Books published by publisher Virago

Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This stunning collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world- from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters. This fabulous celebration of strong minds, low cunning, black arts and dirty tricks could only have been collected by the unique and much-missed Angela Carter. Illustrated throughout with original woodcuts.

Now the basis of a major Radio 4 drama, Maya Angelou's debut memoir paints a portrait of 'a brilliant writer, a fierce friend and a truly phenomenal woman' (Barack Obama)Maya Angelou's debut memoir has become an classic beloved worldwide. Her six volumes of autobiography are a testament to the her talents and resilience.. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination and extreme poverty, but also hope, joy, achievement and celebration. In this first volume of her six books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. She learns the power of the white folks at the other end of town and suffers the terrible trauma of rape by her mother's lover. However, far from being dispiriting, James Baldwin writes, 'I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.''I write about being a Black American woman, however, I am always talking about what it's like to be a human being. This is how we are, what makes us laugh, and this is how we fall and how we somehow, amazingly, stand up again' Maya Angelou

By the author of THE HANDMAID'S TALE and ALIAS GRACE* Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility. *Praise for Oryx and Crake:'In Jimmy, Atwood has created a great character: a tragic-comic artist of the future, part buffoon, part Orpheus. An adman who's a sad man; a jealous lover who's in perpetual mourning; a fantasist who can only remember the past' -INDEPENDENT'Gripping and remarkably imagined' -LONDON REVIEW OF BOOKS

'How long he fought with them in the darkness he could not tell, but at last the beating of the wings about him lessened and then withdrew . . . 'A classic of alienation and horror, 'The Birds' was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

Dedicated to the daughter she never had but sees all around her, Letter to my Daughter reveals Maya Angelou's path to living well and living a life with meaning. Told in her own inimitable style, this book transcends genres and categories: it's part guidebook, part memoir, part poetry - and pure delight.Here in short essays are glimpses of the tumultuous life that led Angelou to an exalted place in American letters and taught her lessons about compassion and fortitude. Whether she is recalling lost friends, extolling honesty or simply singing the praises of a meal of red rice, Maya Angelou writes from the heart to millions of women.Like the rest of her remarkable work, Letter to My Daughter entertains and teaches. It is a book to cherish, savour, reread and share.

A NEW YORK TIMES BESTSELLER: with a new bonus chapterWINNER of the GoodReads Choice Awards 2017 for HumourIn this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood-along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again.In Talking As Fast As I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, "Did you, um, make it?" She opens up about the challenges of being single in Hollywood ("Strangers were worried about me; that's how long I was single!"), the time she was asked to audition her butt for a role, and her experience being a judge onProject Runway ("It's like I had a fashion-induced blackout").In "What It Was Like, Part One," Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay "What It Was Like, Part Two" reveals how it felt to pick up the role again nine years later, and what doing so has meant to her.Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she's aware that meeting guys at awards shows has its pitfalls ("If you're meeting someone for the first time after three hours of hair, makeup, and styling, you've already set the bar too high"), and she's a card-carrying REI shopper ("My bungee cords now earn points!").Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and-of course-talking as fast as you can.

With a foreword by JACQUELINE WILSON'A masterpiece of construction and utterly realistically convincing...Rumer Godden's writing is admired for many qualities...but I think her greatest strength is her accurate, unsentimental portrayal of children. Lovejoy, Tip and Sparkey were so real to me that they have stayed alive in my head for more than fifty years' Jacqueline Wilson A captivating classic novel of a poor girl striving to create beauty among the bombsites of post-war London.Someone has been digging up the private garden in the Square. Miss Angela Chesney of the Garden Committee is sure that a gang of local boys is to blame, but her sister, Olivia, isn't so sure. She wonders why the neighbourhood children - 'sparrows', she calls them - have to be locked out: don't they have a right to enjoy the garden too?Nobody has any idea what sends Lovejoy Mason and her few friends in search of 'good garden earth'. Still less do they imagine where their investigation will lead them - to a struggling restaurant, a bombed-out church, and, at the heart of it all, a hidden garden.

