Books published by publisher Texas Christian University Press

Widely acclaimed as the greatest Western ever made, Lonesome Dove has become a true American epic. Larry McMurtry's Pulitzer Prize–winning novel was a New York Times best seller, with more than 2.5 million copies currently in print. The Lonesome Dove miniseries has drawn millions of viewers and won numerous awards, including seven Emmys.A Book on the Making of Lonesome Dove takes you on a fascinating behind-the-scenes journey into the creation of the book, the miniseries, and the world of Lonesome Dove. Writer John Spong talks to forty of the key people involved, including author Larry McMurtry; actors Robert Duvall, Tommy Lee Jones, Anjelica Huston, Diane Lane, Danny Glover, Ricky Schroder, D. B. Sweeney, Frederic Forrest, and Chris Cooper; executive producer and screenwriter Bill Wittliff; executive producer Suzanne de Passe; and director Simon Wincer. They and a host of others tell lively stories about McMurtry's writing of the epic novel and the process of turning it into the miniseries Lonesome Dove. Accompanying their recollections are photographs of iconic props, costumes, set designs, and shooting scripts. Rounding out the book are continuity Polaroids used during filming and photographs taken on the set by Bill Wittliff, which place you behind the scenes in the middle of the action.Designed as a companion for A Book of Photographs from Lonesome Dove, Wittliff's magnificent fine art volume, A Book on the Making of Lonesome Dove is a must-have for every fan of this American epic.

Color TCU purple with your Horned Frog pride! Stroll around the idyllic campus, cheer on Horned Frog sports teams, celebrate graduation, and embark on more TCU journeys with these illustrations waiting to be brought to life with color. Introduce young Horned Frogs to TCU, or relive your own glory days. From Super Frog to Amon G. Carter Stadium, these illustrations will inspire the artist inside every Horned Frog. Varying in complexity, this coloring book appeals to the youngest and the oldest Horned Frogs alike. It’s the perfect stress reliever for every age.

Snakes inspire extreme reactions. Love or hate these limbless reptiles, almost everyone is fascinated by them. Although snakes are widespread and frequently encountered, they may be more misunderstood than any other group of animals. From giant rattlesnakes to mating dances, there are dozens of myths and misconceptions about snakes. In Secrets of Snakes: The Science beyond the Myths, wildlife biologist David Steen tackles the most frequently asked questions and clears up prevailing myths. In a conversational style with a bit of humor, Steen presents the relevant biology and natural history of snakes, making the latest scientific research accessible to a general audience. When addressing myths about snakes, he explains how researchers use the scientific method to explain which parts of the myth are biologically plausible and which are not. Steen also takes a close look at conventional wisdom and common advice about snakes. For example, people are told they can distinguish coralsnakes from non-venomous mimics by remembering the rhyme, “red on black, friend of Jack, red on yellow, kill a fellow,” but this tip is only relevant to coralsnakes and two mimics living in the southeastern United States, and it does not always work with other species or in other countries. Enhanced by more than 100 stunning color photographs and three original drawings, Secrets of Snakes: The Science beyond the Myths encourages readers to learn about the snakes around them and introduces them to how scientists use the scientific method and critical thinking to learn about the natural world.Number Sixty-one: W. L. Moody Jr. Natural History Series

Jarred by the 9/11 attacks, photographer Jack Spencer set out in 2003 "in hopes of making a few 'sketches' of America in order to gain some clarity on what it meant to be living in this nation at this moment in time." Across thirteen years, forty-eight states, and eighty thousand miles of driving, Spencer created a vast, encompassing portrait of the American landscape that is both contemporary and timeless.This Land presents some one hundred and forty photographs that span the nation, from Key West to Death Valley and Texas to Montana. From the monochromatic and distressed black-and-white images that began the series to the oversaturated color of more recent years, these photographs present a startlingly fresh perspective on America. The breadth of imagery in This Land brings to mind the works of such American masters as Edward Hopper, Grant Wood, Mark Rothko, and Albert Bierstadt, while also evoking the sense of the open roads traveled by Woody Guthrie and Jack Kerouac. Spencer's pictorialist vision embraces the sweeping variety of American landscapes—coasts, deltas, forests, deserts, mountain ranges, and prairies—and iconic places such as Mount Rushmore and Wounded Knee. Jon Meacham writes in the foreword that Spencer's "most surprising images are of a country that I suspect many of us believed had disappeared. The fading churches, the roaming bison, the running horses: Spencer has found a mythical world, except it is real, and it is now, and it is ours."

