Books published by publisher Holt Paperbacks

Rediscover the most famous relationship book ever published Once upon a time Martians and Venusians met, fell in love, and had happy relationships together because they respected and accepted their differences. Then they came to Earth and amnesia set in: they forgot they were from different planets. Based on years of successful counseling of couples and individuals, Men Are from Mars, Women Are from Venus has helped millions of couples transform their relationships. Now viewed as a modern classic, this phenomenal book has helped men and women realize how different they can be in their communication styles, their emotional needs, and their modes of behavior—and offers the secrets of communicating without conflicts, allowing couples to give intimacy every chance to grow.

"Makes a reader feel like a time traveler plopped down among men who were by turns vicious and visionary."―The Christian Science MonitorThe modern American economy was the creation of four men: Andrew Carnegie, John D. Rockefeller, Jay Gould, and J. P. Morgan. They were the giants of the Gilded Age, a moment of riotous growth that established America as the richest, most inventive, and most productive country on the planet. Acclaimed author Charles R. Morris vividly brings the men and their times to life. The ruthlessly competitive Carnegie, the imperial Rockefeller, and the provocateur Gould were obsessed with progress, experiment, and speed. They were balanced by Morgan, the gentleman businessman, who fought, instead, for a global trust in American business. Through their antagonism and their verve, they built an industrial behemoth―and a country of middle-class consumers. The Tycoons tells the incredible story of how these four determined men wrenched the economy into the modern age, inventing a nation of full economic participation that could not have been imagined only a few decades earlier.

“Enthralling . . . The author, a professional magician, makes the impossible seem probable in this twisty, clever treat.”--Publishers WeeklyIn Black Fall, the third book in the ITW Award-nominated series that began with self-published eBook phenomenon Angel Killer, magician-turned-FBI agent Jessica Blackwood investigates a series of seemingly unrelated, but equally bizarre and sinister, crimes that lead her to the Colorado desert and a town that has, simply, disappeared.With two big cases under her belt, FBI Agent Jessica Blackwood is learning to embrace her unconventional past as the rising star in a family dynasty of illusionists. Her talent and experience endow her with a unique understanding of the power and potential of deception, and a gift for knowing when things are not always as they appear to be. Once resenting her eccentric grandfather, a brilliant magician in his own right, Jessica now sees him as a mentor and regularly seeks his advice about her work.But Jessica’s routine surveillance operation becomes a fight for survival when a disturbed young woman, clutching a baby, shows up at the stake-out location and threatens to kill her child. On the same day, an hour after a severe earthquake rocks the eastern seaboard, a strange video goes viral. Nobel Prize-winning physicist Peter Devon has been dead for eight years, yet here he is on camera, predicting the location and date of the earthquake. Jessica is put on the case by her boss, Dr. Ailes, but when Detective Aileen Lewis reports that they’ve found a Jane Doe who matches her description of her attacker, she’s torn between professional duty and a personal desire to find out who the woman was, and why she was killed.The investigations pull her in very different directions—until they start to converge, leading Jessica to confront something darker, and more powerful, than anyone expected. Something so twisted, only one person could be behind it…the Warlock.

#1 New York Times bestselling author Sue Grafton crafts a thriller set in a town so small that P.I. Kinsey Millhone wonders just how private her investigation can be . . . F is for FugitiveFloral Beach wasn't much of a town: six streets long and three deep, its only notable feature a strip of sand fronting the Pacific. It was on that sandy beach seventeen years ago that the strangled body of Jean Timberlake had been found.The people of floral Beach didn't pay a whole lot of mind to past history, especially when Bailey Fowler, the self-confessed killer, had been properly processed and convicted. They weren't even unduly concerned when, a year after the murder, Fowler walked away from the men's prison at San Luis Obispo, never to be seen again. After all, everyone knew Jean had been a wild kid. "Like mother, like daughter," some said--though never within hearing of Shana Timberlake, who, whatever her faults, still mourned her murdered child.And then, by sheer fluke, the cops stumbled on Bailey Fowler. And a case seventeen years dead came murderously to life again.For Royce Fowler, old and sick with not much time left, his son's reappearance was the chance to heal an old wound. For Kinsey Millhone, the case was a long shot, but she agreed to take it on. She couldn't know then it would lead her to probe the passions buried just below the surface of family relations, where old wounds fester and the most cherished emotions become warped until they fuse into deadly, soul-destroying time bombs."A" Is for Alibi"B" Is for Burglar"C" Is for Corpse"D" Is for Deadbeat"E" Is for Evidence"F" Is for Fugitive"G" Is for Gumshoe"H" Is for Homicide"I" Is for Innocent"J" Is for Judgment"K" Is for Killer"L" is for Lawless"M" Is for Malice"N" Is for Noose"O" Is for Outlaw"P" Is for Peril "Q" Is for Quarry"R" Is for Ricochet "S" Is for Silence "T" Is for Trespass"U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"

