Books published by publisher Soft Skull Press

From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.

What is the price of staying connected, of that phone in your hand or that watch on your wrist? Recent TV shows would have you believe that the most dangerous job in America is a crab fisherman, or maybe even an ice road trucker. But what U.S. Department of Labor unequivocally recognizes as the most dangerous job in America belongs to the tower dog, the men and women who work on cell towers across the country, building the networks that keep us all connected.In Tower Dog: Life Inside the Deadliest Job in America, Douglas Scott Delaney, a tower dog for more than fifteen years, draws readers into this dark and high-stakes world that most don't even know exists, yet rely on every minute of every day. This risk-laden profession has been recently covered by NBC Dateline, Frontline, The Wall Street Journal, and The Washington Post, but none of these reports have provided an insider's look at the rough and tumble workers throughout America who are risking their lives―and losing them at an alarmingly high rate. These men and women have always been living on the edge of society; a fascinating mix of construction crews and thrill-seekers. Delaney is a brash and illuminating guide, and Tower Dog gives us the real experience of what it's like for the workers balanced precariously above the clouds.

“Exile Nation tells the dirty story none of us really wants to hear . . . Shaw ‘did time’ in prison and lived to write about it.” —John Perkins, New York Times bestselling author Originally published as a series on Reality Sandwich and The Huffington Post, Exile Nation is a work of “spiritual journalism” that grapples with the themes of drugs, prisons, politics, and spirituality through Shaw’s personal story. In 2005, Shaw was arrested in Chicago for possession of MDMA and was sent to prison for one year. Shaw not only looks at the current prison system and its many destructive flaws, but also at how American culture regards criminals and those who live outside of society. He begins his story at Chicago’s Cook County Jail, and uses its sprawling, highly corrupt infrastructure to build upon his overarching argument. This is an insider’s look at the forgotten or excluded segments of our society, the disenfranchised lifestyles and subcultures existing in what Shaw calls the “exile nation.” They are those who lost some or all of their ability to participate in the full opportunities of society because of an arrest or conviction for a non-violent, drug-related, or “moral offense,” those who cannot participate in the credit economy, and those with lifestyle choices that involve radical politics and sexuality, cognitive liberty, and unorthodox spiritual and healing practices. Together they make up the new “evolutionary counterculture” of the most significant epoch in human history. “Extraordinary.” —Chicago Tribune

In this collection of compact fictions, Nicolette Polek transports us to a gently unsettling realm inhabited by disheveled landlords, a fugitive bride, a seamstress who forgets what people look like, and two rival falconers from neighboring towns. They find themselves in bathhouses, sports bars, grocery stores, and forests in search of exits, pink tennis balls, licorice, and independence. Yet all of her beautifully strange characters are possessed by a familiar and human longing for connection: to their homes, families, God, and themselves.

While teenage werewolf Kalix MacRinnalch is being pursued through the streets of London by murderous hunters, her sister, the Werewolf Enchantress, is busy designing clothes for the Fire Queen. Meanwhile, in the Scottish Highlands, the MacRinnalch Clan is plotting and feuding after the head of the clan suddenly dies intestate. As the court intrigue threatens to blow up into all-out civil war, the competing factions determine that Kalix is the swing vote necessary to assume leadership of the clan. Unfortunately, Kalix isn’t really into clan politics — laudanum’s more her thing. Even more unfortunately, Kalix is the reason the head of the clan ended up dead, which is why she’s now on the lam in London. . . This expansive tale of werewolves in the modern world — friendly werewolves, fashionista werewolves, troubled teenage werewolves, cross-dressing werewolves, werewolves of every sort — is hard-edged, hilarious, and utterly believable.

While teenage werewolf Kalix MacRinnalch is being pursued through the streets of London by murderous hunters, her sister, the Werewolf Enchantress, is busy designing clothes for the Fire Queen. Meanwhile, in the Scottish Highlands, the MacRinnalch Clan is plotting and feuding after the head of the clan suddenly dies intestate. As the court intrigue threatens to blow up into all-out civil war, the competing factions determine that Kalix is the swing vote necessary to assume leadership of the clan. Unfortunately, Kalix isn’t really into clan politics — laudanum’s more her thing. Even more unfortunately, Kalix is the reason the head of the clan ended up dead, which is why she’s now on the lam in London. . . This expansive tale of werewolves in the modern world — friendly werewolves, fashionista werewolves, troubled teenage werewolves, cross-dressing werewolves, werewolves of every sort — is hard-edged, hilarious, and utterly believable.

Named a Best Book of the Century by Vulture "Tillman’s beautifully constructed sentences create their own propulsion, able to take a reader in any direction at any moment . . . the book confirms the ultimate primacy of literary voice, of which this is a rare triumph."—Vulture“I won’t always be here, and if I consider that, and regularly remind myself that I only have to be in a particular situation for an hour or two, whether I’m unhappy or not, I can manage it. I’ve been cold and miserable; I’ve been lost; deceived; I’ve been bored silly; drunk; my underpants have been wet from nervous agitation; the skin on my inner thighs has chafed to a fiery red from rubbing against wool; I’ve been robbed; fainted from shock; and I’ve been alarmed beyond words or stricken with fear hearing bitter words flare between friends in freakish eruptions of hatred in bizarre locations, since most sites are not right for confrontation, and when I have no right to speak and no involvement, except self-protection, I have become itchy, my skin a plane of heat, as if a match had been struck against it and my entire body set ablaze. But I was able to withstand it, only because I knew it would end.” In the hypnotic, masterful American Genius, A Comedy, a former historian spending time ​in ​a residential home, mental institute, artist’s colony, or sanitarium, is spinning tales of her life and ruminating on her many and varied preoccupations: chair design, textiles, pet deaths, family trauma, a lost brother, the Manson family, the Zulu alphabet, loneliness, memory, and sensitive skin—and what “sensitivity” means in our culture and society. A new edition of a contemporary classic, with an introduction by novelist Lucy Ives.

