Books with title Flip! Beyond the Horizon

Ritwik finds himself in a position where death seems to be the only option to get rid of the pain in his life. However, an unexpected encounter with a stranger gives him a ray of hope and changes the course of his life. Later when he sets off in search of the person who saved him from his dilemma, he would discover a secret so powerful that it would question his very existence.

Beyond the Horizon is a 1920 play written by American playwright Eugene O'Neill. It was O'Neill's first full-length work, and the winner of the 1920 Pulitzer Prize for Drama. The play focuses on the portrait of a family, and particularly two brothers Andrew and Robert. In the first act of the play, Robert is about to go off to sea with their uncle Dick, a sea captain while Andrew looks forward to marrying his sweetheart Ruth and working on the family farm as he starts a family. "...an absorbing, significant, and memorable tragedy... ...a playwright of real power and imagination... ...the play has greatness in it and marks O'Neill as one of our foremost playwrights..."Alexander Woolcott, Times "Only once or twice in the course of the dramatic season does a play of such terrific force and such simple directness award the patient theatrical chroniclers..."Robert Gilbert Welsh, Evening Telegram "...this season's most notable play of a serious theme and purpose by an American author..."World.

The first of O'Neill's three Pulitzer Prize-winning plays, "Beyond the Horizon" was written in 1918. The drama revolves around two brothers, Robert and Andy, who live on their family's farm and both love the same woman, Ruth. While Robert longs to escape the farm and experience a long sea voyage, Andy wishes to remain on the Mayo farm and remain close to the land. Neither of these men realize their wishes, however, for Ruth's choice of husband begins the tragic downward spiral of the entire family. A story at once about the conflict of dreams and responsibility, choices and happiness, "Beyond the Horizon" is the innovative play of a dramatist destined to become one of America's greatest playwrights.

Deep in the heart of New York City, there were a bunch of rather eccentric teenagers who wrote a book. This book, to be precise. Beyond the Horizon is a compilation of the writings of New Explorations into Science, Technology, and Math eighth-grade students that will catapult you headfirst into the concept of human nature. You'll delve further into the desires, fears and motivations of humans than you've ever gone before-unless you're a psychologist. Those questions about human nature that have lingered in the back of your mind and left you wondering? We have your answers.

Eugene Gladstone O'Neill (1888-1953) was a Nobelprize winning American playwright. More than any other dramatist, O'Neill introduced American drama to the dramatic realism pioneered by Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg, and was the first to use true American vernacular in his speeches. His plays involve characters who inhabit the fringes of society, engaging in depraved behaviour, where they struggle to maintain their hopes and aspirations but ultimately slide into disillusionment and despair. O'Neill wrote only one comedy Ah, Wilderness!, all his other plays involve some degree of tragedy and personal pessimism. O'Neill's first published play, Beyond the Horizon, opened on Broadway in 1920 to great acclaim, and was awarded the Pulitzer Prize for Drama. His best-known plays include Anna Christie (Pulitzer Prize 1922), The First Man (1922), and The Hairy Ape (1922). In 1936 he received the Nobel Prize for Literature.

Beyond the Horizon ACT ONE SCENE ONE A section of country highway. The road runs diagonally from the left, forward, to the right, rear, and can be seen in the distance winding toward the horizon like a pale ribbon between the low, rolling hills with their freshly plowed fields clearly divided from each other, checkerboard fashion, by the lines of stone walls and rough snake fences. The forward triangle cut off by the road is a section of a field from the dark earth of which myriad bright-green blades of fall-sown rye are sprouting. A straggling line of piled rocks, too low to be called a wall, separates this field from the road. To the rear of the road is a ditch with a sloping, grassy bank on the far side. From the center of this an old, gnarled apple tree, just budding into leaf, strains its twisted branches heavenwards, black against the pallor of distance. A snake-fence sidles from left to right along the top of the bank, passing beneath the apple tree. The hushed twilight of a day in May is just beginning. The horizon hills are still rimmed by a faint line of flame, and the sky above them glows with the crimson flush of the sunset. This fades gradually as the action of the scene progresses. At the rise of the curtain, ROBERT MAYO is discovered sitting on the fence. He is a tall, slender young man of twenty-three. There is a touch of the poet about him expressed in his high forehead and wide, dark eyes. His features are delicate and refined, leaning to weakness in the mouth and chin. He is dressed in gray corduroy trousers pushed into high laced boots, and a blue flannel shirt with a bright colored tie. He is reading a book by the fading sunset light. He shuts this, keeping a finger in to mark the place, and turns his