The rapid growth of organized crime in Mexico and the government's response to it have driven an unprecedented rise in violence and impelled major structural economic changes, including the recent passage of energy reform. Los Zetas Inc. asserts that these phenomena are a direct and intended result of the emergence of the brutal Zetas criminal organization in the Mexican border state of Tamaulipas. Going beyond previous studies of the group as a drug trafficking organization, Guadalupe Correa-Cabrera builds a convincing case that the Zetas and similar organizations effectively constitute transnational corporations with business practices that include the trafficking of crude oil, natural gas, and gasoline; migrant and weapons smuggling; kidnapping for ransom; and video and music piracy.Combining vivid interview commentary with in-depth analysis of organized crime as a transnational and corporate phenomenon, Los Zetas Inc. proposes a new theoretical framework for understanding the emerging face, new structure, and economic implications of organized crime in Mexico. Correa-Cabrera delineates the Zetas establishment, structure, and forms of operation, along with the reactions to this new model of criminality by the state and other lawbreaking, foreign, and corporate actors. Since the Zetas share some characteristics with legal transnational businesses that operate in the energy and private security industries, she also compares this criminal corporation with ExxonMobil, Halliburton, and Blackwater (renamed “Academi” and now a Constellis company). Asserting that the elevated level of violence between the Zetas and the Mexican state resembles a civil war, Correa-Cabrera identifies the beneficiaries of this war, including arms-producing companies, the international banking system, the US border economy, the US border security/military-industrial complex, and corporate capital, especially international oil and gas companies.

When fifteen-year-old Christina Eudora Von Scholl learns that her family will leave their German homeland to seek freedom in Texas, her greatest sorrow is leaving behind her beloved grandmother. And so, in a series of letters, she takes “Oma” on this great adventure with her family . . . and takes us as readers. Sometimes the letters are dark with discouragement, for the Von Scholls find, as did many German-Texas families, that the Society for the Protection of German Emigrants, known as the Adelsverein, was unable to fulfill its promises of land, housing, horses, and farm implements. But they are Germans, determined and willing to work hard. More often these letters—and the text woven in between them—are bright with adventure, for Tina finds Texas an exciting, if puzzling, place. There are new customs to learn, new foods to eat, even while the family preserves its traditional German ways. Tina’s adventures include a run-in with a mountain lion, an exciting trip across Texas with her father to Sisterdale, and a frightening encounter with Lipan Indians. Her lessons in being an American are helped by Jeff, a young man who becomes part of the family when he undertakes to teach them to farm in Texas. Tina, in return, teaches Jeff to read and learns a lesson in love that is without nationality. Letters to Oma is a charming, informative novel that sweeps the reader back to a very particular time and place. And Tina Von Scholl is irresistible as correspondent and as heroine.

On the coldest day in Texas—February 12, 1899—Shyanne Jones and her twin sister, Shenandoah, are snowbound in their schoolhouse in the Panhandle, along with the teacher—Shyanne’s adored Miss Gibson—and Josh Paul Younger, the cutest boy in the county. Before rescuers can dig them out, Shenandoah’s frail heart is weakened by the severe temperature. Gravely ill, she whispers her only wish.Bracing against the storm, Josh Paul and Miss Gibson cut the one tree within miles to grant her wish, and the four celebrate Christmas ten months early. When Shenandoah dies, Shyanne bitterly regrets the harsh last words her sister ever heard from her. Shyanne’s father, having lost his property in the Civil War, drowns his sorrows in drink, and after Shenandoah’s death, deserts the family. Then, to Shyanne’s disgust, her mother makes her annual announcement—another baby is on the way. It will be the eighth child in the family. Guilt over Shenandoah’s death, a nervous stomach around Josh Paul that can only mean love, and rivalry with snippy Priscilla Babcock, the town’s rich girl, all combine to make Shyanne unhappy and pessimistic. Will she have to quit school and take care of her brothers so her mother can work, or worse, move to her grandmother’s house and become a lady? Or could Josh Paul be right? Do miracles happen and is there really a happy-ever-after? The Coldest Day in Texas is alive with excitement and drama, from a blizzard to a prairie fire, reunion picnics and a great jackrabbit hunt to a wagon-trip to the Palo Duro Canyon, from the death of one child to the birth of another. And Shyanne Jones is one of the spunkiest girls ever to race through the adventures of growing up in the Texas Panhandle.

At the low-water bridge below Tom Miller Dam, west of downtown Austin, during the summer of his tenth or eleventh year, Ken Roberts had his first encounter with cedar choppers. On his way to the bridge for a leisurely afternoon of fishing, he suddenly found himself facing a group of boys who clearly came from a different place and culture than the middle-class, suburban community he was accustomed to. Rather, “. . . they looked hard—tanned, skinny, dirty. These were not kids you would see in Austin.” When Roberts’s fishing companion curtly refused the strangers’ offer to sell them a stringer of bluegills, the three boys went away, only to reappear moments later, one of them carrying a club. Roberts and his friend made a hasty retreat. This encounter provoked in the author the question, “Who are these people?” The Cedar Choppers: Life on the Edge of Nothing is his thoughtful, entertaining, and informative answer. Based on oral history interviews with several generations of cedar choppers and those who knew them, this book weaves together the lively, gritty story of these largely Scots-Irish migrants with roots in Appalachia who settled on the west side of the Balcones Fault during the mid-nineteenth century, subsisting mainly on hunting, trapping, moonshining, and, by the early twentieth century, cutting, transporting, and selling cedar fence posts and charcoal. The emergence of Austin as a major metropolitan area, especially after the 1950s, soon brought the cedar choppers and their hillbilly lifestyle into direct confrontation with the gentrified urban population east of the Balcones Fault. This clash of cultures, which provided the setting for Roberts’s encounter as a young boy, propels this first book-length treatment of the cedar choppers, their clans, their culture and mores, and their longing for a way of life that is rapidly disappearing.