From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television showThe scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.

With tongue pressed firmly in cheek and a gentle but penetrating eye for human foibles, Patrick F. McManus celebrates the hidden pleasures, unappreciated lore, and opportunities for disaster to be found in the recreations of camping, hunting, and fishing in his hilarious collection They Shoot Canoes, Don’t They?Gathered here for the reader’s edification are such treasures as the true but little known story of the discovery of the efficacy of live bait by Genghis Khan’s chef, an examination of the precarious and perhaps fanatical expertise required for ice fishing, and a consideration of the circumstances that can cause a deer to ride a bicycle. Among additional topics explored are The Crouch Hop and Other Useful Outdoor Steps, The Sensuous Angler, and Psychic Powers for Outdoorsmen. Included, too, is The Hunter’s Dictionary, an invaluable lexicon that helps the novice sportsman understand such arcane terminology as “Ooooooeee-ah-ah-ah! (If there’s one thing I hate, it’s putting on cold, wet pants in the morning)” and “Baff mast pime ig bead feas mid miff pife! (That’s the last time I try to eat peas in the dark with my hunting knife!)” The author’s appreciation of outdoor life began in his early boyhood, when he absorbed a wealth of improbable information imparted by the old woodsman Rancid Crabtree, “who bathed only on leap years.” Young McManus also enjoyed special adventures with his ill-remembered sidekick, Retch Sweeney, and another boon companion of days gone by, the loquacious family dog, Strange, whose exploits as a hunter were limited to assaulting stray chickens and on one memorable occasion a skunk. “McManus here follows up A Fine and Pleasant Misery with a collection of sketches that launches him into the front ranks of outdoor humorists.”―Library Journal

INTERNATIONAL BESTSELLER“Dark August is a tightly-paced cauldron of a thriller about small town corruption, murder and mayhem, in the vein of Sharp Objects and All The Missing Girls. A macabre and confidently twisty debut.” — Lisa Gabriele, internationally bestselling author of The WintersAn electrifying, page-turning debut about a young woman haunted by her tragic past, who returns to her hometown and discovers that there might be more to her police detective mother’s death—and last case—than she ever could have imagined.Augusta (Gus) Monet is living an aimless existence with her grifter boyfriend when she learns that her great grandmother—her last living relative—has just died. Ditching her boyfriend, Gus returns to the home she left as a young girl. Her inheritance turns out to be a dilapidated house and an old dog named Levi. While combing through her great grandmother’s possessions, Gus stumbles across an old trunk filled with long-lost childhood belongings. But that’s not all the trunk contains. She also discovers cold case files that belonged to her mother, a disgraced police detective who died in a car accident when Gus was eight. Gus remembers her mother obsessing over these very same documents and photographs, especially a Polaroid of a young ballerina.When Gus spots a front-page news story about the unearthing of a body linked to one of the cold case files from her childhood trunk, she can’t resist following her mother’s clues. As she digs deeper, determined to finish her mother’s investigation, her search leads her to a deserted ghost town, which was left abandoned when the residents fled after a horrific fire. As Gus’ obsession with the case grows, she inadvertently stirs up the evils of the past, putting her life in danger. But Gus is undeterred and is committed to uncovering long-buried secrets, including the secrets surrounding a missing geology student, the young ballerina in the Polaroid, a prominent family’s devastating legacy, and a toxic blast that blew an entire town off the map. But is Gus ready to learn the truths that culminated on one terrible August night, more than a decade earlier, when lives were taken, and secrets were presumed buried forever…? Dark August introduces a bold new voice and will leave readers guessing until the final startling conclusion.

