Books with title The Americans Texas

"The American" is Henry James novel about American businessman and civil war veteran Christopher Newman, a man who has found early fortune in business and having retired decides to take a tour of Europe. There he meets Claire de Cintre, a young widow from an aristocratic Parisian family, whom he falls in love with. The novel is primarily concerned with this courtship. "The American" is a melodramatic social comedy that exemplifies the stark contrasts between America and Europe at the end of the 19th century.

"The American" is Henry James novel about American businessman and civil war veteran Christopher Newman, a man who has found early fortune in business and having retired decides to take a tour of Europe. There he meets Claire de Cintre, a young widow from an aristocratic Parisian family, whom he falls in love with. The novel is primarily concerned with this courtship. "The American" is a melodramatic social comedy that exemplifies the stark contrasts between America and Europe at the end of the 19th century.

The American is a novel by Henry James, originally published as a serial in The Atlantic Monthly in 1876-77 and then as a book in 1877. The novel is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th-century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family.In 1868, Christopher Newman, an American businessman, visits Europe on a Grand Tour. Having worked for a living since age ten (interrupted by service in the Union Army during the American Civil War), he has made a large fortune and retired in his thirties, and is now looking to settle down and get married.At the Louvre in Paris he watches a painter named Noémie; he offers to buy the copy she is making, and meets her father, M. Nioche. About the same time a mutual friend introduces Newman to Claire de Cintré, a young widow. Newman hires M. Nioche to teach him French and the two become friendly; Newman, learning that M. Nioche worries about his daughter's future since he is poor, says that he will buy enough paintings from Noémie to give her a respectable dowry. Meeting Newman at the Louvre the next day, though, Noémie frankly tells him that she has no talent and her paintings are worthless. She scorns the men she could marry even with a dowry, and hints that she would prefer a more exciting life. Newman either doesn't understand the hint or ignores it, and he leaves her to her work. He pays a visit to the Bellegarde estate, where he meets Claire's two brothers: the cheerful Valentin and the aloof Marquis de Bellegarde, who coldly rebuffs him.Newman and Valentin become good friends, and eventually he tells Valentin that he wishes to marry Claire; Valentin tells Newman that he has his support but he will find it hard going against the class prejudices of the Marquis and his mother, royalist supporters of the Bourbons. Newman proposes to Claire; after hesitating, because her first husband was abusive, Claire says she will consider it.Newman and Valentin visit the Louvre and find Noémie at work in a gallery. Noémie tells Newman she has finished none of the work she was to do for him, and in irritation she slashes a large red cross over her painting, obliterating it. Afterwards Valentin tells Newman that Noémie is certain to become the mistress of some rich man, though Newman objects that her respectable father would never allow it.Claire's mother tells Newman his "commercial" background makes him unfit, but when he tells her how rich he is, she reluctantly agrees not to oppose him. After some months Claire agrees to marry him, and the Bellegardes have a party in honor of the engagement. Newman hears town gossip that Noémie has become a courtesan; he goes to see M. Nioche, and finds him drinking in misery.

The American is a novel by Henry James, originally published as a serial in The Atlantic Monthly in 1876–77 and then as a book in 1877. The novel is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th-century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family.

On a brilliant day in May, in the year 1868, a gentleman was reclining at his ease on the great circular divan which at that period occupied the centre of the Salon Carre, in the Museum of the Louvre. This commodious ottoman has since been removed, to the extreme regret of all weak-kneed lovers of the fine arts, but the gentleman in question had taken serene possession of its softest spot, and, with his head thrown back and his legs outstretched, was staring at Murillo's beautiful moon-borne Madonna in profound enjoyment of his posture. He had removed his hat, and flung down beside him a little red guide-book and an opera-glass. The day was warm; he was heated with walking, and he repeatedly passed his handkerchief over his forehead, with a somewhat wearied gesture. And yet he was evidently not a man to whom fatigue was familiar; long, lean, and muscular, he suggested the sort of vigor that is commonly known as "toughness." But his exertions on this particular day had been of an unwonted sort, and he had performed great physical feats which left him less jaded than his tranquil stroll through the Louvre. He had looked out all the pictures to which an asterisk was affixed in those formidable pages of fine print in his Badeker; his attention had been strained and his eyes dazzled, and he had sat down with an aesthetic headache. He had looked, moreover, not only at all the pictures, but at all the copies that were going forward around them, in the hands of those innumerable young women in irreproachable toilets who devote themselves, in France, to the propagation of masterpieces, and if the truth must be told, he had often admired the copy much more than the original. His physiognomy would have sufficiently indicated that he was a shrewd and capable fellow, and in truth he had often sat up all night over a bristling bundle of accounts, and heard the cock crow without a yawn. But Raphael and Titian and Rubens were a new kind of arithmetic, and they inspired our friend, for the first time in his life, with a vague self-mistrust.