A superb souvenir of this exotic terrain, Big Bend Vistas takes you on five journeys that begin at Panther Junction and travel to Study Butte; then on to the Chisos Basin, Santa Elena Canyon, Boquillas Canyon, and finally to Persimmon Gap. Easy to read and understand, Big Bend Vistas describes how volcanoes millions of years ago created some of the most striking scenery in Texas. The author includes vivid photographs, maps, and diagrams that explain the landscape and geology of Big Bend National Park in layman’s terms. This is the third edition of Big Bend Vistas in the acclaimed “Vista” series dedicated to making Texas geology interesting for everyone.

Texas native James Farmer is one of the “Big Four” of the turbulent 1960s civil rights movement, along with Martin Luther King Jr., Roy Wilkins, and Whitney Young. Farmer might be called the forgotten man of the movement, overshadowed by Martin Luther King Jr., who was deeply influenced by Farmer’s interpretation of Gandhi’s concept of nonviolent protest. Born in Marshall, Texas, in 1920, the son of a preacher, Farmer grew up with segregated movie theaters and “White Only” drinking fountains. This background impelled him to found the Congress of Racial Equality in 1942. That same year he mobilized the first sit-in in an all-white restaurant near the University of Chicago. Under Farmer’s direction, CORE set the pattern for the civil rights movement by peaceful protests which eventually led to the dramatic “Freedom Rides” of the 1960s. In Lay Bare the Heart Farmer tells the story of the heroic civil rights struggle of the 1950s and 1960s. This moving and unsparing personal account captures both the inspiring strengths and human weaknesses of a movement beset by rivalries, conflicts and betrayals. Farmer recalls meetings with Franklin and Eleanor Roosevelt, Jack and Bobby Kennedy, Adlai Stevenson (for whom he had great respect), and Lyndon Johnson (who, according to Farmer, used Adam Clayton Powell Jr., to thwart a major phase of the movement). James Farmer has courageously worked for dignity for all people in the United States. In this book, he tells his story with forthright honesty. First published in 1985 by Arbor House, this edition contains a new foreword by Don Carleton, director of the Dolph Briscoe Center for American History at the University of Texas at Austin, and a new preface.

Starting in the 1950s, Americans eagerly built the planet’s largest public work: the 42,795-mile National System of Interstate and Defense Highways. Before the concrete was dry on the new roads, however, a specter began haunting them—the highway killer. He went by many names: the “Hitcher,” the “Freeway Killer,” the “Killer on the Road,” the “I-5 Strangler,” and the “Beltway Sniper.” Some of these criminals were imagined, but many were real. The nation’s murder rate shot up as its expressways were built. America became more violent and more mobile at the same time. Killer on the Road tells the entwined stories of America’s highways and its highway killers. There’s the hot-rodding juvenile delinquent who led the National Guard on a multistate manhunt; the wannabe highway patrolman who murdered hitchhiking coeds; the record promoter who preyed on “ghetto kids” in a city reshaped by freeways; the nondescript married man who stalked the interstates seeking women with car trouble; and the trucker who delivered death with his cargo. Thudding away behind these grisly crime sprees is the story of the interstates—how they were sold, how they were built, how they reshaped the nation, and how we came to equate them with violence. Through the stories of highway killers, we see how the “killer on the road,” like the train robber, the gangster, and the mobster, entered the cast of American outlaws, and how the freeway—conceived as a road to utopia—came to be feared as a highway to hell.

Hewey Calloway has a problem. In his West Texas home of 1906, the land and the way of life that he loves are changing too quickly for his taste.Hewey dreams of freedom - he wants only to be a footloose horseback cowboy, endlessly wandering the open range. But the open range of his childhood is slowly disappearing: land is being parceled out, and barbed-wire fences are springing up all over. As if that weren't enough, cars and other machines are invading Hewey's simple cowboy life, stinking up the area and threatening to replace horse travel. As Hewey struggles against the relentless stream of "progress, " he comes to realize that the simple life of his childhood is gone, that a man can't live a life whose time has passed, and that every choice he makes - even those that lead to happiness - requires a sacrifice.