Books in Cambridge Library Collection - Slavery and Abolition series

Charles Dickens (1812-70) was an established novelist when he decided to produce a Christmas story, which was written in only six weeks and published at the end of 1843. The book was an immediate bestseller, and had it not been for the very high production costs of the specially commissioned illustrations and the decorative binding, it would have been a great commercial success. This strategic error meant that Dickens did not make the profits he expected, which contributed to his falling out with the publishers, Chapman and Hall. The story, however, has endured to this day as a classic and remains Dickens' best-known and most adapted work. This reissue of the first edition, with its famous illustrations by Punch caricaturist John Leech (1817-64), is printed in black and white, but the four colour illustrations found in the original can be viewed at http://www.cambridge.org/9781108060400.

Born within walking distance of ten Nottinghamshire pits, David Herbert Lawrence (1885-1930) was painfully aware that his frail physique and quiet character were ill suited to the mining industry upon which his community depended. The difficulties of his youth are manifest in Sons and Lovers, his first major novel and an insider's portrayal of the culture of the collieries. Writing to a friend, Lawrence explained the seed of his plot: 'a woman of character and refinement goes into the lower class, and has no satisfaction in her own life'. Stemming from this are the intricate difficulties in the relationships of Paul Morel, the second son of this unhappy mother, torn between her overpowering influence and two vastly different women - the quiet, old-fashioned Miriam and the modern divorcee Clara. Although initially deemed indecent and rejected for publication, Sons and Lovers appeared for the first time in 1913.

David Herbert Lawrence (1885-1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family. Employing language infused with the rich imagery and repetition of biblical texts to treat all subjects - from the green fields and empty skies of the Brangwen farm through to Ursula's encounter with a female schoolteacher - Lawrence took an assuredly striking approach. However, he was unprepared for the vitriolic attacks of his reviewers. The novel was branded 'utter filth' and 'a mass of obscenity'; it was banned only a month after its publication in 1915, unsold copies being confiscated and destroyed. A second, abridged edition would not appear for another eleven years. Now a landmark in the early modernist canon, the original and unabridged text of 1915 is reissued here.

The English astronomer Richard A. Proctor was already a well-known populariser of science when he published Other Worlds Than Ours in 1870, joining a ferocious debate about the possibility of life on other planets in which Whewell (1853) and Brewster (1854) had also participated. Taking his cue from the seventeenth-century French astronomer Fontenelle's classic book The Plurality of Worlds, Proctor discusses Victorian discoveries about the solar system and describes what was then known about each of the planets. He evaluates the habitability of Mars, Jupiter, Mercury, Venus and Saturn in the light of his belief in the possibility of extraterrestrial life. The text includes many illustrations of the planets, a spectacular map of Mars, and theoretical views of the Milky Way. Influenced by Darwin, Proctor had a teleological view of the universe and believed that eventually the cosmos would be filled with living things.

In her third novel, reissued here in its first edition of 1861, George Eliot (1819-80) charts the life of the cataleptic, miserly weaver Silas Marner. Arriving in insular Raveloe after a wrongful expulsion from his Calvinist community in the north, Silas is a foreign and outcast figure, left alone to accumulate a useless fortune through his loom in the dawn of the new industrial age. His unhappy life is rendered unrecognisable when his fortune is stolen and he adopts a child. Eliot's first two novels, Adam Bede and Mill on the Floss, had dealt with tragedy and the injustices faced by fallen women. With its happy ending and suffusion of fairy-tale elements, Silas Marner marks a turning point in her career. Alongside this development, however, the novel continues to raise Eliot's characteristic questions about social inequalities, the effects of extreme religion, and the worth of human experience.

Jane Ellen Panton (1847-1923) was the second daughter of the artist William Powell Frith, and an expert on domestic issues. Published in 1909, this is a further collection of Panton's memoirs, following her earlier autobiography Leaves from a Life (also reissued in this series). It looks back on life in mid-nineteenth-century England and the changes that had taken place since then, beginning by asking the question of how much the present generation knew about their country's past. Over fifteen chapters, Panton explores developments in the nature and structure of institutions such as the family, the community, the church, the electorate and the military, deeming certain changes as negative, such as the decline of county families and the gentry, while welcoming others, such as increased opportunities for women. Providing revealing insight into English middle-class concerns in the nineteenth and early twentieth centuries, this book remains of interest to social historians.

Matthew 'Monk' Lewis (1775-1818) is best known as a writer of plays and 'Gothic' novels such as The Monk (from which he acquired his nickname). On the death of his father in 1812, he inherited a large fortune, including estates in Jamaica. He spent four months there in 1815, during which time much of this Journal of a West India Proprietor was written. He became interested in the condition of the slaves on his estates, and on returning to England made contact with William Wilberforce and other abolitionists. The improvements he made on his own estates were unpopular with other landholders, but foreshadowed the reforms of the 1830s, when the Journal was published. He revisited the island in 1817, but died of yellow fever on the way home. S. T. Coleridge regarded the Journal as Lewis' best work, and the one most likely to be of lasting value.

Born within walking distance of ten Nottinghamshire pits, David Herbert Lawrence (1885-1930) was painfully aware that his frail physique and quiet character were ill suited to the mining industry upon which his community depended. The difficulties of his youth are manifest in Sons and Lovers, his first major novel and an insider's portrayal of the culture of the collieries. Writing to a friend, Lawrence explained the seed of his plot: 'a woman of character and refinement goes into the lower class, and has no satisfaction in her own life'. Stemming from this are the intricate difficulties in the relationships of Paul Morel, the second son of this unhappy mother, torn between her overpowering influence and two vastly different women - the quiet, old-fashioned Miriam and the modern divorcee Clara. Although initially deemed indecent and rejected for publication, Sons and Lovers appeared for the first time in 1913.

Regarded as the foremost animal painter of her time and the most famous female artist of the nineteenth century, Rosa Bonheur (1822-99) is best known for her works Ploughing in the Nivernais and The Horse Fair. She showed an early talent for drawing people and animals, and quickly determined that art would be her career, visiting the abattoirs of Paris and performing dissections in order to better understand animal anatomy. Through her independent spirit, successful career and unconventional lifestyle she made men and other women aware of what could be achieved. Of the various sources of biographical detail about Bonheur, this 1910 publication is among the most authoritative. Incorporating translated letters between the artist and her friends and family members, it provides invaluable first-hand evidence of her approach to painting and her views on the art world more widely. The work is illustrated throughout with many fine engravings.

Best known for The Jungle Book and the poem 'If-', Rudyard Kipling (1865-1936) became the first British recipient of the Nobel Prize for Literature. His considerable literary output, of both prose and poetry, reflects and interprets his experience of empire, and his great fame during his lifetime was matched by sales of his works. Widely regarded as Kipling's masterpiece, and described by him as 'a labour of great love', this picaresque, nostalgic novel was first published serially and then in the form of this book in 1901. Ten years in gestation, the novel reflects the vastness and diversity of India, combining Kipling's first-hand knowledge of the subcontinent and its people with his highly developed understanding of human interaction. At the heart of the work lies Kim's hybrid nature - a white boy, but Indian in identity - and his action-packed adventures are deftly juxtaposed with the spiritual journey of his travelling companion.