Books in Everyman's Library series

The Roman emperor Marcus Aurelius Antoninus (a.d. 121—180) embodied in his person that deeply cherished, ideal figure of antiquity, the philosopher-king. His Meditations are not only one of the most important expressions of the Stoic philosophy of his time but also an enduringly inspiring guide to living a good and just life. Written in moments snatched from military campaigns and the rigors of politics, these ethical and spiritual reflections reveal a mind of exceptional clarity and originality, and a spirit attuned to both the particulars of human destiny and the vast patterns that underlie it.

Initially published under the pseudonym Currer Bell in 1847, Charlotte Brontë's Jane Eyre erupted onto the English literary scene, immediately winning the devotion of many of the world's most renowned writers, including William Makepeace Thackeray, who declared it a work "of great genius." Widely regarded as a revolutionary novel, Brontë's masterpiece introduced the world to a radical new type of heroine, one whose defiant virtue and moral courage departed sharply from the more acquiescent and malleable female characters of the day. Passionate, dramatic, and surprisingly modern, Jane Eyre endures as one of the world's most beloved novels. This Modern Library Paperback Classics edition includes newly written explanatory notes.(Cover features a removable movie tie-in bellyband.)

Alexandre Dumas’s most famous tale— and possibly the most famous historical novel of all time— in a handsome hardcover volume.This swashbuckling epic of chivalry, honor, and derring-do, set in France during the 1620s, is richly populated with romantic heroes, unattainable heroines, kings, queens, cavaliers, and criminals in a whirl of adventure, espionage, conspiracy, murder, vengeance, love, scandal, and suspense. Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

Horror stories, science fiction, detective stories and satirical sketches –the variety of Poe will chill and delightLocked doors, sealed cavities, bricked-up alcoves and premature burial close in on Poe's narrators as they , like their victims, are cut off from light, air and human society. Partly, Poe's stories resonate as the disordered chambers' of the narrators' minds but also they suggest archetypal, if extreme psychological states.yet Poe was an incurable hoaxer, and in telling some wonderful short stories he also told some excessively tall tales.The most comprehensive paperback edition available, introduction, selected criticism chronology of Poe's life and times.

Barchester Towers (1857) is the second of the six Chronicles of Barsetshire, the work in which, after a ten years' apprenticeship, Trollope finally found his distinctive voice. In this his most popular novel, the chronicler continues the story of Mr. Harding and his daughter Eleanor, begun in The Warden, adding to his cast of characters that oily symbol of 'progress' Mr. Slope, the hen-pecked Dr. Proudie, and the amiable and breezy Stanhope family. Love, mammon, clerical in-fighting and promotion again figure prominently and comically, all centred on the magnificently imagined cathedral city of Barchester. The central questions of this moral comedy - Who will be warden? Who will be dean? Who will marry Eleanor? - are skilfully handled with the subtlety of ironic observation that has won Trollope such a wide and appreciative readership over the last 140 years. For this new edition, John Sutherland has contributed an introduction and extensive notes, as well as a chronology of the novel's composition and current events, and a note on Trollopian names.

Uncle Tom, Topsy, Sambo, Simon Legree, little Eva: their names are American bywords, and all of them are characters in Harriet Beecher Stowe's remarkable novel of the pre-Civil War South. Uncle Tom's Cabin was revolutionary in 1852 for its passionate indictment of slavery and for its presentation of Tom, "a man of humanity," as the first black hero in American fiction. Labeled racist and condescending by some contemporary critics, it remains a shocking, controversial, and powerful work -- exposing the attitudes of white nineteenth-century society toward "the peculiar institution" and documenting, in heartrending detail, the tragic breakup of black Kentucky families "sold down the river." An immediate international sensation, Uncle Tom's Cabin sold 300,000 copies in the first year, was translated into thirty-seven languages, and has never gone out of print: its political impact was immense, its emotional influence immeasurable.

First published in 1516, during a period of astonishing political and technological change, Sir Thomas More's Utopia depicts an imaginary society free of private property, sexual discrimination, violence, and religious intolerance. Raphael Hythloday, a philospher and world traveler, describes to the author and his friend an island nation he has visited called Utopia (combining the Greek ou-topos and eu-topos, for "no place" and "good place," respectively). Hythloday believes the rational social order of the Utopians is far superior to anything in Europe, while his listeners find many of their customs appealing but absurd. Given the enigmatic ambivalence of the character that More named after himself and the playful Greek puns he sprinkled throughout (including Hythloday's name, which means "knowing nonsense"), it is difficult to know what precisely More meant his readers to make of all the innovations of his Utopia. But its radical humanism has had an incalculable effect on modern history, and the callenge of its vision is as insistent today as it was in the Renaissance. With an introduction by Jenny Mezciems.(Book Jacket Status: Not Jacketed)

A new hardcover selection of the best writings of the visionary German naturalist whose ideas changed the way we see the natural world. Selected and introduced by Andrea Wulf.Alexander von Humboldt (1769–1859) was an intrepid explorer and the most famous scientist of his age. His life was packed with adventure and discovery, whether he was climbing volcanoes in the Andes, racing through anthrax-infected Siberia, or publishing groundbreaking bestsellers. Ahead of his time, he recognized nature as an interdependent whole and he saw before anyone else that humankind was on a path to destroy it. His visits to the Americas led him to argue that the indigenous peoples possessed ancient cultures with sophisticated languages, architecture, and art, and his expedition to Cuba prompted him to denounce slavery as “the greatest evil ever to have afflicted humanity.” To Humboldt, the melody of his prose was as important as its empirical content, and this selection from his most famous works—including Cosmos, Views of Nature, and Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, among others—allows us the pleasure of reading his own accounts of his daring explorations. Humboldt’s writings profoundly influenced naturalists and poets including Darwin, Thoreau, Muir, Goethe, Wordsworth, and Whitman. The Selected Writings is not only a tribute to Humboldt’s important role in environmental history and science, but also to his ability to fashion powerfully poetic narratives out of scientific observations.