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"A Letter to a Hindu" (also known as "A Letter to a Hindoo") was a letter written by Leo Tolstoy to Tarak Nath Das on 14 December 1908.[1] The letter was written in response to two letters sent by Das, seeking support from the famous Russian author and thinker for India's independence from British colonial rule. The letter was published in the Indian newspaper Free Hindustan. The letter caused the young Mohandas Gandhi to write to the world-famous Tolstoy to ask for advice and for permission to reprint the Letter in Gandhi's own South African newspaper, Indian Opinion, in 1909. Mohandas Gandhi was stationed in South Africa at the time and just beginning his lifelong activist career. He then translated the letter himself, from the original English copy sent to India, into his native Gujarati.

"A Letter to a Hindu" was a letter written by Leo Tolstoy to Tarak Nath Das on 14 December 1908. The letter was written in response to two letters sent by Das, seeking support from the famous Russian author and thinker for India's independence from British colonial rule. The letter was published in the Indian newspaper Free Hindustan. The letter caused the young Mohandas Gandhi to write to the world-famous Tolstoy to ask for advice and for permission to reprint the Letter in Gandhi's own South African newspaper, Indian Opinion, in 1909. Mohandas Gandhi was stationed in South Africa at the time and just beginning his lifelong activist career. He then translated the letter himself, from the original English copy sent to India, into his native Gujarati.

"A Letter to a Hindu" (also known as "A Letter to a Hindoo") was a letter written by Leo Tolstoy to Tarak Nath Das on 14 December 1908.[1] The letter was written in response to two letters sent by Das, seeking support from the famous Russian author and thinker for India's independence from British colonial rule. The letter was published in the Indian newspaper Free Hindustan. The letter caused the young Mohandas Gandhi to write to the world-famous Tolstoy to ask for advice and for permission to reprint the Letter in Gandhi's own South African newspaper, Indian Opinion, in 1909. Mohandas Gandhi was stationed in South Africa at the time and just beginning his lifelong activist career. He then translated the letter himself, from the original English copy sent to India, into his native Gujarati.

"A Letter to a Hindu" (also known as "A Letter to a Hindoo") was a letter written by Leo Tolstoy to Tarak Nath Das on 14 December 1908.[1] The letter was written in response to two letters sent by Das, seeking support from the famous Russian author and thinker for India's independence from British colonial rule. The letter was published in the Indian newspaper Free Hindustan. The letter caused the young Mohandas Gandhi to write to the world-famous Tolstoy to ask for advice and for permission to reprint the Letter in Gandhi's own South African newspaper, Indian Opinion, in 1909. Mohandas Gandhi was stationed in South Africa at the time and just beginning his lifelong activist career. He then translated the letter himself, from the original English copy sent to India, into his native Gujarati.

"A Letter to a Hindu" (also known as "A Letter to a Hindoo") was a letter written by Leo Tolstoy to Tarak Nath Das on 14 December 1908.[1] The letter was written in response to two letters sent by Das, seeking support from the famous Russian author and thinker for India's independence from British colonial rule. The letter was published in the Indian newspaper Free Hindustan. The letter caused the young Mohandas Gandhi to write to the world-famous Tolstoy to ask for advice and for permission to reprint the Letter in Gandhi's own South African newspaper, Indian Opinion, in 1909. Mohandas Gandhi was stationed in South Africa at the time and just beginning his lifelong activist career. He then translated the letter himself, from the original English copy sent to India, into his native Gujarati.

"A Letter to a Hindu" (also known as "A Letter to a Hindoo") was a letter written by Leo Tolstoy to Tarak Nath Das on 14 December 1908.[1] The letter was written in response to two letters sent by Das, seeking support from the famous Russian author and thinker for India's independence from British colonial rule. The letter was published in the Indian newspaper Free Hindustan. The letter caused the young Mohandas Gandhi to write to the world-famous Tolstoy to ask for advice and for permission to reprint the Letter in Gandhi's own South African newspaper, Indian Opinion, in 1909. Mohandas Gandhi was stationed in South Africa at the time and just beginning his lifelong activist career. He then translated the letter himself, from the original English copy sent to India, into his native Gujarati.

WSS is not a typical 11-year-old you might find inNairobi. His secretly exciting life gets more excitingand challenging when he meets Bella, a dinosaur,and two young friends.He must help give this long extinct species ofdinosaurs its chance of survival, and also find themissing families of his friends. All roads lead themto a magical Mermaid’s Herb.Will WSS be able to help his friends? Will theytogether find The Mermaid’s Herb?

WSS is not a typical 11-year-old you might find in Nairobi. His secretly exciting life gets more exciting and challenging when he meets Bella, a dinosaur, and two young friends. He must help give this long extinct species of dinosaurs its chance of survival, and also find the missing families of his friends. All roads lead them to a magical Mermaid’s Herb. Will WSS be able to help his friends? Will they together find The Mermaid’s Herb?

SYMBOLS & STORIES OF CHRISTMAS is a charming family storybook for December and all the months of the year.The author, Dora D. Flack, combines historical research concerning the origin of Christmas customs and traditions with a variety of fresh new stories for young and old. She asks, "What About . . . Bells, Christmas Trees, Lights, Poinsettias, Santa Claus, Gift-giving, Shepherds, Carols, Angels, and Stars," and then provides interesting facts concerning the origin of each of these Christmas symbols.Her original stories have appeal for those of all ages. Young people will be delighted by The Legend of the Foolish Fir Tree, How Christmas Came To Be, The Angel's Voice, and Joel, the Shepherd Boy. Older children will enjoy The Legend of the Flaming Flower, The Christmas Intruder, Christmas Appointment, and Amy's Awakening. Some of the stories are based on on true incidents, such as Scout Sub, which tells of a scout who subs for Santa as his Eagle Scout project. Others relate customs from foreign lands, such as Finnish Lights, A Swedish Lucia, and Belgian Bells. Of special interest is that in her section on Christmas carols, she cites all six of the original verses to Silent Night, and all five of the original verses of O Little Town of Bethlehem. There are stories and historical facts of interest to the entire family. SYMBOLS & STORIES OF CHRISTMAS is an outstanding and unique collection of information and internationally-oriented tales for the Christmas season that will make Christmas brighter in the home, school, and library.

When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Années folles, when Parisians emerged from the horrors of war to find that a new world greeted them-one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior. The epicenter of all this creativity, as well as of the era's good times, was Montparnasse, where impoverished artists and writers found colleagues and cafés, and tourists discovered the Paris of their dreams. Major figures on the Paris scene-such as Gertrude Stein, Jean Cocteau, Picasso, Stravinsky, Diaghilev, and Proust-continued to hold sway, while others now came to prominence-including Ernest Hemingway, Coco Chanel, Cole Porter, and Josephine Baker, as well as André Citroën, Le Corbusier, Man Ray, Sylvia Beach, James Joyce, and the irrepressible Kiki of Montparnasse. Paris of the 1920s unquestionably sizzled. Yet rather than being a decade of unmitigated bliss, les Années folles also saw an undercurrent of despair as well as the rise of ruthless organizations of the extreme right, aimed at annihilating whatever threatened tradition and order-a struggle that would escalate in the years ahead. Through rich illustrations and evocative narrative, Mary McAuliffe brings this vibrant era to life.