The acclaimed British historian offers a majestic, single-volume work incorporating all major fronts-domestic, diplomatic, military-for "a stunning achievement of research and storytelling" (Publishers Weekly) It was to be the war to end all wars, and it began at 11:15 on the morning of June 28, 1914, in an outpost of the Austro-Hungarian Empire called Sarajevo. It would end officially almost five years later. Unofficially, it has never ended: the horrors we live with today were born in the First World War. It left millions-civilians and soldiers-maimed or dead. And it left us with new technologies of death: tanks, planes, and submarines; reliable rapid-fire machine guns and field artillery; poison gas and chemical warfare. It introduced us to U-boat packs and strategic bombing, to unrestricted war on civilians and mistreatment of prisoners. Most of all, it changed our world. In its wake, empires toppled, monarchies fell, whole populations lost their national identities as political systems, and geographic boundaries were realigned. Instabilities were institutionalized, enmities enshrined. And the social order shifted seismically. Manners, mores, codes of behavior; literature and the arts; education and class distinctions-all underwent a vast sea change. And in all these ways, the twentieth century can be said to have been born on the morning of June 28, 1914. "One of the first books that anyone should read in beginning to try to understand this war and this century." -The New York Times Book Review (cover)

The seventy-fifth anniversary edition of the classic book about Cape Cod, "written with simplicity, sympathy, and beauty" (New York Herald Tribune)A chronicle of a solitary year spent on a Cape Cod beach, The Outermost House has long been recognized as a classic of American nature writing. Henry Beston had originally planned to spend just two weeks in his seaside home, but was so possessed by the mysterious beauty of his surroundings that he found he "could not go."Instead, he sat down to try and capture in words the wonders of the magical landscape he found himself in thrall to: the migrations of seabirds, the rhythms of the tide, the windblown dunes, and the scatter of stars in the changing summer sky. Beston argued that, "The world today is sick to its thin blood for the lack of elemental things, for fire before the hands, for water, for air, for the dear earth itself underfoot." Seventy-five years after they were first published, Beston's words are more true than ever.

You haven't read a thriller until you read #1 New York Times bestselling author Sue Grafton's novels with her unforgettable P.I. Kinsey Millhone… "C" is for CorpseHe was young-maybe twenty or so-and he must once have been a good-looking kid. Kinsey could see that. But now his body was covered in scars, his face half-collapsed. It saddened Kinsey and made her curious. She could see he was in a lot of pain. But for three weeks, as Kinsey'd watched him doggedly working out at the local gym, putting himself through a grueling exercise routine, he never spoke. Then one Monday morning when there was no one else in the gym, Bobby Callahan approached her. His story was hard to credit: a murderous assault by a tailgating car on a lonely rural road, a roadside smash into a canyon 400 feet below, his Porsche a bare ruin, his best friend dead. The doctors had managed to put his body back together again-sort of. His mother's money had seen to that. What they couldn't fix was his mind, couldn't restore the huge chunks of memory wiped out by the crash. Bobby knew someone had tried to kill him, but he didn't know why. He knew he had the key to something that made him dangerous to the killer, but he didn't know what it was. And he sensed that someone was still out there, ready to pounce at the first sign his memory was coming back. He'd been to the cops, but they'd shrugged off his story. His family thought he had a screw loose. But he was scared-scared to death. He wanted to hire Kinsey.His case didn't have a whole lot going for it, but he was hard to resist: young, brave, hurt. She took him on. And three days later, Bobby Callahan was dead.Kinsey Millhone never welshed a deal. She'd been hired to stop a killing. Now she'd find the killer."A" Is for Alibi"B" Is for Burglar"C" Is for Corpse"D" Is for Deadbeat"E" Is for Evidence"F" Is for Fugitive"G" Is for Gumshoe"H" Is for Homicide"I" Is for Innocent"J" Is for Judgment"K" Is for Killer"L" is for Lawless"M" Is for Malice"N" Is for Noose"O" Is for Outlaw"P" Is for Peril "Q" Is for Quarry"R" Is for Ricochet "S" Is for Silence "T" Is for Trespass"U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"

