Books with title I Was Cleopatra

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Of all the beautiful women of history, none has left us such convincing proofs of her charms as Cleopatra, for the tide of Rome's destiny, and, therefore, that of the world, turned aside because of her beauty. Julius Caesar, whose legions trampled the conquered world from Canopus to the Thames, capitulated to her, and Mark Antony threw a fleet, an empire and his own honor to the winds to follow her to his destruction. Disarmed at last before the frigid Octavius, she found her peerless body measured by the cold eye of her captor only for the triumphal procession, and the friendly asp alone spared her Rome's crowning ignominy.

Cleopatra: Being an Account of the Fall and Vengeance of Harmachis is a novel written by the author H. Rider Haggard, the author of King Solomon's Mines and She. The book was first printed in 1889. The story is set in the Ptolemaic era of Ancient Egyptian history and revolves around the survival of a dynasty bloodline protected by the Priesthood of Isis. The main character Harmachis (the living descendant of the pharaoh's bloodline) is charged by the Priesthood to overthrow the supposed impostor Cleopatra, drive out the Greeks and Romans and restore Egypt to its golden era. As is the case with the majority of Haggard's works, the story draws heavily upon adventure and exotic concepts. The story, told from the point of view of the Egyptian priest Harmachis, is recounted in biblical language, being in the form of papyrus scrolls found in a tomb. Haggard's portrait of Cleopatra is quite stunning, revealing her wit, her treachery, and her overwhelming presence. All of the characters are mixtures of good and evil, and evoke both sympathy and loathing. While much of the material on ancient Egyptian ritual is overdone, the often brilliant dialogue and the fateful interactions between the principal characters make the book quite unforgettable in comparison to Haggard's better known but more conventional adventure novels. The character of Mark Antony, introduced in the later part of the book, is fleeting and lacks importance, though historically it seems that the book has some importance as the references made are based on facts about the romance between Cleopatra and Mark Antony and the fall of both from power. Cleopatra goes unrecognized in most discussions of Haggard—perhaps because of its stilted language.

Sir Henry Rider Haggard, KBE (22 June 1856 – 14 May 1925), known as H. Rider Haggard, was an English writer of adventure novels set in exotic locations, predominantly Africa, and a pioneer of the Lost World literary genre. He was also involved in agricultural reform throughout the British Empire. His stories, situated at the lighter end of Victorian literature, continue to be popular and influential.

The story is set in the Ptolemaic era of Ancient Egyptian history and revolves around the survival of a dynasty bloodline protected by the Priesthood of Isis. The main character Harmachis (the living descendant of the pharaoh's bloodline) is charged by the Priesthood to overthrow the supposed impostor Cleopatra, drive out the Greeks and Romans and restore Egypt to its golden era.

The history of the ruin of Antony and Cleopatra must have struck many students of the records of their age as one of the most inexplicable of tragic tales. What malign influence and secret hates were at work, continually sapping their prosperity and blinding their judgment? Why did Cleopatra fly at Actium, and why did Antony follow her, leaving his fleet and army to destruction? An attempt is made in this romance to suggest a possible answer to these and some other questions. The reader is asked to bear in mind, however, that the story is told, not from the modern point of view, but as from the broken heart and with the lips of an Egyptian patriot of royal blood; no mere beast-worshipper, but a priest instructed in the inmost mysteries, who believed firmly in the personal existence of the gods of Khem, in the possibility of communion with them, and in the certainty of immortal life with its rewards and punishments; to whom also the bewildering and often gross symbolism of the Osirian Faith was nothing but a veil woven to obscure secrets of the Sanctuary. Whatever proportion of truth there may have been in their spiritual claims and imaginings, if indeed there was any, such men as the Prince Harmachis have been told of in the annals of every great religion, and, as is shown by the testimony of monumental and sacred inscriptions, they were not unknown among the worshippers of the Egyptian Gods, and more especially of Isis.

The story is set in the Ptolemaic era of ancient Egyptian history and revolves around the survival of a dynasty bloodline protected by the Priesthood of Isis. The main character Harmachis (the living descendant of this bloodline) is charged by the Priesthood to overthrow the supposed impostor Cleopatra, drive out the Romans, and restore Egypt to its golden era.As is the case with the majority of Haggard's works, the story draws heavily upon adventure and exotic concepts. The story, told from the point of view of the Egyptian priest Harmachis, is recounted in biblical language, being in the form of papyrus scrolls found in a tomb. Haggard's portrait of Cleopatra is quite stunning, revealing her wit, her treachery, and her overwhelming presence. All of the characters are mixtures of good and evil, and evoke both sympathy and loathing.