Books in The American West series

Praise for The Best American Infographics “Represent[s] the full spectrum of the genre—from authoritative to playful.”—Scientific American “Not only is it a thing of beauty, it’s also a good read, with thoughtful explanations of each winning graphic.”—Nature “Information, in its raw form, can overwhelm us. Finding the visual form of data can simplify this deluge into pearls of understanding.” —Kim Rees, Periscopic The most creative and effective data visualizations from the past year, edited by Brain Pickings creator Maria Popova The rise of infographics across nearly all print and electronic media—from a graphic illuminating the tweets of the women of Isis to a memorable depiction of the national geography of beer—reveals patterns in our lives and the world in often startling ways. The Best American Infographics 2015 showcases visualizations from the worlds of politics, social issues, health, sports, arts and culture, and more. From an elegant graphic comparison of first sentences in classic novels to a startling illustration of the world’s deadliest animals, “You’ll come away with more than your share of . . . mind-bending moments—and a wide-ranging view of what infographics can do” (Harvard Business Review). “This is what information design does at its best – it gives pause, makes visible the unsuspected yet significant invisibilia of life, and by astonishing us into mobilization, it catapults us toward one of the greatest feats of human courage: the act of changing one’s mind.”—from the Introduction by Maria Popova Guest introducer MARIA POPOVA is the one-woman curation machine behind Brain Pickings, a cross-disciplinary blog showcasing content that makes people smarter. She has more than half a million monthly readers and over 480,000 Twitter followers. Popova is an MIT Futures of Entertainment Fellow and has written for the New York Times, Atlantic, Wired UK, GOOD Magazine, The Huffington Post, and the Nieman Journalism Lab. Series editor GARETH COOK is a Pulitzer Prize–winning journalist, a contributor to the New York Times Magazine, and the editor of Mind Matters, Scientific American’s neuroscience blog. He helped invent the Boston Globe’s Sunday Ideas section and served as its editor from 2007 to 2011. His work has also appeared in NewYorker.com, WIRED, Scientific American, and The Best American Science and Nature Writing.

Science writers get into the game with all kinds of noble, high-minded ambitions. We want to educate. To enlighten,” notes guest editor Amy Stewart in her introduction to The Best American Science and Nature Writing 2016. “But at the end of the day, we’re all writers . . . We’re here to play for the folks.” The writers in this anthology brought us the year’s highest notes in the genre. From a Pulitzer Prize–winning essay on the earthquake that could decimate the Pacific Northwest to the astonishing work of investigative journalism that transformed the nail salon industry, this is a collection of hard-hitting and beautifully composed writing on the wonders, dangers, and oddities of scientific innovation and our natural world.The Best American Science and Nature Writing 2016 includes Kathryn Schulz, Sarah Maslin Nir, Charles C. Mann, Oliver Sacks, Elizabeth Kolbert, Gretel Ehrlich, and others Amy Stewart, guest editor, is the award-winning author of seven books, including her acclaimed Kopp Sisters novels and the bestsellers The Drunken Botanist and Wicked Plants. She and her husband live in Eureka, California, where they own a bookstore called Eureka Books. Tim Folger, series editor, is a contributing editor at Discover and writes about science for several magazines. He lives in Gallup, New Mexico.

On the night of 16 October 1892, a double homicide occurred on Otay Mesa in San Diego County near the Mexican border. The two victims were an elderly couple, John and Wilhelmina Geyser, who lived on a farm on the edge of the mesa. Within minutes of discovering the crime, neighbors subdued and tied up the alleged killer, José Gabriel, a sixty-year-old itinerant Native American handyman from El Rosario, California, who worked for the couple. Since Gabriel was apprehended at the scene, most presumed his guilt. The local press, prosecutors, witnesses, and jurors called him by the epithet “Indian Joe.” The sensational murder trial of Gabriel highlights the legal injustices committed against Native Americans in the nineteenth century. During this time, California Native Americans could not vote or serve on juries, so from the outset Gabriel was unlikely to receive a fair trial. No motive for murder was established, and the evidence against Gabriel was inconclusive. Nonetheless, the case went forward. Drawing on court testimony and newspaper accounts, Clare V. McKanna Jr. traces the murder trial: the handling of the case by the prosecution, the defense, the jury, and the judge; an examination of the crime scene; and the imaging of “Indian Joe.” Through his considerable research, McKanna sheds light on a dark time in the American legal system.

In many of California's cities, the buildings of former Spanish missions are still standing. The history of the Spanish mission era in California was relatively short. When Spanish priests attempted to establish missions in California during the mid-18th century, their goal was to covert the native people of the region to Christianity. The Spaniards had no idea of the troubles ahead. They faced bad weather, shortages of food and other supplies, and culture clashes with the native tribes. Though the intent of the missions was honorable, many of the methods used to convert the Native Americans were horrible and violent. Although the mission era ended by the 1820s, much can be learned from the history of the California missions.

Amy Hale Auker's first book of essays, Rightful Place, was the story of a woman finding beauty in her place, the Llano Estacado. Her new collection of creative non-fiction, Ordinary Skin, explores her mid-life transition with prose poems and essays that illustrate a new terrain as well as new ways of being in the world.Touching on faith and body image and belonging, these essays explore our role in deciding what is favorable or unfavorable, as well as where we some day want to dwell, and who came before us. In that touching, they feel their way with observations about current affairs, drought, mystery, and the hard decisions that face us all as we continue to move toward more questions with fewer answers. This exploration is informed and softened by hummingbirds, Gila monsters,bats, foxes, bears, wildflowers, and hidden seep springs where life goes on whether we are there to see it or not. It is about work in a wild and wilderness environment. In the end, even as life changes drastically around us, we are better off for knowing that the ugly mud bug turns into a jewel-toned dragonfly.