his life and love. Facing the Tatar army and fighting his own gentle feelings, he is hell-bent on attempting to complete his mission.

In this 1876 “Mission Impossible” tale of intrigue set in Russia, a traitor has inspired the fierce Feofar Khan to invade Siberia and foment a rebellion. A sinister plot to assassinate the Czar’s brother, the Grand Duke, is discovered but all telegraph lines have been cut. Only one of the Czar’s courier’s is qualified to handle the dangerous and arduous mission to warn the Siberian Governor General of the impending invasion, Michael Strogoff.

Michael Strogoff, a 30-year-old native of Omsk, is a courier for Tsar Alexander II of Russia. The Tartar Khan (prince), Feofar Khan, incites a rebellion and separates the Russian Far East from the mainland, severing telegraph lines. Rebels encircle Irkutsk, where the local governor, a brother of the Tsar, is making a last stand. Strogoff is sent to Irkutsk to warn the governor about the traitor Ivan Ogareff, a former colonel, who was once demoted and exiled and now seeks revenge against the imperial family. He intends to gain the governor's trust and then betray him to the Tartar hordes.

Though Michael Strogoff: The Courier of the Czar hews more closely to the genre of historical fiction than the science fiction for which Jules Verne is best known, the novel contains the same action-packed adventure and intrigue that made Verne famous, and critics now regard it as one of the author's most fully realized literary efforts. A must-read for Verne fans and lovers of fast-paced historical adventures.

Michael Strogoff: The Courier of the Czar (French: Michel Strogoff) is a novel written by Jules Verne in 1876. Critics, including Leonard S. Davidow,consider it one of Verne's best books. Davidow wrote, "Jules Verne has written no better book than this, in fact it is deservedly ranked as one of the most thrilling tales ever written." Unlike some of Verne's other novels, it is not science fiction, but a scientific phenomenon (Leidenfrost effect) is a plot device. The book was later adapted to a play, by Verne himself and Adolphe d'Ennery. Incidental music to the play was written by Alexandre Artus in 1880. The book has been adapted several times for films, television and cartoon series.

Michael Strogoff: The Courier of the Czar is a novel written by Jules Verne in 1876. Critics consider it one of Verne's best books. Davidow wrote, "Jules Verne has written no better book than this, in fact it is deservedly ranked as one of the most thrilling tales ever written." Michael Strogoff, a 30-year-old native of Omsk, is a courier for Tsar Alexander II of Russia. The Tartar Khan (prince), Feofar, incites a rebellion and separates the Russian Far East from the mainland, severing telegraph lines. Rebels encircle Irkutsk, where the local governor, a brother of the Tsar, is making a last stand. Strogoff is sent to Irkutsk to warn the governor about the traitor Ivan Ogareff, a former colonel, who was once demoted and exiled and now seeks revenge against the imperial family. He intends to destroy Irkutsk by setting fire to the huge oil storage tanks on the banks of the Angara River. On his way to Irkutsk, Strogoff meets the beautiful Nadia Fedor, who has been granted permission to join her father at his exile in Irkutsk. Michael is supposed to travel under a false identity, but he is discovered by the Tartars when he meets his mother in their home city of Omsk. Michael, his mother and Nadia are taken prisoner by the Tartar forces, but he escapes and the drama comes to a suprising ending. The book has been adapted several times for films and as a TV-series.

