Other editions of book The Yellow Wallpaper: By Charlotte Perkins Gilman: Illustrated

★ The story : The story describes a young woman and her husband, who imposes as a rest cure on her when she suffers "temporary nervous depression" after the birth of their baby. They spend the summer at a colonial mansion, where the narrator is largely confined to an upstairs nursery. The story makes striking use of an unreliable narrator in order to gradually reveal the degree to which her husband has imprisoned her: she describes torn wallpaper, barred windows, metal rings in the walls, a floor "scratched and gouged and splintered," a bed bolted to the floor, and a gate at the top of the stairs, but blames all these on children who must have resided there...★ The author : Charlotte Perkins Gilman (1860 – 1935) was a prominent American humanist, novelist, writer of short stories, poetry and nonfiction, and a lecturer for social reform.She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. She has been inducted into the National Women's Hall of Fame.Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper", which she wrote after a severe bout of postpartum psychosis.

Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer and the couple moves into the upstairs nursery. As a form of treatment, she is forbidden from working, but encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper, descending slowly into psychosis.

Mackenzie Menter performs Charlotte Perkins Gilman’s famous 1892 tale of a woman’s decent into madness. The unnamed narrator secretly keeps a journal and chronicles her decent into madness while subjected to her doctor-husband’s severe postpartum rest cure. She begins to see that a woman is trapped in the suffocating wallpaper that envelops her room, and she becomes determined - at all costs - to free her. Rediscovered and celebrated by feminists and humanists in the 1970s, its powerful atmosphere of mystery and underlying message retains its strength to this day. Original Music and Sound Design by Jennifer Rouse.

The Yellow Wallpaper is a psychological short story about a Victorian woman on the edge of a nervous breakdown. When her husband deems she needs a "rest cure" after the birth of their child, they rent an abandoned colonial mansion with a "queer air" about it. The narrator's claustrophobic room has unpleasant, oppressive yellow wallpaper which incites her decent into madness. Charlotte Gilman's stylistic short story is an important early American feminist text, illustrating patriarchal attitudes in the early 20th century toward women's health, both physical and mental.

The Yellow Wallpaper is regarded as an important early work of American feminist literature, illustrating attitudes in the nineteenth century toward women's physical and mental health. The story also has been classified as Gothic fiction and horror fiction. The story is written as a collection of first person journal entries written by a woman whose physician husband has confined her to the upstairs bedroom of a house that he has rented for the summer.

"The Yellow Wallpaper" is a 6,000-word short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate.

John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures. John is a physician, and PERHAPS-- (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)--PERHAPS that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do? If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression --a slight hysterical tendency-- what is one to do?

Text original. "It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity-but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects that in marriage. John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures."