Other editions of book The Hunting Of The Snark: By Lewis Carroll - Illustrated

The Hunting of the Snark Fit the First THE LANDING “Just the place for a Snark!” the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair. “Just the place for a Snark! I have said it twice: That alone should encourage the crew. Just the place for a Snark! I have said it thrice: What I tell you three times is true.” The crew was complete: it included a Boots-- A maker of Bonnets and Hoods-- A Barrister, brought to arrange their disputes-- And a Broker, to value their goods. A Billiard-marker, whose skill was immense, Might perhaps have won more than his share-- But a Banker, engaged at enormous expense, Had the whole of their cash in his care.

THE LANDING. “JUST the place for a Snark!” the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair. “Just the place for a Snark! I have said it twice: That alone should encourage the crew. Just the place for a Snark! I have said it thrice: What I tell you three times is true.” The crew was complete: it included a Boots— A maker of Bonnets and Hoods— A Barrister, brought to arrange their disputes— And a Broker, to value their goods. A Billiard-marker, whose skill was immense, Might perhaps have won more than his share—But a Banker, engaged at enormous expense, Had the whole of their cash in his care. There was also a Beaver, that paced on the deck, Or would sit making lace in the bow: And had often (the Bellman said) saved them from wreck, Though none of the sailors knew how. the ship's crew There was one who was famed for the number of things He forgot when he entered the ship: His umbrella, his watch, all his jewels and rings, And the clothes he had bought for the trip.

If—and the thing is wildly possible—the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p. 18) “Then the bowsprit got mixed with the rudder sometimes.” In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History—I will take the more prosaic course of simply explaining how it happened. The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it—he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever xbeen able to understand—so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman1 used to stand by with tears in his eyes: he knew it was all wrong, but alas! Rule 42 of the Code, “No one shall speak to the Man at the Helm,” had been completed by the Bellman himself with the words “and the Man at the Helm shall speak to no one.” So remonstrance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards. Contents: FIT I - The Landing, FIT II - The Bellman’s Speech, FIT III - The Baker’s Tale, FIT IV - The Hunting, FIT V - The Beaver’s Lesson, FIT VI - The Barrister’s Dream, FIT VII - The Banker’s Fate, FIT VIII - The Vanishing.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Hunting of the Snark (An Agony in 8 Fits) is a poem written by English writer Lewis Carroll(27 January 1832 – 14 January 1898),. It is typically categorised as a nonsense poem. Written from 1874 to 1876, the poem borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel Through the Looking-Glass (1871).The plot follows a crew of ten trying to hunt the Snark, which may turn out to be a highly dangerous Boojum. The only one of the crew to find the Snark quickly vanishes, leading the narrator to explain that it was a Boojum after all. The poem is dedicated to young Gertrude Chataway, whom Carroll met at the English seaside town Sandown in the Isle of Wight in 1875. Included with many copies of the first edition of the poem was Carroll's religious tract, An Easter Greeting to Every Child Who Loves "Alice".

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Hunting of the Snark (An Agony in 8 Fits) is a poem written by English writer Lewis Carroll. It is typically categorised as a nonsense poem. Written from 1874 to 1876, the poem borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel Through the Looking-Glass (1871).The plot follows a crew of ten trying to hunt the Snark, an animal which may turn out to be a highly dangerous Boojum. The only one of the crew to find the Snark quickly vanishes, leading the narrator to explain that it was a Boojum after all. The poem is dedicated to young Gertrude Chataway, whom Carroll met at the English seaside town Sandown in the Isle of Wight in 1875. Included with many copies of the first edition of the poem was Carroll's religious tract, An Easter Greeting to Every Child Who Loves "Alice".The Hunting of the Snark was published by Macmillan in the United Kingdom in late March 1876, with illustrations by Henry Holiday. It had mixed reviews from reviewers who found it strange. The first printing of The Hunting of the Snark consisted of 10,000 copies. There were two reprintings by the conclusion of the year; in total, the poem was reprinted 17 times between 1876 and 1908. Carroll often denied knowing the meaning behind the poem; however, in an 1896 reply to one letter, he agreed with one interpretation of the poem as an allegory for the search for happiness. Henry Holiday, the illustrator of the poem, considered the poem a "tragedy". Scholars have found various meanings in the poem, among them existential angst, an allegory for tuberculosis, and a mockery of the Tichborne case. The Hunting of the Snark has been alluded to in various works and has been adapted for musicals, opera, plays, and music.

THE LANDING. “JUST the place for a Snark!” the Bellman cried, As he landed his crew with care; Supporting each man on the top of the tide By a finger entwined in his hair. “Just the place for a Snark! I have said it twice: That alone should encourage the crew. Just the place for a Snark! I have said it thrice: What I tell you three times is true.” The crew was complete: it included a Boots— A maker of Bonnets and Hoods— A Barrister, brought to arrange their disputes— And a Broker, to value their goods. A Billiard-marker, whose skill was immense, Might perhaps have won more than his share—But a Banker, engaged at enormous expense, Had the whole of their cash in his care. There was also a Beaver, that paced on the deck, Or would sit making lace in the bow: And had often (the Bellman said) saved them from wreck, Though none of the sailors knew how. the ship's crew There was one who was famed for the number of things He forgot when he entered the ship: His umbrella, his watch, all his jewels and rings, And the clothes he had bought for the trip.

The Hunting of the Snark (An Agony in 8 Fits) is a poem written by English writer Lewis Carroll. It is typically categorised as a nonsense poem. Written from 1874 to 1876, the poem borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel Through the Looking-Glass (1871).Illustrated by Henry Holiday.