Books with title Black Tulip

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Black Tulip Chapter 1. A Grateful People On the 20th of August, 1672, the city of the Hague, always so lively, so neat, and so trim that one might believe every day to be Sunday, with its shady park, with its tall trees, spreading over its Gothic houses, with its canals like large mirrors, in which its steeples and its almost Eastern cupolas are reflected,--the city of the Hague, the capital of the Seven United Provinces, was swelling in all its arteries with a black and red stream of hurried, panting, and restless citizens, who, with their knives in their girdles, muskets on their shoulders, or sticks in their hands, were pushing on to the Buytenhof, a terrible prison, the grated windows of which are still shown, where, on the charge of attempted murder preferred against him by the surgeon Tyckelaer, Cornelius de Witt, the brother of the Grand Pensionary of Holland was confined. If the history of that time, and especially that of the year in the middle of which our narrative commences, were not indissolubly connected with the two names just mentioned, the few explanatory pages which we are about to add might appear quite supererogatory; but we will, from the very first, apprise the reader--our old friend, to whom we are wont on the first page to promise amusement, and with whom we always try to keep our word as well as is in our power--that this explanation is as indispensable to the right understanding of our story as to that of the great event itself on which it is based. Cornelius de Witt, Ruart de Pulten, that is to say, warden of the dikes, ex-burgomaster of Dort, his native town, and member of the Assembly of the States of Holland, was forty-nine years of age, when the Dutch people, tired of the Republic such as John de Witt, the Grand Pensionary of H

The Black Tulip is a classic Alexandre Dumas novel that begins with a historical event — the 1672 lynching of the Dutch Grand Pensionary (roughly equivalent to a modern Prime Minister) Johan de Witt and his brother Cornelis, by a wild mob of their own countrymen — considered by many as one of the most painful episodes in Dutch history, described by Dumas with a dramatic intensity. The city of Haarlem, Netherlands, has set a prize to the person who can grow a black tulip, sparking competition between the country's best gardeners to win the money, honour and fame. Only the city's oldest citizens remember the Tulip Mania thirty years earlier, and the citizens throw themselves into the competition. The young and bourgeois Cornelius van Baerle has almost succeeded but is suddenly thrown into the Loevestein prison. There he meets the prison guard's beautiful daughter Rosa, who will be his comfort and help, and eventually become his rescuer. The novel was originally published in three volumes in 1850 as La Tulipe Noire by Baudry (Paris).

The Black Tulip is a historical novel written by Alexandre Dumas, père.The story begins with a historical event — the 1672 lynching of the Dutch Grand Pensionary (roughly equivalent to a modern Prime Minister) Johan de Witt and his brother Cornelis, by a wild mob of their own countrymen — considered by many as one of the most painful episodes in Dutch history, described by Dumas with a dramatic intensity.The main plot line, involving fictional characters, takes place in the following 18 months; only gradually does the reader understand its connection with the killing of the de Witt brothers.The city of Haarlem, Netherlands, has set a prize of ƒ100,000 to the person who can grow a black tulip, sparking competition between the country's best gardeners to win the money, honour and fame. Only the city's oldest citizens remember the Tulip Mania 30 years earlier, and the citizens throw themselves into the competition. The young and bourgeois Cornelius van Baerle has almost succeeded but is suddenly thrown into the Loevestein prison. There he meets the prison guard's beautiful daughter Rosa, who will be his comfort and help, and eventually become his rescuer.The novel was originally published in three volumes in 1850 as La Tulipe Noire by Baudry (Paris).

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Famous for classic adventure novels such as The Count of Monte Cristo and The Three Musketeers, Alexandre Dumas is one of the most popular French authors of all time. Set in the Netherlands during the 17th century, The Black Tulip follows young bourgeoisie Cornelius van Baerle as he attempts to claim the prize set by the city of Haarlem for growing the rare black tulip. On the cusp of victory, Cornelius is instead tossed into prison, where he meets the prison guard's daughter and begins a relationship that may eventually lead to his rescue.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This series contains summary of Classic books such as Emma, Arne, Arabian Nights, Pride and prejudice, Tower of London, Wealth of Nations etc. Each book is specially crafted after reading complete book in less than 30 pages. One who wants to get joy of book reading especially in very less time can go for it.The Black Tulip"The Black Tulip," published in 1850, was the last of Alexandre Dumas' more famous stories, and ranks deservedly high among the short novels of its prolific author. Dumas visited Holland in May, 1849, in order to be present at the coronation of William III. at Amsterdam, and according to Flotow, the composer, it was the king himself who told Dumas the story of "The Black Tulip," and mentioned that none of the author's romances were concerned with the Dutch. Dumas, however, never gave any credit to this anecdote, and others have alleged that Paul Lacroix, the bibliophile, who was assisting Dumas with his novels at that time, is responsible for the plot. The question can never be answered, for who can disentangle the work of Dumas from that of his army of helpers? A feature of "The Black Tulip" is that in it is the bulb, and not a human being, that is the real centre of interest. The fate of the bulb is made of first importance, and the fortunes of Cornelius van Baerle, the tulip fancier, of Boxtel, and of Rosa, the gaoler's daughter, exciting though they are, take second place.

The story begins with a historical event—the 1672 lynching of the Dutch Grand Pensionary (roughly equivalent to a modern Prime Minister) Johan de Witt and his brother Cornelis, by a wild mob of their own countrymen—considered by many as one of the most painful episodes in Dutch history, described by Dumas with a dramatic intensity.The main plot line, involving fictional characters, takes place in the following 18 months; only gradually does the reader understand its connection with the killing of the de Witt brothers.The city of Haarlem, Netherlands, has set a prize of ƒ100,000 to the person who can grow a black tulip, sparking competition between the country's best gardeners to win the money, honour and fame. Only the city's oldest citizens remember the Tulip Mania 30 years earlier, and the citizens throw themselves into the competition. The young and bourgeois Cornelius van Baerle has almost succeeded but is suddenly thrown into the Loevestein prison. There he meets the prison guard's beautiful daughter Rosa, who will be his comfort and help, and eventually become his rescuer.The novel was originally published in three volumes in 1850 as La Tulipe Noire by Baudry (Paris).

Cornelius von Baerle, a respectable tulip-grower, lives only to cultivate the elusive black tulip and win a magnificent prize for its creation. But after his powerful godfather is assassinated, the unwitting Cornelius becomes caught up in deadly political intrigue and is falsely accused of high treason by a bitter rival. Condemned to life imprisonment, his only comfort is Rosa, the jailer's beautiful daughter, and together they concoct a plan to grow the black tulip in secret. Dumas' last major historical novel is a tale of romantic love, jealousy and obsession, interweaving historical events surrounding the brutal murders of two Dutch statesman in 1672 with the phenomenon of tulipomania that gripped seventeenth-century Holland. This new translation follows the unabridged edition of 1865 and includes a chronology and list of further reading. In his introduction, Robin Buss discusses Dumas' use of elements from the history of the Dutch Republic, tulipomania and the paintings of the period, and places the novel in the context of Dumas' life and career.