Lynne Tillman’s previous novels have won her both popular approval and critical praise from such literary heavyweights as Edmund White and Colm Tóibín. With American Genius, her first novel since 1998's No Lease on Life, she shows what might happen if Jane Austen were writing in 21st-century America. Employing her trademark crystalline prose and intricate, hypnotic sentences, Tillman fashions a microcosm of American democracy: a scholarly colony functioning like Melville’s Pequod. In this otherworld, competing values — rationality and irrationality, generosity and selfishness, love and lust, shame and honor — collide through a witty narrative, cycling through such disparate tropes as skin disease, chair design, and Manifest Destiny. All this is folded into the narrator’s memories and emotional life, culminating in a séance that may offer escape and transcendence — or perhaps nothing. Grand and minute, elegiac and hilarious, Lynne Tillman expands the possibilities of the American novel in this dazzling read.

An inspiring, tell-all look at the indie film business from one of the industry’s most passionate producers, Hope for Film captures the rebellious punk spirit of the indie film boom in 1990s New York City, its collapse two decades later and its current moment of technology-fueled regeneration. Ted Hope, whose films have garnered 12 Oscar nominations, draws from his own personal experiences working on the early films of Ang Lee, Eddie Burns, Hal Hartley, Michel Gondry, Nicole Holofcener, Todd Solondz and other indie mavericks, relating those decisions that brought him success as well as the occasional failure.Whether navigating negotiations with Harvey Weinstein over final cuts or clashing with high-powered CAA agents over their clients, Hope offers behind-the-scenes stories from the wild and often heated world of low-budget cinema—where art and commerce collide. As mediator between these two opposing interests, Hope offers his unique perspective on how to make movies while keeping your integrity intact and how to create a sustainable business enterprise out of that art while staying true to yourself. Against a backdrop of seismic changes in the indie-film industry, from corporate co-option to the rise of social media, Hope for Film provides not only an entertaining and intimate ride through the ups and downs of the business of art-house movies over the last 25 years, but also hope for its future.

Originally published as a series on Reality Sandwich and The Huffington Post, Exile Nation is a work of “spiritual journalism” that grapples with the themes of drugs, prisons, politics, and spirituality through Shaw’s personal story. In 2005, Shaw was arrested in Chicago for possession of MDMA and was sent to prison for one year. Shaw not only looks at the current prison system and its many destructive flaws, but also at how American culture regards criminals and those who live outside of society. He begins his story at Chicago’s Cook County Jail, and uses its sprawling, highly corrupt infrastructure to build upon his overarching argument.This is an insider’s look at the forgotten or excluded segments of our society, the disenfranchised lifestyles and subcultures existing in what Shaw calls the “exile nation.” They are those who lost some or all of their ability to participate in the full opportunities of society because of an arrest or conviction for a non-violent, drug-related, or “moral” offense, those who cannot participate in the credit economy, and those with lifestyle choices that involve radical politics and sexuality, cognitive liberty, and unorthodox spiritual and healing practices. Together they make up the new “evolutionary counterculture” of the most significant epoch in human history.

Snoot is a Drudgebot, and a confused one at that. He can’t figure out why the Halobots, who run Dome City, get some much extra light (all robots need light to survive). He thinks so much about this he gets easily distracted and is consequently the least productive of all robots. He is also oddly shaped and the others make fun of him. Curious about what exists in the awful darkness outside the Dome, he ventures forth and discovers that all it not as it seems. Snoot vows to restore equality to Dome City. With guile, cunning, and good old-fashioned courage, Snoot, aided by some special friends, returns to Dome City to free the Drudgebots.In both story and illustration, The Saddest Little Robot evokes and utilizes the styles of sci-fi books and films, manga, movie posters, comics and animated films. It encourages readers to look beyond what lies on the surface, to discover for themselves that things are not always as they seem; most important of all it shows them that they are strong enough to decide to do something about it. As Snoot does. And the saddest little robot becomes very happy indeed.

Named a Best Book of the Century by Vulture "Tillman’s beautifully constructed sentences create their own propulsion, able to take a reader in any direction at any moment . . . the book confirms the ultimate primacy of literary voice, of which this is a rare triumph."―Vulture “I won’t always be here, and if I consider that, and regularly remind myself that I only have to be in a particular situation for an hour or two, whether I’m unhappy or not, I can manage it. I’ve been cold and miserable; I’ve been lost; deceived; I’ve been bored silly; drunk; my underpants have been wet from nervous agitation; the skin on my inner thighs has chafed to a fiery red from rubbing against wool; I’ve been robbed; fainted from shock; and I’ve been alarmed beyond words or stricken with fear hearing bitter words flare between friends in freakish eruptions of hatred in bizarre locations, since most sites are not right for confrontation, and when I have no right to speak and no involvement, except self-protection, I have become itchy, my skin a plane of heat, as if a match had been struck against it and my entire body set ablaze. But I was able to withstand it, only because I knew it would end.” In the hypnotic, masterful American Genius, A Comedy, a former historian spending time ​in ​a residential home, mental institute, artist’s colony, or sanitarium, is spinning tales of her life and ruminating on her many and varied preoccupations: chair design, textiles, pet deaths, family trauma, a lost brother, the Manson family, the Zulu alphabet, loneliness, memory, and sensitive skin―and what “sensitivity” means in our culture and society. A new edition of a contemporary classic, with an introduction by novelist Lucy Ives.