Books with title The Last Man's Reward

Set at the end of the twenty-first century, The Last Man is a moving and fantastical account of the apocalypse. Faced with a populace clamoring for more democratic rule, the last king of England relinquishes his throne. Suddenly a mysterious plague sweeps the globe, drawing ever nearer to England. As war, disease, and death ravage humanity, ideals of fairness and love are quickly supplanted by the imperative of survival.

Set at the end of the twenty-first century, The Last Man is a moving and fantastical account of the apocalypse. Faced with a populace clamoring for more democratic rule, the last king of England relinquishes his throne. Suddenly a mysterious plague sweeps the globe, drawing ever nearer to England. As war, disease, and death ravage humanity, ideals of fairness and love are quickly supplanted by the imperative of survival.

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"The Last Man" is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and, except for a 1924 silent film based on it, was virtually unknown - having been eclipsed by Shelley's more popular works - until a scholarly revival in the 1960s. It contains semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.

The Last Man is an apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and was virtually unknown until a scholarly revival beginning in the 1960s. It is notable in part for its semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron. Themes Biographical elements Many of the central characters are wholly or partially based upon Shelley's acquaintances. Shelley had been forbidden by her father-in-law, Sir Timothy Shelley, from publishing a biography of her husband, so she memorialised him, amongst others, in The Last Man. The utopian Adrian, Earl of Windsor, who leads his followers in search of a natural paradise and dies when his boat sinks in a storm, is a fictional portrait of Percy Bysshe Shelley, although other minor characters such as Merrival bear traces of Percy as well. Lord Raymond, who leaves England to fight for the Greeks and dies in Constantinople, is based on Lord Byron. The novel expresses Mary Shelley's pain at the loss of her community of the "Elect", as she called them, and Lionel Verney has been seen as an outlet for her feelings of loss and boredom following their deaths and the deaths of her children. It appears that Shelley found inspiration for the title of her novel in Jean-Baptiste Cousin de Grainville's Le Dernier Homme (1805), translated into English in 1806 as Omegarus and Syderia. Failure of romantic political ideals The Last Man not only laments the loss of Shelley's friends, but also questions the Romantic political ideals for which they stood. In a sense, the plague is metaphorical, since the revolutionary idyll of the élite group is corroded from within by flaws of human nature. As literary scholar Kari Lokke writes, "in its refusal to place humanity at the center of the universe, its questioning of our privileged position in relation to nature, then, The Last Man constitutes a profound and prophetic challenge to Western humanism." Specifically, Mary Shelley, in making references to the failure of the French Revolution and the Godwinian, Wollstonecraftian, and Burkean responses to it, "attacks Enlightenment faith in the inevitability of progress through collective efforts". Isolation Hugh Luke argues that "By ending her story with the picture of the Earth's solitary inhabitant, she has brought nearly the whole weight of the novel to bear upon the idea that the condition of the individual being is essentially isolated and therefore ultimately tragic" (xvii). Shelley shares this theme of tragic isolation with the poetry of Lord Byron and William Wordsworth. Science and medicine Just as her earlier and more well-known Frankenstein (1818) engaged with scientific questions of electromagnetism, chemistry, and materialism, The Last Man finds Shelley again attempting to understand the scope of scientific inquiry. Unlike the earlier novel's warnings about Faustian over-reaching, this novel's devastating apocalypse strongly suggests that medicine had become too timid and ultimately too late. The ineffectual astronomer Merrival, for example, stands in stark contrast to the frighteningly productive Victor Frankenstein. Shelley's construction of Lionel Verney's immunity remains a subject of significant critical debate, but the novel certainly demonstrates a deep understanding of the history of medicine, specifically the development of the smallpox vaccine and the various nineteenth-century theories about the nature of contagion.

This highly imaginative work of Mary Shelley's twenty-sixth year contains some of the author's most powerful ideas ; but is marred in the commencement by some of her most stilted writing.The account of the events recorded professes to be found in the cave of the Cumsean Sibyl, near Naples, where they had remained for centuries, outlasting the changes of nature and, when found, being still two hundred and fifty years in advance of the time foretold. The accounts are all written on the sibylline leaves; they are in all languages, ancient and modern; and those concerning this story are in English.We find ourselves in England, in the midst of a Republic, the last king of England having abdicated at the quietly expressed wish of his subjects. This book, like all Mrs. Shelley's, is full of biographical reminiscences; the introduction gives the date of her own visit to Naples with Shelley, in 1818; the places they visited are there indicated ; the poetry, romance, the pleasures and pains of her own existence, are worked into her subjects ; while her imagination carries her out of her own surroundings. We clearly recognise in the ideal character of the son of the abdicated king an imaginary portrait of Shelley as Mary would have him known, not as she knew him as a living person. To give an adequate idea of genius with all its charm, and yet with its human imperfections, was beyond Mary's power. Adrian, the son of kings, the aristocratic republican, is the weakest part, and one cannot help being struck by Mary Shelley's preference for the aristocrat over the plebeian.

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and was virtually unknown until a scholarly revival beginning in the 1960s. It is notable in part for its semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.BONUS :• The Last Man Audiobook.• 11 Illustrations about Mary Wollstonecraft Shelley.

The Last Man is an apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and was virtually unknown until a scholarly revival beginning in the 1960s. It is notable in part for its semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.Mary Shelley (Mary Wollstonecraft Godwin; 30 August 1797 – 1 February 1851) was a British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin, and her mother was the philosopher and feminist Mary Wollstonecraft. Until the 1970s, Mary Shelley was known mainly for her efforts to publish Percy Shelley's works and for her novel Frankenstein, which remains widely read and has inspired many theatrical and film adaptations. Recent scholarship has yielded a more comprehensive view of Mary Shelley’s achievements. Scholars have shown increasing interest in her literary output, particularly in her novels, which include the historical novels Valperga (1823) and Perkin Warbeck (1830), the apocalyptic novel The Last Man (1826), and her final two novels, Lodore (1835) and Falkner (1837). Studies of her lesser-known works such as the travel book Rambles in Germany and Italy (1844) and the biographical articles for Dionysius Lardner's Cabinet Cyclopaedia (1829–46) support the growing view that Mary Shelley remained a political radical throughout her life. Mary Shelley's works often argue that cooperation and sympathy, particularly as practised by women in the family, were the ways to reform civil society. This view was a direct challenge to the individualistic Romantic ethos promoted by Percy Shelley and the Enlightenment political theories articulated by her father, William Godwin. (Wikipedia)