It is a summer's day in 1946. The English village of Wealding is no longer troubled by distant sirens, yet the rustling coils of barbed wire are a reminder that something, some quality of life, has evaporated. Together again after years of separation, Laura and Stephen Marshall and their daughter Victoria are forced to manage without 'those anonymous caps and aprons who lived out of sight and pulled the strings'. Their rambling garden refuses to be tamed, the house seems perceptibly to crumble. But alone on a hillside, as evening falls, Laura comes to see what it would have meant if the war had been lost, and looks to the future with a new hope and optimism. First published in 1947, this subtle, finely wrought novel presents a memorable portrait of the aftermath of war, its effect upon a marriage, charting, too, a gradual but significant change in the nature of English middle-class life.

Born in 1831, Isabella, daughter of a clergyman, set off alone to the Antipodes in 1872 'in search of health' and found she had embarked on a life of adventurous travel. In 1873, wearing Hawaiian riding dress, she rode on her spirited horse Birdie through the American 'Wild West', a terrain only recently opened to pioneer settlement. Here she met Rocky Mountain Jim, her 'dear (one-eyed) desperado', fond of poetry and whisky - 'a man any women might love, but no sane woman would marry'. He helped her climb the 'American Matterhorn' and round up cattle on horseback.The wonderful letters which make up this volume were first published in 1879 and were enormously popular in Isabella Bird's lifetime. They tell of magnificent unspoilt landscapes and abundant wildlife, of small remote townships, of her encounters with rattlesnakes, wolves, pumas and grizzly bears and her reactions to the volatile passions of the miners and pioneer settlers.

A NEW COLLECTION OF HOLIDAY STORIES BY THE BELOVED AUTHOR OF BALLET SHOES. PERFECT READING FOR LONG SUMMER DAYS.In this captivating new collection, there are stories for every reader to enjoy: unforgettable holidays and unlikely friendships, crime-solving adventures and dancers in the spotlight for the very first time. Originally written for annuals and magazines from the 1930s-70s, these newly discovered stories will be treasured by Noel Streatfeild fans of all ages.Featuring beautiful illustrations by PETER BAILEYStories include: The Plain One Devon MettleChicken for SupperFlag's CircusThe SecretCoralieOrdinary Me Cows Eat FlowersAndrew's TroutThe Old FoolLet's Go CoachingHowardThe Quiet HolidayRobertaGreen Silk

Linda Tirado knows from experience what it is to be poor, to struggle to make ends meet. She has worked all hours as a food service worker in a chain restaurant to support her young family. She knows what it's like to have problems you wish you could fix, but no money, energy or resources to fix them, and no hope of getting any.In 2013, an essay on the everyday realities of poverty that Tirado wrote and posted online was read and shared around the world. In Hand to Mouth, she gives a searing, witty and clear-eyed insider account of being poor in the world's richest nation. She looks at how ordinary people fall or are born into the poverty trap, explains why the poor don't always behave in the way the middle classes think they should, and makes an urgent call for us all to understand and meet the challenges they face.

Lolly Willowes is a twenty-eight-year-old spinster when her adored father dies, leaving her dependent upon her brothers and their wives. After twenty years of self-effacement as a maiden aunt, she decides to break free and moves to a small Bedfordshire village. Here, happy and unfettered, she enjoys her new existence nagged only by the sense of a secret she has yet to discover. That secret - and her vocation - is witchcraft, and with her cat and a pact with the Devil, Lolly Willowes is finally free. An instant success on its publication in 1926, LOLLY WILLOWES is Sylvia Townsend Warner's first and most magical novel. Deliciously wry and inviting, it was her piquant plea that single women find liberty and civility, a theme that would later be explored by Virginia Woolf in 'A Room of One's Own'.