Books with title The Happy Prince

Although there is little recorded of the youth of Machiavelli, the Florence of those days is so well known that the early environment of this representative citizen may be easily imagined. Florence has been described as a city with two opposite currents of life, one directed by the fervent and austere Savonarola, the other by the splendour-loving Lorenzo. Savonarola's influence upon the young Machiavelli must have been slight, for although at one time he wielded immense power over the fortunes of Florence, he only furnished Machiavelli with a subject of a gibe in "The Prince," where he is cited as an example of an unarmed prophet who came to a bad end. Whereas the magnificence of the Medicean rule during the life of Lorenzo appeared to have impressed Machiavelli strongly, for he frequently recurs to it in his writings, and it is to Lorenzo's grandson that he dedicates "The Prince."

As a young Florentine envoy to the courts of France and the Italian principalities, Niccolò Machiavelli (1469-1527) was able to observe firsthand the lives of people strongly united under one powerful ruler. His fascination with that political rarity and his intense desire to see the Medici family assume a similar role in Italy provided the foundation for his "primer for princes." In this classic guide to acquiring and maintaining political power, Machiavelli used a rational approach to advise prospective rulers, developing logical arguments and alternatives for a number of potential problems, among them governing hereditary monarchies, dealing with colonies and the treatment of conquered peoples. Refreshing in its directness, yet often disturbing in its cold practicality, The Prince sets down a frighteningly pragmatic formula for political fortune. Starkly relevant to the political upheavals of the 20th century, this calculating prescription for power remains today, nearly 500 years after it was written, a timely and startling lesson in the practice of autocratic rule that continues to be much read and studied by students, scholars and general readers as well.

"Swallow, Swallow, little Swallow," said the Prince, "will you not stay with me one night longer?" "It is winter," answered the swallow, "and the chill snow will soon be here. In Egypt the sun is warm" From his high vantage point, the glittering statue of the Happy Prince is the pride of city officials. But the Prince’s sapphire eyes are filled with tears because of the suffering he sees below. Stuck fast on his pedestal, there is nothing the gem-encrusted statue can do to help relieve the poor, until a little swallow stops to rest at his feet. The Prince persuades the bird to be his messenger, and to pluck out and carry one precious jewel after another to those in need. In order to survive the winter, the swallow must fly to a warmer place, but his love for the now-shabby Prince compels him to stay despite the consequences. Time after time, the brave little bird does all that is asked, until both he and the Happy Prince have nothing left to give. Oscar Wilde’s classic fairy tale of compassion and selflessness is given new life by Robin Muller’s exquisite illustrations in this special edition.

High above the city, on a tall column, stood the statue of the Happy Prince. He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt. He was very much admired indeed. “He is as beautiful as a weathercock,” remarked one of the Town Councillors who wished to gain a reputation for having artistic tastes; “only not quite so useful,” he added, fearing lest people should think him unpractical, which he really was not. “Why can’t you be like the Happy Prince?” asked a sensible mother of her little boy who was crying for the moon. “The Happy Prince never dreams of crying for anything.” “I am glad there is some one in the world who is quite happy,” muttered a disappointed man as he gazed at the wonderful statue.

Growing up in a family of five as an energetic preteen, Carmen Browne is determined to live her life to please God. So far we followed Carmen as she began to face both major and minor life issues such as an unexpected family move, her big brother's search for his birth family, and the tragedy of domestic violence. As she learns to trust God to work all things out for good, Carmen learns a lot about herself, too: being popular doesn't guarantee you true friends, being honest up front saves a lot of hurt, and sometimes self-confidence is just bossiness in disguise.Now in this fifth and final volume of the popular series, Carmen begins to face the uncharted waters of adolescence. She discovers that her changing moods and growing body bring a brand new set of challenges to her life.

The Prince is a 16th-century political treatise, by the Italian diplomat and political theorist Niccolò Machiavelli. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings". Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the effective truth is taken to be more important than any abstract ideal. It was also in direct conflict with the dominant Catholic and scholastic doctrines of the time concerning politics and ethics. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It even contributed to the modern negative connotations of the words "politics" and "politician" in western countries.In terms of subject matter it overlaps with the much longer Discourses on Livy, which was written a few years later. In its use of near-contemporary Italians as examples of people who perpetrated criminal deeds for politics, another lesser-known work by Machiavelli which The Prince has been compared to is the Life of Castruccio Castracani.