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Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1912]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - English, Pages 389. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

The Trumpet Major I. WHAT WAS SEEN FROM THE WINDOW OVERLOOKING THE DOWN In the days of high-waisted and muslin-gowned women, when the vast amount of soldiering going on in the country was a cause of much trembling to the sex, there lived in a village near the Wessex coast two ladies of good report, though unfortunately of limited means. The elder was a Mrs. Martha Garland, a landscape-painter's widow, and the other was her only daughter Anne. Anne was fair, very fair, in a poetical sense; but in complexion she was of that particular tint between blonde and brunette which is inconveniently left without a name. Her eyes were honest and inquiring, her mouth cleanly cut and yet not classical, the middle point of her upper lip scarcely descending so far as it should have done by rights, so that at the merest pleasant thought, not to mention a smile, portions of two or three white teeth were uncovered whether she would or not. Some people said that this was very attractive. She was graceful and slender, and, though but little above five feet in height, could draw herself up to look tall. In her manner, in her comings and goings, in her 'I'll do this,' or 'I'll do that,' she combined dignity with sweetness as no other girl could do; and any impressionable stranger youths who passed by were led to yearn for a windfall of speech from her, and to see at the same time that they would not get it. In short, beneath all that was charming and simple in this young woman there lurked a real firmness, unperceived at first, as the speck of colour lurks unperceived in the heart of the palest parsley flower. She wore a white handkerchief to cover her white neck, and a cap on her head with a pink ribbon round it, tied in a bow at the front. She had a great variety of these cap-ribbons

Hardy distrusted the application of nineteenth-century empiricism to history because he felt it marginalized important human elements. In The Trumpet-Major, the tale of a woman courted by three competing suitors during the Napoleonic wars, he explores the subversive effects of ordinary human desire and conflicting loyalties on systematized versions of history. This edition restores Hardy's original punctuation and removes the bowdlerisms forced upon the text on its initial publication

Anne Garland is pursued by three suitors: John Loveday, the eponymous trumpet major in a British regiment, honest and loyal; his brother Bob, a flighty sailor; and Festus Derriman, the cowardly nephew of the local squire. The novel is set in Weymouth during the Napoleonic wars; the town was then anxious about the possibility of invasion by Napoleon. Of John Loveday fights with Wellington in the Peninsular War and and his brother Bob serves with Nelson at Trafalgar.

In the days of high-waisted and muslin-gowned women, when the vast amount ofsoldiering going on in the country was a cause of much trembling to the sex, there lived in avillage near the Wessex coast two ladies of good report, though unfortunately of limitedmeans. The elder was a Mrs. Martha Garland, a landscape-painter’s widow, and the otherwas her only daughter Anne.Anne was fair, very fair, in a poetical sense; but in complexion she was of that particulartint between blonde and brunette which is inconveniently left without a name. Her eyeswere honest and inquiring, her mouth cleanly cut and yet not classical, the middle point ofher upper lip scarcely descending so far as it should have done by rights, so that at themerest pleasant thought, not to mention a smile, portions of two or three white teeth wereuncovered whether she would or not. Some people said that this was very attractive. Shewas graceful and slender, and, though but little above five feet in height, could draw herselfup to look tall. In her manner, in her comings and goings, in her ‘I’ll do this,’ or ‘I’ll do that,’she combined dignity with sweetness as no other girl could do; and any impressionablestranger youths who passed by were led to yearn for a windfall of speech from her, and tosee at the same time that they would not get it. In short, beneath all that was charming andsimple in this young woman there lurked a real firmness, unperceived at first, as the speckof colour lurks unperceived in the heart of the palest parsley flower.She wore a white handkerchief to cover her white neck, and a cap on her head with a pinkribbon round it, tied in a bow at the front. She had a great variety of these cap-ribbons, theyoung men being fond of sending them to her as presents until they fell definitely in lovewith a special sweetheart elsewhere, when they left off doing so. Between the border ofher cap and her forehead were ranged a row of round brown curls, like swallows’ nestsunder eaves.

In the days of high-waisted and muslin-gowned women, when the vast amount of soldiering going on in the country was a cause of much trembling to the sex, there lived in a village near the Wessex coast two ladies of good report, though unfortunately of limited means. The elder was a Mrs. Martha Garland, a landscape-painter’s widow, and the other was her only daughter Anne.Anne was fair, very fair, in a poetical sense; but in complexion she was of that particular tint between blonde and brunette which is inconveniently left without a name. Her eyes were honest and inquiring, her mouth cleanly cut and yet not classical, the middle point of her upper lip scarcely descending so far as it should have done by rights, so that at the merest pleasant thought, not to mention a smile, portions of two or three white teeth were uncovered whether she would or not. Some people said that this was very attractive. She was graceful and slender, and, though but little above five feet in height, could draw herself up to look tall. In her manner, in her comings and goings, in her ‘I’ll do this,’ or ‘I’ll do that,’ she combined dignity with sweetness as no other girl could do; and any impressionable stranger youths who passed by were led to yearn for a windfall of speech from her, and to see at the same time that they would not get it. In short, beneath all that was charming and simple in this young woman there lurked a real firmness, unperceived at first, as the speck of colour lurks unperceived in the heart of the palest parsley flower.

"he Trumpet-Major is a novel by Thomas Hardy published in 1880, and his only historical novel. It concerns the heroine, Anne Garland, being pursued by three suitors: John Loveday, the eponymous trumpet major in a British regiment, honest and loyal; his brother Bob, a flighty sailor; and Festus Derriman, the cowardly nephew of the local squire. Unusually for a Hardy novel, the ending is not entirely tragic; however, there remains an ominous element in the probable fate of one of the main characters.The novel is set in Weymouth during the Napoleonic wars;[1] the town was then anxious about the possibility of invasion by Napoleon.[2] Of the two brothers, John fights with Wellington in the Peninsular War, and Bob serves with Nelson at Trafalgar. The Napoleonic Wars was a setting that Hardy would use again in his play, The Dynasts, and it borrows from the same source material.[3]Edward Neill has called the novel an attempt to repeat the success of his earlier work Far from the Madding Crowd (1874), after the limited success of his intervening works"

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