Books published by publisher Arden Shakespeare

This major new edition of Shakespeare’s greatest tragedy of love argues that the play is ultimately Juliet’s. It’s richly illustrated introduction looks at the play’s exceptionally beautiful and complex language and focuses on the figure of Juliet as being at its center. Rene Weis also discusses the play’s critical, stage, and film history, including West Side Story and Baz Lurhmann’s seminal film adaptation. This authoritative edition from a leading scholar gives the reader a penetrating and wide-ranging insight into this ever-popular play. Like every Arden edition, it includes expertly edited play text and on-page commentary notes discussing issues of staging, theme, meaning, and Shakespeare’s use of his sources to give the reader deep and engaging insights into the play.

This edition of "Othello" aims to shed light on the text of the play as we have come to know it, and on our knowledge of its early history. The professional malpractices of the publisher of the Quarto, as described in documents in the Public Record Office, and the professional zeal of the Folio scribe, who wished to tidy and correct Shakespeare's manuscript, introduced many plausible but post-Shakespearean readings into the text, which call into question a number of our assumptions about the play. As well as investigating the implications of these findings about the early texts, the editor offers a wider background to the play, discussing major critical issues, the play in performance and the relationship between reading and seeing it, and topics such as its date, sources, the famous conundrum of "double time", and its "greatness" compared with "Hamlet" and "King Lear". Commentary notes assist the reader's understanding of the text in detail; many are concerned with the contemporary resonances of its language.

The Arden Shakespeare, in association with the Shakespeare Birthplace Trust, presents a new series of volumes on Shakespeare's plays in performance.The series discusses and analyses the wide range of theatrical interpretation stimulated and provoked by the most frequently performed plays. Each volume explores how different directors, designers and actors have interpreted and adapted an individual play in terms of narrative focus, themes and characters, scenery and costume. The focus is on productions at Stratford-upon-Avon since 1945, on the basis that the record of Shakespeare performances at Stratford's theatres offers a wider, fuller and more various range of interpretation than is offered by any other theatre company. The volumes also set this record in a wider geographical and chronological context by means of a historical overview of earlier productions and of productions beyond Stratford.Published in conjunction with the Shakespeare Birthplace Trust, each volume features a wealth of photographs (many of them not previously seen in print) drawn from the archive of Rsc performance materials held in the Trust's library at the Shakespeare Centre in Stratford.Shakespeare at Stratford will surprise, inform and delight both students and scholars of Shakespeare and performance history and the general reader with an interest in theatre.

Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students.Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate.

This Arden third series edition of "Love's Labour's Lost" offers a distinctive interpretation of the play. It gives full commentary and pays close attention to its verbal and theatrical patterning and to Shakespeare's interest in linguistic innovation. The text has been edited from the 1598 Quarto, with reference to the First Folio of 1623, and sets the work in the literary context of the 1590s.

"Shall I compare thee to a summer's day?" Shakespeare's much-quoted sonnets are some of the most beautiful and moving poems in English literature. Dealing with love, beauty and the effects of time, they speak to us as directly now as they spoke to Elizabethan readers. This handsome edition of Shakespeare's sonnets is based on the Arden Shakespeare edition, making authoritative texts available to the more general reader who wants to read for pleasure rather than study. A must for all Shakespeare and poetry lovers. Published as a small format hardback with colourful jacket, book ribbon and bookplate this is a beautiful collector's edition of some of the greatest poetry in English

The Arden Shakespeare has long been acclaimed as the established scholarly edition of Shakespeare's work. Now being totally reedited for the third time, Arden editions offer the very best in contemporary scholarship. Each volume provides a clear and authoritative text, edited to the highest standards; detailed textual notes and commentary on the same page of the text; full contextual, illustrated introduction, including an in-depth survey of critical and performance approaches to the play; and selected bibliography.

This collection gathers together the works by William Shakespeare in a single, convenient, high quality, and extremely low priced Kindle volume!The ComediesA Midsummer Night's DreamAll's Well That Ends WellAs You Like ItLove’s Labour ’s LostMeasure for MeasureMuch Ado About NothingThe Comedy of ErrorsThe Merchant of VeniceThe Merry Wives of WindsorThe Taming of the ShrewThe Two Gentlemen of VeronaTwelfth Night; or, What you willThe RomancesCymbelinePericles, Prince of TyreThe TempestThe Winter's TaleThe TragediesKing LearRomeo and JulietThe History of Troilus and CressidaThe Life and Death of Julius CaesarThe Life of Timon of AthensThe Tragedy of Antony and CleopatraThe Tragedy of CoriolanusThe Tragedy of Hamlet, Prince of DenmarkThe Tragedy of MacbethThe Tragedy of Othello, the Moor of VeniceTitus AndronicusThe HistoriesThe Life and Death of King JohnThe Life and Death of King Richard the SecondThe Tragedy of King Richard the ThirdThe first part of King Henry the FourthThe second part of King Henry the FourthThe Life of King Henry VThe first part of King Henry the SixthThe second part of King Henry the SixthThe third part of King Henry the SixthThe Life of King Henry the EighthThe Poetical WorksThe SonnetsSonnets to Sundry Notes of MusicA Lover's ComplaintThe Rape of LucreceVenus and AdonisThe Phoenix and the TurtleThe Passionate Pilgrim

In a period of ten years, Shakespeare wrote a series of tragedies that established him, by universal consent, in the front rank of the world’s dramatists. Critics have praised either Hamlet or King Lear as the greatest of these; Ernst Honigmann, in the most significant edition of the play for a generation, asks: why not Othello? The third of the mature tragedies, it contains, as Honigmann persuasively demonstrates, perhaps the best plot, two of Shakespeare’s most original characters, the most powerful scene in any of the plays and poetry second to none. Honigmann’s cogent and closely argued introduction outlines the reasons both for a reluctance to recognize the greatness of Othello and for the case against the play. This edition sheds new light on the text of the play as we have come to know it, and on our knowledge of its early history. Honigmann examines the major critical issues, the play in performance and the relationship between reading it and seeing it. He also explores topics such as its date, sources and the conundrum of ‘double time’. 'Honigmann's extensive knowledge illuminates this play at every turn, making this the best edition of Othello now available.' Brian Vickers, Review of English Studies

The Shakespearean Originals Series takes as its point of departure the question: "What is it that we read Shakespeare?" The answer may seem self-evident: we read the words that Shakespeare wrote. But do we? In the case of all the major editions of Shakespeare available in the market, the fact of the matter is that many of the words that we read in an edition of, say, Hamlet, never appeared in the text as it was printed during or shortly after Shakespeare's own lifetime. They are th e interpetations and interpolations of a series of editors who have been systematically changign Shakespeare's text from the eighteenth century onwards. Series has caused much debate, interest and favorable reviews within the academic community. Each volume in the series follows the same format and is produced to the same design. Students, researchers, teachers of Literary Studies and Shakepeare Studies. A Harvester Wheatsheaf Book

'By far the best edition of King Lear - in respect of both textual and other matters - that we now have.' John Lyon, English Language Notes 'This volume is a treasure-trove of precise information and stimulating comments on practically every aspect of the Lear-universe. I know of no other edition which I would recommend with such confidence: to students, professional colleagues and also the 'educated public'.' Dieter Mehl, Shakespeare Jahrbuch, vol 134