BOOK I I. A FETE AT THE NEW PALACE "SIRE, a fresh dispatch." "Whence?" "From Tomsk?" "Is the wire cut beyond that city?" "Yes, sire, since yesterday." "Telegraph hourly to Tomsk, General, and keep me informed of all that occurs." "Sire, it shall be done," answered General Kissoff. These words were exchanged about two hours after midnight, at the moment when the fete given at the New Palace was at the height of its splendor. During the whole evening the bands of the Preobra-jensky and Paulowsky regiments had played without cessation polkas, mazurkas, schottisches, and waltzes from among the choicest of their repertoires. Innumerable couples of dancers whirled through the magnificent saloons of the palace, which stood at a few paces only from the "old house of stones"—in former days the scene of so many terrible dramas, the echoes of whose walls were this night awakened by the gay strains of the musicians. The grand-chamberlain of the court, was, besides, well seconded in his arduous and delicate duties. The grand-dukes and their aides-de-camp, the chamberlains-in-waiting and other officers of the palace, presided personally in the arrangement of the dances. The grand duchesses, covered with diamonds, the ladies-in-waiting in their most exquisite costumes, set the example to the wives of the military and civil dignitaries of the ancient "city of white stone." When, therefore, the signal for the "polonaise" resounded through the saloons, and the guests of all ranks took part in that measured promenade, which on occasions of this kind has all the importance of a national dance, the mingled costumes, the sweeping robes adorned with lace, and uniforms covered with orders, presented a scene of dazzling splendor, lighted by hundreds of lusters multiplied tenfold by the numerous mirrors adorning the walls. The grand saloon, the finest of all those contained in the New Palace, formed to this procession of exalted personages and splendidly dressed women a frame worthy of the magnificence they displayed. The rich ceiling, with its gilding already softened by the touch of time, appeared as if glittering with stars. The embroidered drapery of the curtains and doors, falling in gorgeous folds, assumed rich and varied hues, broken by the shadows of the heavy masses of damask. Through the panes of the vast semicircular bay-windows the light, with which the saloons were filled, shone forth with the brilliancy of a conflagration, vividly illuminating the gloom in which for some hours the palace had been shrouded. The attention of those of the guests not taking part in the dancing was attracted by the contrast. Resting in the recesses of the windows, they could discern, standing out dimly in the darkness, the vague outlines of the countless towers, domes, and spires which adorn the ancient city. Below the sculptured balconies were visible numerous sentries, pacing silently up and down, their rifles carried horizontally on the shoulder, and the spikes of their helmets glittering like flames in the glare of light issuing from the palace. The steps also of the patrols could be heard beating time on the stones beneath with even more regularity than the feet of the dancers on the floor of the saloon. From time to time the watchword was repeated from post to post, and occasionally the notes of a trumpet, mingling with the strains of the orchestra, penetrated into their midst. Still farther down, in front of the facade, dark masses obscured the rays of light which proceeded from the windows of the New Palace. These were boats descending the course of a river, whose waters, faintly illumined by a few lamps, washed the lower portion of the terraces.

Michael Strogoff, a 30-year-old native of Omsk, is a courier for Tsar Alexander II of Russia. The Tartar Khan (prince), Feofar Khan, incites a rebellion and separates the Russian Far East from the mainland, severing telegraph lines. Rebels encircle Irkutsk, where the local governor, a brother of the Tsar, is making a last stand. Strogoff is sent to Irkutsk to warn the governor about the traitor Ivan Ogareff, a former colonel, who was once demoted and exiled and now seeks revenge against the imperial family. He intends to destroy Irkutsk by setting fire to the huge oil storage tanks on the banks of the Angara River.

Michael Strogoff, a 30-year-old native of Omsk, is a courier for Tsar Alexander II of Russia. The Tartar Khan (prince), Feofar Khan, incites a rebellion and separates the Russian Far East from the mainland, severing telegraph lines. Rebels encircle Irkutsk, where the local governor, a brother of the Tsar, is making a last stand. Strogoff is sent to Irkutsk to warn the governor about the traitor Ivan Ogareff, a former colonel, who was once demoted and exiled and now seeks revenge against the imperial family. He intends to destroy Irkutsk by setting fire to the huge oil storage tanks on the banks of the Angara River. On his way to Irkutsk, Strogoff meets Nadia Fedor, daughter of an exiled political prisoner, Basil Fedor, who has been granted permission to join her father at his exile in Irkutsk, the English war correspondent Harry Blount of the Daily Telegraph and Alcide Jolivet, a Frenchman reporting for his ‘cousin Madeleine’. Blount and Jolivet tend to follow the same route as Michael, separating and meeting again all the way through Siberia. He is supposed to travel under a false identity, but he is discovered by the Tartars when he meets his mother in their home city of Omsk...