His name was Parnell Perkins, and until shortly after midnight, he'd been a claims adjustor for California Fidelity. Then someone came along and put paid to that line of work. And to any other. Parnell Perkins had been shot at close range and left for dead in the parking lot outside California Fidelity's offices.To the cops, it looked like a robbery gone sour. To Kinsey Millhone, it looked like the cops were walking away from the case. She didn't like the idea that a colleague and sometime drinking companion had been murdered. Or the idea that his murderer was loose and on the prowl. It made her feel exposed. Vulnerable.Bibianna Diaz was afraid for her life. If there was one thing she knew for sure, it was that you didn't cross Raymond Maldonado and live to tell the tale. And Bibianna had well and truly crossed him, running out on his crazy wedding plans and going into hiding in Santa Teresa--light years away from the Los Angeles barrio that was home turf to Raymond and his gang. Now she needed money to buy time, to make sure she'd put enough space between them. And the quickest way she knew to get money was to work an insurance scam--just like the ones Raymond was running down in L.A. The trouble was, Bibianna picked California Fidelity as her mark. And it wasn't long before her name surfaced in one of Parnell Perkins's open files and Kinsey was on her case. But so, too, was her spurned suitor, Raymond Maldonado.He had a rap sheet as long as his arm, a hair-trigger temper that was best left untested, and an inability to take no for an answer. He also had Tourette's syndrome, which did nothing to smooth out the kinks in his erratic and often violent behavior. All in all, Raymond Maldonado was not someone to spend a lot of time hanging out with. Unfortunately for Kinsey, she didn't have a lot of choice in the mater. Not after the love-sick Raymond kidnapped Bibianna. Like it or not, Kinsey was stuck babysitting Bibianna along with Raymond and his macho crew. You might say she was a prisoner of love.It may be Kinsey Millhone's most complicated and risk-filled case. It certainly is Sue Grafton's wittiest venture into low-life crime. It's "H" is for Homicide, and it confirms yet again that Kinsey Millhone is "a wonderful character, tough but not brutish, resourceful and sensitive, a fit knight to walk those mean streets with her male predecessors" (the Los Angeles Times) and that Sue Grafton is "a heads-up delight" (Detroit News)."A" Is for Alibi"B" Is for Burglar"C" Is for Corpse"D" Is for Deadbeat"E" Is for Evidence"F" Is for Fugitive"G" Is for Gumshoe"H" Is for Homicide"I" Is for Innocent"J" Is for Judgment"K" Is for Killer"L" is for Lawless"M" Is for Malice"N" Is for Noose"O" Is for Outlaw"P" Is for Peril "Q" Is for Quarry"R" Is for Ricochet "S" Is for Silence "T" Is for Trespass"U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"

NOW A MAJOR MOTION PICTURE FROM FOX 2000 STARRING MILO VENTIMIGLIA, AMANDA SEYFRIED, AND KEVIN COSTNER MEET THE DOG WHO WILL SHOW THE WORLD HOW TO BE HUMANThe New York Times bestselling novel from Garth Stein—a heart-wrenching but deeply funny and ultimately uplifting story of family, love, loyalty, and hope—a captivating look at the wonders and absurdities of human life . . . as only a dog could tell it.“Splendid.” —People“The perfect book for anyone who knows that compassion isn’t only for humans, and that the relationship between two souls who are meant for each other never really comes to an end. Every now and then I’m lucky enough to read a novel I can’t stop thinking about: this is one of them.” —Jodi Picoult “It’s impossible not to love Enzo.” —Minneapolis Star Tribune “This old soul of a dog has much to teach us about being human. I loved this book.” —Sara Gruen